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Descriptions Automatiques
The ''Descriptions automatiques'' (''Automatic Descriptions'') is a 1913 piano composition by Erik Satie. The second of his humoristic keyboard suites (1912-1915), it set the tone for the rest of the series by introducing elements of musical Parody music, parody, and in the increasingly important role played by the verbal commentary. In performance it lasts about 4 minutes. Background On April 5, 1913, pianist Ricardo Viñes successfully premiered Satie's first humoristic suite, the ''Veritables Preludes flasques (pour un chien)'', at the Salle Pleyel in Paris. The composer used the occasion to publish an advertisement announcing his future creative plans in that day's issue of the periodical ''Le Guide du concert''. Anticipating attacks from his critics, he adopted a high-handed tone: The ''Véritables préludes flasques''...opens a series of pianistic works: ''Descriptions automatiques'', ''Embryons desséchés'', ''Chapitres tournés en tous sens'' and ''Vieux sequins et vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erik Satie
Eric Alfred Leslie Satie (born 17 May 18661 July 1925), better known as Erik Satie, was a French composer and pianist. The son of a French father and a British mother, he studied at the Conservatoire de Paris, Paris Conservatoire but was an undistinguished student and did not obtain a diploma. In the 1880s he worked as a pianist in café-cabarets in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and ''Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a period in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum de Paris, Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Keel Row
"The Keel Row" is a traditional Tyneside folk song evoking the life and work of the keelmen of Newcastle upon Tyne. A closely related song was first published in a Scottish collection of the 1770s, but may be considerably older, and it is unclear whether the tune is Scottish or English in origin. The opening lines of the song set it in Sandgate, that part of the quayside overlooking the River Tyne to the east of the city centre where the keelmen lived and which is still overlooked by the Keelmen's Hospital. Origins Versions of the song appear in both England and Scotland, with Scottish versions referring to the Canongate rather than Sandgate. The earliest printing was in the 1770s in Edinburgh in ''A Collection of Favourite Scots Tunes'', edited by Charles Maclean, though the tune was also found in several late eighteenth-century English manuscript collections.Gregory, ''The Late Victorian Folksong Revival'', Scarecrow Press, 2010, p. 203 Frank Kidson surmised that like many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schönberg Richard Gerstl (cropped)
Arnold may refer to: People * Arnold (given name), a masculine given name * Arnold (surname), a German and English surname Places Australia * Arnold, Victoria, a small town in the Australian state of Victoria Canada * Arnold, Nova Scotia United Kingdom * Arnold, East Riding of Yorkshire * Arnold, Nottinghamshire United States * Arnold, California, in Calaveras County * Arnold, Carroll County, Illinois * Arnold, Morgan County, Illinois * Arnold, Iowa * Arnold, Kansas * Arnold, Maryland * Arnold, Mendocino County, California * Arnold, Michigan * Arnold, Minnesota * Arnold, Missouri * Arnold, Nebraska * Arnold, Ohio * Arnold, Pennsylvania * Arnold, Texas * Arnold, Brooke County, West Virginia * Arnold, Lewis County, West Virginia * Arnold, Wisconsin * Arnold Arboretum of Harvard University, Massachusetts * Arnold Township, Custer County, Nebraska Other uses * Arnold (automobile), a short-lived English car * Arnold of Manchester, a former English coachbuilder * Arnold (ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Diva De L'Empire
"La Diva de l'Empire" (The Diva of the Empire) is a French popular song with music by Erik Satie and lyrics by and , composed in 1904. Along with "Je te veux" (1903) it is probably the best-known example of Satie's cabaret or "café-concert" idiom. It was premiered by singer , dubbed the "Queen of the Slow Waltz", in the musical revue ''Dévidons la bobine'' in Paris on July 26, 1904, and published that same year. Description The song is a cakewalk and an early attempt by a European composer to tackle nascent American jazz. John Philip Sousa and his band had introduced the cakewalk to France during their appearance at the Exposition Universelle (1900), 1900 Paris Exposition, but it gained little notoriety there until a danced version was performed in the revue (The Happy Negroes) at the Nouveau Cirque in October 1902. The show ran for over a year and sparked a national craze. Satie was intrigued with the new style and, as Darty's occasional accompanist and songwriter, prepared ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Je Te Veux
''Je te veux (I Want You)'' is a sung waltz, or ''valse chantée'', by Erik Satie to erotic lyrics by Henry Pacory. Its two verses and repeated chorus were written for Paulette Darty, whose accompanist Satie had been and who first sang it in 1903 at La Scala, a cabaret in Paris. ''Je te veux'' was registered with SACEM on 20 November 1902, but Alexis Roland-Manuel has argued that was actually composed earlier, in 1897 and as a work for solo piano. What is not disputed is that Satie composed various versions: for piano and voice, as published in 1903; for an orchestra of brass instruments; for full orchestra, with a trio section added between the chorus and the second verse; and at some point for solo piano including this added trio section. In 1925 ''Je te veux'' was recorded by Yvonne George. Other singers who have performed it include Mathé Altéry, Régine Crespin, Nicolai Gedda, Jessye Norman, Marie Devellereau and Angela Gheorghiu. More recently jazz vocalist Cécile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reign Of Terror
The Reign of Terror (French: ''La Terreur'', literally "The Terror") was a period of the French Revolution when, following the creation of the French First Republic, First Republic, a series of massacres and Capital punishment in France, numerous public executions took place in response to the Federalist revolts, revolutionary fervour, Anti-clericalism, anticlerical sentiment, and accusations of treason by the Committee of Public Safety. While terror was never formally instituted as a legal policy by the Convention, it was more often employed as a concept. Historians disagree when exactly "the Terror" began. Some consider it to have begun in 1793, often giving the date as 5 September or 10 March, when the Revolutionary Tribunal came into existence. Others cite the earlier September Massacres in 1792, or even July 1789 when the first killing of the revolution occurred. Will Durant stated that "strictly, it should be dated from the Law of Suspects, September 17, 1793, to the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ça Ira
Ça Ira (; French: "It'll be fine") is an emblematic song of the French Revolution, first heard in May 1790. It underwent several changes in wording, all of which used the title words as part of the refrain. Original version The original words "" were written by Ladré, a former soldier who made a living as a street singer. The music is a popular Country dance, contredanse air called "Le carillon national", and was composed by , a violinist (according to other sources: Snare drum, side drum player) of the théâtre Beaujolais. Queen Marie Antoinette herself is said to have often played the music on her harpsichord. The title and theme of the refrain were inspired by Benjamin Franklin, who was very popular among the French people following his stay as a representative of the Continental Congress from 1776 to 1785. When asked about the American Revolutionary War, he would reportedly reply, in somewhat broken French, "" ("It'll be fine, it'll be fine"). The song first became po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmagnole
"La Carmagnole" is a French song created and made popular during the French Revolution, accompanied by a wild dance of the same name that may have also been brought into France by the Piedmontese. It was first sung in August 1792 and was successively added to during the revolutionary events of 1830, 1848, 1863–64, and 1882-83. The authors are not known. The title refers to the short jacket worn by working-class militant ''sans-culottes,'' adopted from the Piedmontese peasant costume named for the town of Carmagnola. It sarcastically sings of the triumphs over the Queen of France, Marie Antoinette (Madame Veto), King Louis XVI (Monsieur Veto), and the French monarchists in general. History There are varied accounts of the song and where it was sung. It was mainly a rallying cry or entertainment for revolutionaries. It was also used to insult opponents of the French Revolution. A popular punishment was to make anti-revolutionaries "sing and dance the Carmagnole", which coul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nocturne
A nocturne is a musical composition that is inspired by, or evocative of, the night. History The term ''nocturne'' (from French '' nocturne'' "of the night") was first applied to musical pieces in the 18th century, when it indicated an ensemble piece in several movements, normally played for an evening party and then laid aside. Sometimes it carried the Italian equivalent, ''notturno'', such as Wolfgang Amadeus Mozart's Notturno in D, K.286, written for four lightly echoing separated ensembles of paired horns with strings, and his ''Serenata Notturna'', K. 239. At this time, the piece was not necessarily evocative of the night, but might merely be intended for performance at night, much like a serenade. The chief difference between the serenade and the notturno was the time of the evening at which they would typically be performed: the former around 9:00 pm, the latter closer to 11:00 pm. In its form as a single-movement character piece usually written for solo piano, the noct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism in music, Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism (music), modernism, baroque music, baroque, Neoclassicism (music), neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tango
Tango is a partner dance and social dance that originated in the 1880s along the RÃo de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries from a combination of Argentine Milonga, Spanish-Cuban Habanera, and Uruguayan Candombe celebrations. It was frequently practiced in the brothels and bars of ports, where business owners employed bands to entertain their patrons. It then spread to the rest of the world. Many variations of this dance currently exist around the world. On August 31, 2009, UNESCO approved a joint proposal by Argentina and Uruguay to include the tango in the UNESCO Intangible Cultural Heritage Lists. History Tango is a dance that has influences from African and European culture. Dances from the Candombe ceremonies of former African enslaved people helped shape the modern day tango. The dance originated in working-class districts of Buenos Aires and Montevideo. Tango music der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexis Roland-Manuel
Alexis Roland-Manuel (22 March 18911 November 1966) was a French composer and critic, remembered mainly for his criticism. Biography He was born Roland Alexis Manuel Lévy in Paris, to a family of Belgian and Jewish origins. He studied composition under Vincent d'Indy and Albert Roussel. As a young man he befriended composer Erik Satie, who helped him to make numerous influential connections. In 1911, Satie introduced Roland-Manuel to Maurice Ravel, whose pupil, friend and biographer he soon became. In 1947, he was appointed Professor of Aesthetics at the Conservatoire de Paris, where he remained until his retirement in 1961, making many contributions to musical theory and criticism, even assisting Igor Stravinsky by ghost-writing the theoretical work " The Poetics of Music". In addition to theoretical works, he wrote and composed various works for stage, especially comic operas, and screen, developing a partnership with director Jean Grémillon, for five of whose films he com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
