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Comic Timing
Comic timing emerges from a performer's joke delivery: they interact with an audience— intonation, rhythm, cadence, tempo, and pausing—to guide the audience's laughter, which then guides the comedic narrative. The pacing of the delivery of a joke can have a strong impact on its comedic effect, even altering its meaning; the same can also be true of more physical comedy such as slapstick. Comic timing is also crucial for comedic video editing to maximize the impact of a joke, for example, through a smash cut. History The use of comic timing can be first observed in the comic plays of the ancient Greeks. Specifically, Aristophanes indicated brief pauses in his works, such as ''The Clouds'', in order to elicit laughter from the unfolding events. William Shakespeare, along with comic playwrights before him, also utilized comic timing in much of his plays. For example, Cleopatra's strategic interjections during Mark Antony's speech in Act 1 Scene 2 of ''Antony and Cleopatra'' ...
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Intonation (linguistics)
In linguistics, intonation is variation in pitch used to indicate the speaker's attitudes and emotions, to highlight or focus an expression, to signal the illocutionary act performed by a sentence, or to regulate the flow of discourse. For example, the English question "Does Maria speak Spanish or French?" is interpreted as a yes-or-no question when it is uttered with a single rising intonation contour, but is interpreted as an alternative question when uttered with a rising contour on "Spanish" and a falling contour on "French". Although intonation is primarily a matter of pitch variation, its effects almost always work hand-in-hand with other prosodic features. Intonation is distinct from tone, the phenomenon where pitch is used to distinguish words (as in Mandarin) or to mark grammatical features (as in Kinyarwanda). Transcription Most transcription conventions have been devised for describing one particular accent or language, and the specific conventions therefore ne ...
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Comedy Film
A comedy film is a category of film which emphasizes humor. These films are designed to make the audience laugh through amusement. Films in this style traditionally have a happy ending (black comedy being an exception). Comedy is one of the oldest genres in film and it is derived from the classical comedy in theatre. Some of the earliest silent films were comedies, as slapstick comedy often relies on visual depictions, without requiring sound. When sound films became more prevalent during the 1930s, comedy films took another swing, as laughter could result from burlesque situations but also dialogue. Comedy, compared with other film genres, puts much more focus on individual stars, with many former stand-up comics transitioning to the film industry due to their popularity. In '' The Screenwriters Taxonomy'' (2017), Eric R. Williams contends that film genres are fundamentally based upon a film's atmosphere, character, and story. Therefore the labels "drama" and "comedy" ar ...
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Seven Dirty Words
The seven dirty words are seven English-language curse words that American comedian George Carlin first listed in his 1972 "Seven Words You Can Never Say on Television" monologue. The words, in the order Carlin listed them, are: "shit", "piss", "fuck", "cunt", " cocksucker", "motherfucker", and " tits". At the time, the words were considered highly inappropriate and unsuitable for broadcast on the public airwaves in the United States, whether radio or television. As such, they were avoided in scripted material and bleep censored in the rare cases in which they were used. Broadcast standards differ in different parts of the world, then and now, although most of the words on Carlin's original list remain taboo on American broadcast television. The list was not an official enumeration of forbidden words, but rather were compiled by Carlin to flow better in a comedy routine. Nonetheless, a radio broadcast featuring these words led to a Supreme Court decision in '' FCC v. Pacifica Fou ...
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George Carlin
George Denis Patrick Carlin (May 12, 1937 – June 22, 2008) was an American comedian, actor, author, and social critic. Regarded as one of the most important and influential stand-up comedians of all time, he was dubbed "the dean of counterculture comedians". He was known for his black comedy and reflections on politics, the English language, psychology, religion, and taboo subjects. His "seven dirty words" routine was central to the 1978 United States Supreme Court case '' F.C.C. v. Pacifica Foundation'', in which a 5–4 decision affirmed the government's power to censor indecent material on public airwaves. The first of Carlin's 14 stand-up comedy specials for HBO was filmed in 1977. From the late 1980s onwards, his routines focused on sociocultural criticism of American society. He often commented on American political issues and satirized American culture. He was a frequent performer and guest host on ''The Tonight Show'' during the three-decade Johnny Carson era and ...
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Lucy Does A TV Commercial
"Lucy Does a TV Commercial" is the 30th episode of the 1950s television sitcom '' I Love Lucy,'' airing on May 5, 1952. It is considered to be the most famous episode of the show. In 1997, ''TV Guide'' ranked it #2 on their list of the " 100 Greatest Episodes of All Time". In 2009, they ranked it #4 on their list of "TV's Top 100 Episodes of All Time.""TV's Top 100 Episodes of All Time" ''TV Guide;'' June 15, 2009; Pages 34–49 The initial episode was watched by 68% of the television viewing audience at the time. Plot Ricky (Desi Arnaz) is given an opportunity to host a television show and is notified that he needs to find a girl to do a commercial spot for one of their sponsors. Lucy (Lucille Ball) begs Ricky to let her do the commercial, but he refuses. Lucy asks Fred (William Frawley) to assist her in a scheme to get Ricky to watch her on television. When Ricky returns home from his band rehearsal, she is behind the TV screen – inside the set's empty body – doing a mock comm ...
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I Love Lucy
''I Love Lucy'' is an American television sitcom that originally aired on CBS from October 15, 1951, to May 6, 1957, with a total of 180 half-hour episodes, spanning six seasons. The show starred Lucille Ball, her husband, Desi Arnaz, along with Vivian Vance and William Frawley. The series followed the life of Lucy Ricardo (Ball), a young, middle-class housewife living in New York City, who often concocted plans with her best friends and landlords, Ethel and Fred Mertz (Vance and Frawley), to appear alongside her bandleader husband, Ricky Ricardo (Arnaz), in his nightclub. Lucy is depicted trying numerous schemes to mingle with and be a part of show business. After the series ended in 1957, a modified version of the show continued for three more seasons, with 13 one-hour specials, which ran from 1957 to 1960. It was first known as ''The Lucille Ball–Desi Arnaz Show,'' and later, in reruns, as '' The Lucy–Desi Comedy Hour''. ''I Love Lucy'' became the most-watched show in th ...
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Lucille Ball
Lucille Désirée Ball (August 6, 1911 – April 26, 1989) was an American actress, comedienne and producer. She was nominated for 13 Primetime Emmy Awards, winning five times, and was the recipient of several other accolades, such as the Golden Globe Cecil B. DeMille Award and two stars on the Hollywood Walk of Fame. She earned many honors, including the Women in Film Crystal Award, an induction into the Television Hall of Fame, the Lifetime Achievement Award from the Kennedy Center Honors, and the Governors Award from the Academy of Television Arts & Sciences. Ball's career began in 1929 when she landed work as a model. Shortly thereafter, she began her performing career on Broadway using the stage name Diane (or Dianne) Belmont. She later appeared in films in the 1930s and 1940s as a contract player for RKO Radio Pictures, being cast as a chorus girl or in similar roles, with lead roles in B-pictures and supporting roles in A-pictures. During this time, she met Cuban ...
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The Playhouse (film)
''The Playhouse'' is a 1921 American two-reel silent comedy film written by, directed by, and starring "Buster" Keaton. It runs for 22 minutes, and is most famous for an opening sequence where Keaton plays every role. Plot The film is set up as a series of humorous tricks on the audience, with constant doubling, and in which things are rarely what they at first seem to be. It opens with Keaton attending a variety show. Keaton plays the conductor and every member of the orchestra, the actors, dancers, stagehands, minstrels, and every member of the audience, male and female. As an audience member, Keaton turns to the "woman" sitting beside him and remarks, "This fellow Keaton seems to be the whole show". This was a jibe at one of Keaton's contemporaries, Thomas Ince, who credited himself generously in his film productions. In interviews with Kevin Brownlow, Keaton claims he gave the director's credit to Cline mainly because he did not want to appear too Ince-like himself: "Ha ...
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The Lucky Dog
''The Lucky Dog'' (1921) is the first film to include Stan Laurel and Oliver Hardy together in a film before they became the famous comedy duo of Laurel and Hardy. Although they appear in scenes together, Laurel and Hardy play independently. Laurel is the star as the hero of the film and Hardy plays the main villain opposite him. The film was screened as two reels, but some versions end abruptly after the first reel when Laurel is robbed by Hardy. Plot A hapless hero who is evicted for not paying his rent is befriended by a stray dog. The man encounters a thief in the process of robbing someone. The thief, who has accidentally placed his victim’s money into the young man's back pocket, turns from his first victim to rob the young man. The thief then steals the money that he had already stolen from the bemused young man who had thought that he was broke. The young man and the dog escape and the dog befriends a poodle. The poodle’s lady owner persuades the young man to ...
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One A
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ...
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Buster Keaton
Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian, and filmmaker. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". In 1996, ''Entertainment Weekly'' recognized Keaton as the seventh-greatest film director, and in 1999 the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema. Working with independent producer Joseph M. Schenck and filmmaker Edward F. Cline, Keaton made a series of successful two-reel comedies in the early 1920s, including '' One Week'' (1920), '' The Playhouse'' (1921), '' Cops'' (1922), and '' The Electric House'' (1922). He then moved to feature-l ...
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Laurel And Hardy
Laurel and Hardy were a British-American comedy duo act during the early Classical Hollywood era of American cinema, consisting of Englishman Stan Laurel (1890–1965) and American Oliver Hardy (1892–1957). Starting their career as a duo in the silent film era, they later successfully transitioned to " talkies". From the late 1920s to the mid-1950s, they were internationally famous for their slapstick comedy, with Laurel playing the clumsy, childlike friend to Hardy's pompous bully. Their signature theme song, known as "The Cuckoo Song", "Ku-Ku", or "The Dance of the Cuckoos" (by Hollywood composer T. Marvin Hatley) was heard over their films' opening credits, and became as emblematic of them as their bowler hats. Prior to emerging as a team, both had well-established film careers. Laurel had acted in over 50 films, and worked as a writer and director, while Hardy was in more than 250 productions. Both had appeared in ''The Lucky Dog'' (1921), but were not teamed at the time ...
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