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Don't Blame Me (Dorothy Fields And Jimmy McHugh Song)
"Don't Blame Me" is a popular song with music by Jimmy McHugh and lyrics by Dorothy Fields. The song was part of the 1932 show ''Clowns in Clover'' and was published in 1933. Popular versions that year were recorded by: Ethel Waters (US No. 6), Guy Lombardo, and Charles Agnew. Later recordings *It was a No. 21 hit for Nat King Cole in 1948. *The song received two significant "rock era" remakes: a ballad version by the Everly Brothers in 1961 which reached No. 20 on ''Billboard'', and an up-tempo version by Frank Ifield which reached No. 8 on the UK Singles Chart on 15 February 1964, as well as in New Zealand. In the U.S., Ifield's version reached No. 128. Other recordings * Charles Agnew and his Hotel Stevens Orchestra (1933). ''The New Yorker'' magazine reviewed this recording as "richly played." * Ethel Waters with the Dorsey Brothers Orchestra – 1933 * Teddy Wilson – 1937 * Nat "King" Cole October 1938, July 1944,The King Cole Trio: The MacGregor Years, 1941-1945, Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy McHugh
James Francis McHugh (July 10, 1894 – May 23, 1969) was an American composer. One of the most prolific songwriters from the 1920s to the 1950s, he is credited with over 500 songs. His songs were recorded by many artists, including Chet Baker, June Christy, Bing Crosby, Marlene Dietrich, Deanna Durbin, Ella Fitzgerald, Judy Garland, Adelaide Hall, Billie Holiday, Beverly Kenney, Bill Kenny, The Everly Brothers, Peggy Lee, Carmen Miranda, Nina Simone, Frank Sinatra, and Dinah Washington. Career McHugh began his career in his hometown of Boston, Massachusetts, United States, where he published about a dozen songs with local publishers. His first success was with the World War I song " Keep the Love-Light Burning in the Window Till the Boys Come Marching Home", and this also came near the start of a decade-long collaboration with lyricist Jack Caddigan. After struggling in a variety of jobs, including rehearsal pianist for the Boston Opera House and pianist- song plugge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andy Russell (singer)
Andy Russell (born Andrés Rábago; September 16, 1919 – April 16, 1992) was an American popular music, popular vocalist, actor, and entertainer of Mexican descent, specializing in traditional pop and Latin music (genre), Latin music. He sold 8 million records in the 1940s singing in a romantic, baritone voice and in his trademark bilingual English and Spanish style. He had chart-busters, such as "Bésame Mucho", "Amor (1943 song), Amor", and "What a Difference a Day Makes, What a Diff'rence a Day Made". He made personal appearances and performed on radio programs, most notably ''Your Hit Parade'', in several movies, and on television. During this initial phase of his career, his popularity in the United States rivaled that of crooners Frank Sinatra and Perry Como. In 1954, he relocated to Mexico where he became a star of radio, television, motion pictures, music record, records and nightclubs. He toured extensively throughout Latin America, Spain, Portugal and Cuba, and hoste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Jordan
Irving Sidney "Duke" Jordan (April 1, 1922 – August 8, 2006) was an American jazz pianist. Biography Jordan was born in New York and raised in Brooklyn where he attended Boys High School. An imaginative and gifted pianist, Jordan was a regular member of Charlie Parker's quintet during 1947–48, which also featured Miles Davis. He participated in Parker's Dial sessions in late 1947 that produced "Dewey Square", "Bongo Bop", "Bird of Paradise", and the ballad " Embraceable You". These performances are featured on '' Charlie Parker on Dial''. Jordan had a long solo career from the mid-1950s onwards, although for a period in the mid-1960s he drove a taxi in New York. After periods accompanying Sonny Stitt and Stan Getz, he performed and recorded in the trio format. His composition, " Jordu", became a jazz standard when trumpeter Clifford Brown adopted it into his repertoire. Another of his compositions, "No Problem", has been recorded several times, notably by Art Blakey, under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Criss-Cross (album)
''Criss-Cross'' is a studio album by American jazz musician Thelonious Monk, released in August 1963 by Columbia Records. The album consists of previously released Monk compositions that were re-recorded for Columbia by the Thelonious Monk Quartet. History ''Criss-Cross'' was recorded during and shortly after the sessions for Monk's first Columbia LP, '' Monk's Dream''. The quartet of musicians that appear on the album had been playing together for four years at the time of the recording sessions, and was thus one of the longer-lived bands of Monk's career. The critical and popular success of the group during this period led to Monk's appearance on the cover of ''Time'' magazine in February 1964. It later became known that as Monk's international profile was reaching its apex in the mid-1960s, his manic depressive episodes were getting more severe and his composing output was diminished. ''Criss-Cross'' and Monk's other Columbia recordings have been criticized for revisiting wel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk ( October 10, 1917 – February 17, 1982) was an American Jazz piano, jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the Jazz standard, standard jazz repertoire, including "'Round Midnight (song), 'Round Midnight", "Blue Monk", "Straight, No Chaser (composition), Straight, No Chaser", "Ruby, My Dear (composition), Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature consonance and dissonance, dissonances and angular melodic twists, often using flat ninths, flat fifths, unexpected chromatic notes together, low bass notes and stride, and fast whole tone scale, whole tone runs, combining a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yusef Lateef
Yusef Abdul Lateef (born William Emanuel Huddleston; October 9, 1920 – December 23, 2013) was an American jazz multi-instrumentalist, composer, and prominent figure among the Ahmadiyya Community in the United States. Although Lateef's main instruments were the tenor saxophone and flute, he also played oboe and bassoon, both rare in jazz, and non-western instruments such as the bamboo flute, shanai, shofar, xun, arghul and koto. He is known for having been an innovator in the blending of jazz with " Eastern" music. Peter Keepnews, in his ''New York Times'' obituary of Lateef, wrote that the musician "played world music before world music had a name". Lateef's books included two novellas titled ''A Night in the Garden of Love'' and ''Another Avenue'', the short story collections ''Spheres'' and ''Rain Shapes'', and his autobiography, ''The Gentle Giant,'' written in collaboration with Herb Boyd. Along with his record label YAL Records, Lateef owned Fana Music, a music pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It's All Over But The Swingin'
''It's All Over but the Swingin'' is a 1957 album by Sammy Davis Jr., arranged by Jack Pleis and Morty Stevens. Track listing # "Guess I'll Hang My Tears out to Dry" (Sammy Cahn, Jule Styne) – 4:43 # " But Not for Me" (George Gershwin, Ira Gershwin) – 3:24 # "Where's That Rainbow?" (Lorenz Hart, Richard Rodgers) – 3:27 # " I Cover the Waterfront" (Johnny Green, Edward Heyman) – 3:19 # " Don't Blame Me" (Dorothy Fields, Jimmy McHugh) – 2:52 # "Better Luck Next Time" (Irving Berlin) – 2:43 # " Can't Help Lovin' Dat Gal" (Oscar Hammerstein II, Jerome Kern) – 4:53 # " It Never Entered My Mind" (Hart, Rodgers) – 4:05 # " Someone to Watch over Me" (G. Gershwin, I. Gershwin) – 3:23 # "I've Grown Accustomed to Her Face" ( Alan Jay Lerner, Frederick Loewe) – 2:47 # " Spring Is Here" (Hart, Rodgers) – 4:03 # "I Can't Get Started" (Vernon Duke, I. Gershwin) – 3:29 Personnel Performance * Sammy Davis Jr. – vocal *Dan Lube, M. Sosson – violin *Al Dinkin, Paul R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Davis Jr
Samuel George Davis Jr. (December 8, 1925 – May 16, 1990) was an American singer, actor, comedian, dancer, and musician. At age two, Davis began his career in Vaudeville with his father Sammy Davis Sr. and the Will Mastin Trio, which toured nationally, and his film career began in 1933. After military service, Davis returned to the trio and became a sensation following key nightclub performances at Ciro's (in West Hollywood) in 1951, including one after the 23rd Academy Awards, Academy Awards ceremony. With the trio, he became a recording artist. In 1954, at the age of 29, he lost his left eye in a car accident. Several years later, he converted to Judaism, finding commonalities between the oppression experienced both by black Americans and Jewish communities.Sammy Davis Jr. Biography Biography.com. Retrieve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnnie Ray
John Alvin Ray (January 10, 1927 – February 24, 1990) was an American singer, songwriter, and pianist. Highly popular for most of the 1950s, Ray has been cited by critics as a major precursor to what became rock and roll, for his jazz and blues-influenced music, and his animated stage personality. Tony Bennett called Ray the "father of rock and roll", and historians have noted him as a pioneering figure in the development of the genre. Born and raised in Dallas, Oregon, Ray, who was partially deaf, began singing professionally at age 15 on Portland radio stations. He gained a local following singing at small, predominantly African-American nightclubs in Detroit, where he was discovered in 1949. In 1951, he signed a contract with Okeh Records, a subsidiary of Columbia Records. On the ''Billboard'' charts, he rose quickly from obscurity with the release of his debut album '' Johnnie Ray'' (1952), as well as with a 78 rpm single, both of whose sides reached the ''Billboard' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All-Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar, and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as compact discs (CDs) replaced LP record, LPs and cassette (format), cassettes as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosaic Records
Mosaic Records is an American jazz record company and label established in 1982 by Michael Cuscuna and Charlie Lourie. It produces limited-edition box sets. The sets recordings are leased from the major record companies, usually for a three- or five-year period, with the edition limited to a specific number of copies, typically 5,000. Sometimes the complete catalog of a label would appear: the complete masters of Milt Gabler's Commodore Records were contained in three sets consisting of some 66 LPs. In 2003, the company initiated the Select series of smaller sets, not necessarily "complete" in the usual sense. In 2006, the company began a third line, Mosaic Singles, a series dedicated to reissuing individual albums on CD that have not previously been available in US editions, or at all. In 2009, Mosaic returned to the vinyl format with the HQ Vinyl Series and began issuing three and four LP sets of 2,500-5,000 copies. Mosaic's sets are primarily sold and distributed directly to c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bing Crosby Show (1954–1956)
The Bing Crosby Show was broadcast daily Mondays to Fridays and was of 15 minutes duration with Bing Crosby talking about all manner of different subjects and usually including three songs around the dialogue. Overview During the summer of 1954 with radio audiences everywhere declining dramatically, Crosby decided not to continue with a major weekly radio show involving the expense of guest stars and a 22 piece orchestra. However, he was persuaded to continue in radio, albeit in a different and cheaper format. On November 22, 1954 ‘The Bing Crosby Show’ emerged on CBS at 9:15 p.m. preceding Amos 'n' Andy. For the 15-minute show, Bill Morrow provided a script of sorts, Ken Carpenter was the announcer and Murdo MacKenzie edited it all together using songs that the singer had pre-recorded at sessions with Buddy Cole and his trio (Buddy on piano and electric organ, Perry Botkin ater replaced by Vince Terrion guitar, banjo etc., Don Whittaker on bass, Nick Fatool on drum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
