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Doin' It Old School Style
''Doin' It Old School Style'' (also title as ''Doin' It Old School Style: Live at Club U'') is a double- live album released on May 8, 2001 by the Washington, D.C.-based go-go band Rare Essence. The album was recorded live on September 9, 2000 at Club U, a music venue located on the historic U Street in Northwest, Washington, D.C., and includes the go-go rendition of Sade's song "No Ordinary Love". The album's cover art is a throwback 80s-styled event poster which includes names of the former go-go clubs from around the Washington metropolitan area (such as Howard Theatre, Celebrity Hall (aka "The Black Hole") and the Coliseum). Track listing ;Disc 1 #"The 'In' Crowd" (written by Billy Page) – 9:28 #"Hey Buddy Buddy" (written by Michael Neal, J. Karen Thomas) – 7:43 #"Get on the Wagon" – 8:01 #"Cherchez la R.E." (featuring Ms. Kim)– 7:45 #"Take Me Out to the Go-Go" – 10:06 #" One on One" – 7:20 #"Mickey's Solo" – 3:58 #" Lock It" (written by Michael Neal, J. Karen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rare Essence
Rare Essence is a Washington, D.C.-based go-go band formed in 1976. Rare Essence has been amongst the most prominent musicians of the D.C. music scene, producing numerous hit songs in the local D.C. market and several hits nationwide, including the charting hit "Work the Walls". History Beginnings Rare Essence was started in 1976 after childhood friends Quentin "Footz" Davidson, Andre "Whiteboy" Johnson, Michael "Funky Ned" Neal and John Jones decided to form a band. After school, the band gathered in their basements to play Top 40 hits from such influential funk bands as Parliament-Funkadelic, Cameo, and Con Funk Shun in practice sessions. Eventually the band took on more players and conformed to the go-go style and sound, which gained recognition in the mid-70s. Although the go-go beat had been originated by Chuck Brown, the characteristic four Congo style played by all subsequent bands was originated by Rare Essence. Once the direction of the band was settled, Rare E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Washington Metropolitan Area
The Washington metropolitan area, also commonly referred to as the National Capital Region, is the metropolitan area centered on Washington, D.C. The metropolitan area includes all of Washington, D.C. and parts of the states of Maryland, Virginia, and West Virginia. It is part of the larger Baltimore–Washington metropolitan area. The Washington metropolitan area is one of the most educated and most affluent metropolitan areas in the U.S. The metro area anchors the southern end of the densely populated Northeast megalopolis with an estimated total population of 6,385,162 , making it the sixth-largest metropolitan area in the nation and the largest metropolitan area in the Census Bureau's South Atlantic division. Nomenclature The U.S. Office of Management and Budget defines the area as the Washington–Arlington–Alexandria, DC–VA–MD–WV metropolitan statistical area, a metropolitan statistical area used for statistical purposes by the United States Census Bureau and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.'' The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead Vocalist
The lead vocalist in popular music is typically the member of a group or band whose voice is the most prominent melody in a performance where multiple voices may be heard. The lead singer sets their voice against the accompaniment parts of the ensemble as the dominant sound. In vocal group performances, notably in soul and gospel music, and early rock and roll, the lead singer takes the main vocal melody, with a chorus or harmony vocals provided by other band members as backing vocalists. Lead vocalists typically incorporate some movement or gestures into their performance, and some may participate in dance routines during the show, particularly in pop music. Some lead vocalists also play an instrument during the show, either in an accompaniment role (such as strumming a guitar part), or playing a lead instrument/instrumental solo role when they are not singing (as in the case of lead singer-guitar virtuoso Jimi Hendrix). The lead singer also typically guides the vocal e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stuart Matthewman
Stuart Colin Matthewman (born 18 August 1960), also known as Cottonbelly, is an English songwriter, record producer and musician. With Sade Adu, Paul S. Denman, and Andrew Hale, he gained worldwide fame as the guitarist/saxophonist of the band Sade. Stuart is also a member of Sweetback, and was one half of Twin Danger. Early life and career Matthewman was born on 18 August 1960 in Hull, East Riding of Yorkshire. In 1982, he relocated to London. Joining Latin funk band Pride, Matthewman met singer Sade Adu and they began writing songs together. Teaming with bassist Paul S. Denman and keyboardist Andrew Hale, they formed the band Sade. Sade signed with Epic Recordsbr>U.K. divisionin 1984. In addition to songwriting, Matthewman can be heard on saxophone, guitar, keyboards, and programming. He appeared on all of Sade's tours and albums: ''Diamond Life'', ''Promise'', '' Stronger Than Pride'', '' Love Deluxe, Lovers Rock'', and '' Soldier of Love'' all of which went triple platinu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sade Adu
Helen Folasade Adu ( yo, Fọláṣadé Adú ; born 16 January 1959), known professionally as Sade Adu or simply Sade ( ), is a Nigerian-born British singer, known as the lead singer of her eponymous band. One of the most successful British female artists in history, she is often recognised as an influence on contemporary music. Her success in the music industry was recognised in the UK with an award of the Officer of the Order of the British Empire in 2002, and was made Commander in the 2017 Birthday Honours. Sade was born in Ibadan, Nigeria, and brought up partly in Essex, England, from the age of four. She studied at Saint Martin's School of Art in London and gained modest recognition as a fashion designer and part-time model, prior to joining the band Pride in the early 1980s. After gaining attention as a performer, she formed the band Sade, and secured a recording contract with Epic Records in 1983. A year later the band released the album ''Diamond Life'', which became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Work The Walls
''Work the Walls'' is a studio album released on July 7, 1992 by Washington, D.C.-based go-go band Rare Essence. The album consist of thirteen tracks, including the charting singles "Work the Walls" and "Lock It" (which was originally released on the soundtrack to the film '' Strictly Business''. Track listing Personnel * Charles "Shorty Corleone" Garris – vocals * Andre "Whiteboy" Johnson – electric guitar, vocals * Michael "Funky Ned" Neal – bass guitar * Donnell Floyd – vocals, saxophone * Kent Wood – keyboards * Milton "Go-Go Mickey" Freeman – congas, percussion * Derick Paige – trumpet, vocals References External links''Work the Walls''at Discogs.com Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the la ... {{DEFAULTSORT:Work the Walls 1992 albums Rare Ess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At Breeze's Metro Club
''Live at Breeze's Metro Club'' is a live album recorded and released in 1986 by the Washington, D.C.-based go-go band Rare Essence. The album was recorded at the now defunct Breeze's Metro Club, a music venue formerly located on Bladensburg Road in the Gateway neighborhood of Northeast, Washington, D.C. The album is also referred to as ''The Album That Kept the Whole Neighborhood Rockin'.'' The album includes the local hits in the D.C. music scene "Roll Call", "Shake It (But Don't Break It)", "One On One", and the nationwide hit "Do the Mickey", which is a remake of The Miracles 1963 song "Mickey's Monkey". The song "Do the Mickey" is a homage to Rare Essence's conga player Milton "Go-Go Mickey" Freeman. Track listing Personnel * James "Jas Funk" Thomas – lead vocals * Quentin "Footz" Davidson – drums * Milton "Go-Go Mickey" Freeman – congas, percussion * Michael "Funky Ned" Neal – bass guitar * Andre "Whiteboy" Johnson – electric guitar * Byron "B.J." Jackson - k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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