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Cinematographer
The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the photographing or recording of a film, television production, music video or other live action piece. The cinematographer is the chief of the camera and light crews working on such projects and would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field is referred to as cinematography. The cinematographer is a subordinate of the director, tasked with capturing a scene in accordance with director’s vision. Relations between the cinematographer and director vary. In some instances, the director will allow the cinematographer complete independence, while in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Such a level of involvement is less common when the dire ...
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Cinematographers Guild Of Korea
The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the photographing or recording of a film, television production, music video or other live action piece. The cinematographer is the chief of the camera and light crews working on such projects and would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field is referred to as cinematography. The cinematographer is a subordinate of the director, tasked with capturing a scene in accordance with director’s vision. Relations between the cinematographer and director vary. In some instances, the director will allow the cinematographer complete independence, while in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Such a level of involvement is less common when the directo ...
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Cinematography
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside a movie camera. These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically " developed" into a visible image. The images on the film stock are projected for viewing the same motion picture. Cinematography finds uses in many field ...
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Indian Cinematographers
Indian cinematographers work in a number of regional film centres: Chennai for Tamil films, Mumbai for films in Marathi and Hindi, Hyderabad for films in Telugu, Kochi for films in Malayalam, Kolkata for Bengali films, Bangalore for Kannada films, etc. Most Indian cinematographers are known for their work with one regional industry. Some cinematographers belong to various professional organisations and trade unions. Western India Cinematographers' Association (WICA) The Western India Cinematographers Association (WICA) is a society for Indian cinematographers. The society is situated at Mumbai in Maharashtra. Members of this society include the suffix WICA after their name in film credits. The organisation was formed on 2 August 1953 in Mumbai, and was presided over by a leading cinematographer of the time, Faredoon Irani; in the following month the first office bearers were chosen, including Nitin Bose as President and V. Avadhut as the Vice-President. According to WICA, ther ...
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Australian Cinematographers Society
The Australian Cinematographers Society (ACS) is a not-for-profit organisation founded in 1958 for the purpose of providing a forum for Australian cinematographers to further develop their skills through mutual co-operation. Location Its National Headquarters and clubhouse is located in North Sydney. Mission The ACS states the following aims: *To keep members informed about the latest technology with new equipment demonstrations and ideas through meetings and seminars. *To further the advancement of Cinematography in all fields and give due recognition to the outstanding work performed by Australian Cinematographers. *To provide a forum for Cinematographers to meet with other members of the industry to discuss and exchange ideas, promote friendship and better understanding of each other's industry role. People Its first National President was Syd Wood ACS. The National President is Erika Addis, the first female to hold the office. The ACS presents annual awards for achie ...
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American Society Of Cinematographers
The American Society of Cinematographers (ASC), founded in Hollywood in 1919, is a cultural, educational, and professional organization that is neither a labor union nor a guild. The society was organized to advance the science and art of cinematography and gather a wide range of cinematographers to discuss techniques and ideas and to advocate for motion pictures as a type of art form. Currently, the president of the ASC is Stephen Lighthill. Members use the post-nominal letters "ASC". On the 1920 film titled ''Sand'', cinematographer Joseph H. August, who was an original member of the ASC, became the first individual to have the "ASC" appear after his name on the onscreen credit. Only film cinematographers and special effect supervisors can become an ASC member. Basic requirements include being a director of photography for a minimum five out of the last eight years, having a high professional reputation and being recommended by three active or retired ASC members. History ...
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International Collective Of Female Cinematographers
The International Collective of Female Cinematographers (The ICFC) is a collective of professional cinematographers from around the world that works to advance the careers of female cinematographers by connecting with filmmakers and production teams to find a qualified crew. In the top-grossing 100 films only 2% of them were shot by women cinematographers. The collective was founded in 2016 by a group of female cinematographers who wanted to act as allies within the film industry and provide each other with community support and advocacy. Notable members include Nancy Schreiber, Rachel Morrison, Amy Vincent, and Ellen Kuras. ICFC members identify as simply "Cinematographers"—without gender qualifiers. However, as a group, they have found it helpful to organize around gender until such time as women cease to be perceived as statistical anomalies or token hires behind the lens. The collective holds regular events for members to explore various cinematography related topics and n ...
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Film Crew
A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture. The crew is distinguished from the cast, as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film. The crew is also separate from the producers, as the producers are the ones who own a portion of either the film studio or the film's intellectual property rights. A film crew is divided into different departments, each of which specializes in a specific aspect of the production. Film crew positions have evolved over the years, spurred by technological change, but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures. Motion picture projects have three discrete stages: development, production, and distribution. Within the production stage there are also three clearly defined sequential phases ( pre-production, principal photography ...
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British Society Of Cinematographers
The British Society of Cinematographers (abbreviated B.S.C. or BSC) was formed in 1949 by Bert Easey (23 August 1901 – 28 February 1973), the then head of the Denham and Pinewood studio camera departments, to represent British cinematographers in the British film industry. The stated objectives at the formation of the BSC were: * To promote and encourage the pursuit of the highest standards in the craft of Motion Picture Photography. * To further the applications by others of the highest standards in the craft of Motion Picture Photography and to encourage original and outstanding work. * To Cooperation, co-operate with all whose aims and interests are wholly or in part related to those of the society. * To provide facilities for social intercourse between the members and arrange lectures, debates and meetings calculated to further the objects of the Society. There were originally 55 members. Currently, there are 256 full, honorary and associate members. For a British cinemato ...
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Guild Of British Camera Technicians
The Guild of British Camera Technicians (GBCT) is a non-profit organisation that represents camera technicians working in a film and high end television production around the world. There are currently around 450 members of the GBCT, many of whom are members of other moving image craft organisations such as the British Society of Cinematographers and the Association of Camera Operators. The GBCT is currently based within the Panavision London offices. Affiliations As a member of the Cine Guilds of Great Britain (CGGB), the GBCT does not act as a trade union. The relevant trade union for UK members is the Broadcasting, Entertainment, Communications and Theatre Union (BECTU). Other members of the CGGB include the British Society of Cinematographers (BSC), the society of British Film Editors (BFE) and the British Film Designers Guild (BFDG). In 2011 the GBCT joined with the BSC, GBFTE and BECTU to form a not for profit collecting society, Screen Craft Rights, to receive copy ...
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French Society Of Cinematographers
The French Society of Cinematographers (French: Association française des directeurs de la photographie cinématographique), or the AFC for short, is France's foremost professional organization of French cinematographers. Founded in 1990 by Henri Alekan, Raoul Coutard, Alain Derobe, Pierre-William Glenn, and Georges Strouvé, who were soon joined by Eduardo Serra, Pierre Lhomme, and Robert Alazraki, the AFC today has over one hundred members. The AFC receives financial support from the Centre national de la cinématographie, and is a co-founder of Imago,Imago
(The European Federation of Cinematographers) The European Federation of Cinematographers. Its headquarters are located at 8, rue Francœur in the
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Film Director
A film director controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfilment of that vision. The director has a key role in choosing the cast members, production design and all the creative aspects of filmmaking. The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget. There are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, producers, film editors or actors. Other film directors have attended a film school. Directors use different approaches. Some outline a general plotline and let the actors improvise dialogue, while others control every aspect and demand that the actors and crew follow instructions precisely. Some directors also write their ...
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Film Director
A film director controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfilment of that vision. The director has a key role in choosing the cast members, production design and all the creative aspects of filmmaking. The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget. There are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, producers, film editors or actors. Other film directors have attended a film school. Directors use different approaches. Some outline a general plotline and let the actors improvise dialogue, while others control every aspect and demand that the actors and crew follow instructions precisely. Some directors also write their ...
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