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Creatures (Motionless In White Album)
''Creatures'' is the debut studio album by American metalcore band Motionless in White. It was released on October 12, 2010, through Fearless Records and was produced by Andrew Wade. The album produced four singles: "Abigail", "Immaculate Misconception", the title track "Creatures" and "Puppets (The First Snow)", all four of which have accompanying music videos. The album also produced three promotional singles: "Abigail", which was later released as the first official single of the album, "London in Terror", and "Cobwebs". The title "creatures" is also commonly used to refer to the fans of the band. On October 9, 2020, Motionless in White released a 10th anniversary re-issue of the album titled ''Creatures X''. Background and recording ''Creatures'' is an album dedicated to Motionless in White's fans. The band even went as far as letting their fans send in lyrics, which were compiled on the title track; all the lines found in the song (excluding the chorus) are lyrics submitted ...
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Motionless In White
Motionless in White is an American metalcore band from Scranton, Pennsylvania. Formed in 2004, the band consists of lead vocalist Chris "Motionless" Cerulli, guitarists Ryan Sitkowski and Ricky "Horror" Olson, drummer Vinny Mauro and bassist Justin Morrow. The band has stated that their band name derived from the Eighteen Visions song "Motionless and White". Motionless in White was signed to Fearless Records for their first three studio albums; their fourth album, '' Graveyard Shift'', was released in May 2017 through Roadrunner Records. Their fifth album, ''Disguise'', was released in June 2019, followed by their sixth album, ''Scoring the End of the World'', in June 2022. History Formation and early years (2004–2009) Motionless in White was founded in summer of 2004 by members Chris Motionless, who played guitar and lead vocals, Angelo Parente on drums, Frank Polumbo on guitar and Kyle White on bass during high school. For their first two shows at the Northeast Fair i ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coi ...
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2010 Debut Albums
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit (measurement), unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest Positive number, positive integer. It is also sometimes considered the first of the sequence (mathematics), infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally ac ...
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Fearless Records Albums
Fearless or The Fearless may refer to: Psychology * Lack of fear * Courage or bravery Film, television and audio Film * ''Fearless'' (1978 film), an Italian film directed by Stelvio Massi * ''Fearless'' (1993 film), an American drama directed by Peter Weir * ''Fearless'', a 1999 New Zealand television film produced by South Pacific Pictures * ''Fearless'' (2006 film), a Chinese-Hong Kong martial arts film directed by Ronny Yu * ''Fearless'' (2020 film), an animated comedy film Television and audio * ''Fearless'' (2016 TV series), a Portuguese-language sports documentary series * ''Fearless'' (British TV series), a 2017 British crime thriller * ''Fearless'' (2022 TV series), an Australian documentary series * ''Fearless'' (TV pilot), a 2003 pilot based on the Francine Pascal novel series (see below) * DGUSA Fearless, a series of professional wrestling pay-per-view events * ''Fearless'', a DVD by David Blaine * Bobby "Fearless" Smith, a fictional character in the series ...
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Artists And Repertoire
Artists and repertoire ( colloquially abbreviated to A&R) is the division of a record label or music publishing company that is responsible for talent scouting and overseeing the artistic development of recording artists (singers, instrumentalists, bands, and so on) and songwriters. It also acts as a liaison between artists and the record label or publishing company; every activity involving artists to the point of album release is generally considered under the purview, and responsibility, of A&R. Responsibilities Finding talent The A&R division of a record label is responsible for finding new recording artists and bringing those artists to the record company. A&R staff may go to hear emerging bands play at nightclubs and festivals to scout for talent. Personnel in the A&R division are expected to understand the current tastes of the market and to be able to find artists that will be commercially successful. For this reason, A&R people are often young and many are musicians ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in c ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, de ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mi ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure. Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005). Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artis ...
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Tim Sköld
Tim Skold (born Thim Sköld) is a Swedish musician and record producer who produces solo work and has also collaborated with multiple musical groups including Shotgun Messiah, KMFDM, Marilyn Manson and Motionless in White. Biography Early life Skold grew up in Timmersdala, 21 kilometres northwest of Skövde. He has a sister named Linda. Skold grew up in a very liberal setting as the son of a 15-year-old mother named Åse and a father trying to get by as a semi-professional drummer. At age 11, Skold joined a playback band (where the band mimes over recorded material). Skold's band would play for people at school meetings with Kiss, Bowie and Sweet songs playing on a cassette player. Skold first rented a bass guitar at age 12, and by the time he was 13, he was playing and singing in his first real band. Skold later met guitarist Harry Cody at a New Year's Eve party, and they formed a creative partnership that would last for many years to come. Their dream was to go to t ...
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Celldweller
Celldweller is an American electronic rock project by multi-musician Klayton. Celldweller songs have been featured in many films, movie trailers, television shows and video games. Career Precursors: Circle of Dust and Angeldust (1992–1999) The name Celldweller was derived from a nickname his mother gave him when he was a teenager, dubbed "Cellar Dweller", as he made all of his music in his parents' basement. Klayton had gained a devoted cult following in the mid 90s because of his industrial metal band Circle of Dust. After the dissolution of Circle of Dust, Klayton concurrently released both a posthumous collection of reworked Circle of Dust leftovers titled '' Disengage'' and an album for a new project, Angeldust, created in conjunction with illusionist Criss Angel. Both albums demonstrated Klayton's shift away from industrial metal and towards more electronic-modern industrial rock influences, incorporating richer electronic instrumentation and greater emphasis on melody. ...
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Dragula (song)
"Dragula" is a song and debut single co-written and recorded by American rock musician Rob Zombie. It was released in August 1998 as the lead single from his solo debut ''Hellbilly Deluxe''. Since its release it has become Zombie's most recognizable song as a solo artist. It is also his best-selling song, and had sold over 717,000 copies in the U.S. by 2010. The song is based on the drag racer "DRAG-U-LA" from the sitcom ''The Munsters''. The audio clip "superstition, fear and jealousy" heard at the beginning of the song is a sample of dialogue from the 1960 horror film '' The City of the Dead'' (also known as ''Horror Hotel''), and is spoken by Christopher Lee. The song also appears on Rob Zombie's '' Past, Present & Future'', the greatest hits album ''The Best of Rob Zombie''. The original single included a big beat remix of the song by Charlie Clouser, entitled the "Hot Rod Herman" remix (in reference to the Munsters episode), which is contained on ''American Made Music to St ...
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