Die Geschöpfe Des Prometheus
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Die Geschöpfe Des Prometheus
''The Creatures of Prometheus'' (), Op. 43, is a ballet composed in 1801 by Ludwig van Beethoven following the libretto of Salvatore Viganò. The ballet premiered on 28 March 1801 at the Burgtheater in Vienna and was given 28 performances. It was premiered in New York at the Park Theatre on 14 June 1808 being one of the first full length works by Beethoven to be performed in the United States. It is the only full length ballet by Beethoven. History Viganò was tasked with presenting a work to the Archduchess Maria Theresa at the Vienna Court Theatre (Burgtheater), and chose the subject matter of Prometheus in an allegorical sense. While Viganò usually composed his own music for his performances, he felt this performance was far too important and asked Beethoven to compose instead. The ballet was written in two acts, with Beethoven creating an overture, an introduction, fifteen numbers, and a finale. Summary The ballet is an allegory based on the mythical story of Pro ...
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Opus Number
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800 ...
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Age Of Enlightenment
The Age of Enlightenment (also the Age of Reason and the Enlightenment) was a Europe, European Intellect, intellectual and Philosophy, philosophical movement active from the late 17th to early 19th century. Chiefly valuing knowledge gained through rationalism and empiricism, the Enlightenment was concerned with a wide range of social and Politics, political ideals such as natural law, liberty, and progress, toleration and fraternity (philosophy), fraternity, constitutional government, and the formal separation of church and state. The Enlightenment was preceded by and overlapped the Scientific Revolution, which included the work of Johannes Kepler, Galileo Galilei, Francis Bacon, Pierre Gassendi, Christiaan Huygens and Isaac Newton, among others, as well as the philosophy of Descartes, Hobbes, Spinoza, Leibniz, and John Locke. The dating of the period of the beginning of the Enlightenment can be attributed to the publication of René Descartes' ''Discourse on the Method'' in 1 ...
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Melbourne Symphony Orchestra
The Melbourne Symphony Orchestra (MSO) is an Australian orchestra based in Melbourne. The MSO is resident at Hamer Hall. The MSO has its own choir, the MSO Chorus, following integration with the Melbourne Chorale in 2008. The MSO relies on funding by the Victorian State Government and the Federal government and support from private corporations and donors. It is supported by Symphony Services International. Sophie Galaise joined the MSO as its first female managing director in 2016. Its chairman is David Li (). History The founder of the Albert Street Conservatorium Orchestra was musician and conductor Alberto Zelman. This orchestra gave its first concert on 11 December 1906. In 1923, Bertha Jorgensen became the first female leader of a professional orchestra in Australia, and she went on to play with the orchestra for 50 years and became the longest-serving female leader of an orchestra on an international scale. In 1927, the Albert Street Conservatorium Orchestra combin ...
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Overture
Overture (from French ''ouverture'', "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's '' L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important was the prologue, consisting of sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, the French overture first appears in the court ballet and operatic overtures of Jean-Baptist ...
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Maurice Léna
Maurice Léna (24 December 1859 – 31 March 1928) was a French dramatist and librettist of the Parisian Belle Époque. His opera librettos include Jules Massenet's ''Le jongleur de Notre-Dame (opera), Le jongleur de Notre-Dame'' (1902), Georges Hüe's ''Dans l'ombre de la cathédrale'' (1921), Charles-Marie Widor's ''Nerto'' (1924) and Henry Février's ''La Damnation de Blanchefleur'' (1920). References

1859 births 1928 deaths 20th-century French dramatists and playwrights French opera librettists Belle Époque {{Opera-bio-stub ...
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Jean Chantavoine
Jean François Henri Chantavoine (17 May 1877 – 16 July 1952) was a French musicologist and biographer and the secretary-general of the . Chantavoine was born in Paris. He published numerous books and articles, including biographies of Beethoven, Liszt, Saint-Saëns and Mozart Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age .... In 1933, in an article in the periodical , he revealed the existence of Bizet's Symphony in C, the manuscript of which was housed in the library of the Conservatoire. Chantavoine also was the first to publish many of Beethoven's manuscript sketches and letters, for example in his 1903 .Turner, Malcolm"Chantavoine, Jean" ''Grove Music Online'' Oxford University Press, 2001. He died, aged 75, in . References External links *List of Books by Jea ...
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Dionysus
In ancient Greek religion and Greek mythology, myth, Dionysus (; ) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus ( or ; ) by the Greeks (a name later adopted by the Ancient Rome, Romans) for a frenzy he is said to induce called ''baccheia''. His wine, music, and ecstatic dance were considered to free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his Cult of Dionysus, cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thrace, Thracian, others as Greek. In O ...
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Pan (god)
In ancient Greek religion and Greek mythology, mythology, Pan (; ) is the god of the wild, shepherds and flocks, Pastoral#Pastoral music, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia (ancient region), Arcadia, he is also recognized as the god of fields, groves, wooded glens, and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring. In Religion in ancient Rome, Roman religion and myth, Pan was frequently identified with Faunus, a nature god who was the father of Bona Dea, sometimes identified as Fauna (goddess), Fauna; he was also closely associated with Silvanus (mythology), Silvanus, due to their similar relationships with woodlands, and Inuus, a vaguely-defined deity also sometimes identified with Faunus. In the eighteenth and nineteenth centuries, Pan became a significant figure in Romanticism, ...
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Terpsichore
In Greek mythology, Terpsichore (; , "delight in dancing") is one of the nine Muses and goddess of dance and chorus. She lends her name to the word " terpsichorean", which means "of or relating to dance". Appearance Terpsichore is usually depicted sitting down, holding a lyre, accompanying the dancers' choirs with her music. Her name comes from the Greek words τέρπω ("delight") and χoρός ("dance"). Family According to Hesiod's ''Theogony'', Zeus lay with the Titan Mnemosyne each night for nine nights in Piera, producing the nine Muses. According to Apollonius of Rhodes, Terpsichore was the mother of the Sirens by the river god Achelous. The '' Etymologicum Magnum'' mentions her as the mother of the Thracian king Biston by Ares. According to the Byzantine scholar Eustathius, Terpsichore was the mother of the Thracian king Rhesus by the river god Strymon. Eustathius on Homer, ''Iliad'' p. 817. In culture Historical * The British 32-gun frigate commanded b ...
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Thalia (Muse)
__NOTOC__ In Greek mythology, Thalia ( or ; ; "the joyous, the flourishing", from , ''thállein''; "to flourish, to be verdant"), also spelled Thaleia, was one of the Muses, the goddess who presided over comedy and idyllic poetry. In this context her name means "flourishing", because the praises in her songs flourish through time. Appearance Thalia was portrayed as a young woman with a joyous air, crowned with ivy, wearing boots and holding a comic mask in her hand. Many of her statues also hold a bugle and a trumpet, or occasionally a shepherd's staff or a wreath of ivy. Family Thalia was the daughter of Zeus and Mnemosyne, the eighth-born of the nine Muses. According to Apollodorus, she and Apollo Apollo is one of the Twelve Olympians, Olympian deities in Ancient Greek religion, ancient Greek and Ancient Roman religion, Roman religion and Greek mythology, Greek and Roman mythology. Apollo has been recognized as a god of archery, mu ... were the parents ...
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Melpomene
Melpomene (; ) is the Muse of tragedy in Greek mythology. She is described as the daughter of Zeus and Mnemosyne (and therefore of power and memory) along with the other Muses, and she is often portrayed with a tragic theatrical mask. Etymology Melpomene's name (implying the meaning "Songstress") is derived by etymologists from the Ancient Greek verb (''melpô'') or from its inflexion μέλπομαι (''melpomai'') meaning "to celebrate with dance and song". The Oxford English Dictionary cites μέλπειν (''melpein'' – to sing). Myth Melpomene is one of the nine Muses, the Muse of tragedy. Hesiod, Pseudo-Apollodorus, Apollodorus, and Diodorus Siculus all held that Melpomene was the daughter of Zeus and Mnemosyne. She was the sister of the other Muses, Calliope, Clio, Erato, Euterpe, Polyhymnia, Terpsichore, Thalia (Muse), Thalia, and Urania. Apollodorus, Lycophron, and Gaius Julius Hyginus said that Melpomene was the mother of the Siren (mythology), sirens, though so ...
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Orpheus
In Greek mythology, Orpheus (; , classical pronunciation: ) was a Thracians, Thracian bard, legendary musician and prophet. He was also a renowned Ancient Greek poetry, poet and, according to legend, travelled with Jason and the Argonauts in search of the Golden Fleece, and descended into the Greek underworld, underworld to recover his lost wife, Eurydice. The major stories about him are centered on his ability to charm all living things and even stones with his music (the usual scene in Orpheus mosaics), his attempt to retrieve his wife Eurydice from the underworld, and his death at the hands of the maenads of Dionysus, who got tired of his mourning for his late wife Eurydice. As an archetype of the inspired singer, Orpheus is one of the most significant figures in the classical reception studies, reception of classical mythology in Western culture, portrayed or allusion, alluded to in countless forms of art and popular culture including poetry, film, opera, music, and painting ...
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