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Catharina Van Hemessen
Caterina or Catharina van Hemessen (1528 – after 1565) was a Flemish Renaissance painter. She is the earliest female Flemish painter for whom there is verifiable extant work. She is mainly known for a series of small-scale female portraits completed between the late 1540s and early 1550s and a few religious compositions.Jones, 136 Van Hemessen is often given the distinction of creating the first self-portrait of an artist (of either gender) depicted seated at an easel. This portrait, created in 1548, shows the artist in the early stages of painting a portrait and is now part of the collection of the Kunstmuseum Basel.Kemperdick, 15 Other paintings by van Hemessen are in the Rijksmuseum in Amsterdam and in the National Gallery, London. A number of obstacles stood in the way of women of her time who wished to become painters. Their training would involve both the dissection of cadavers and the study of the nude male figure while the system of apprenticeship meant that the ...
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Self-Portrait (van Hemessen)
''Self-Portrait'' is a small painting executed in oil on oak in 1548 by the Flemish Renaissance artist Caterina van Hemessen when she was 20 years old. The painting earned her a considerable reputation and is significant not only for being an early modern female portrait but also for representing an artist in the act of painting. This was very unusual for the time; although self-portraits were common, only a few, like those of Albrecht Dürer (1471–1528), showed the artist's everyday life. Artists of the time rarely directly referred to, much less showed the tools of their profession. It is assumed Hemessen's portrait is one of the earliest ones to show a painter with a brush together with a palette and an easel. She inscribed it in Latin: "I Caterina van Hemessen have painted myself / 1548 / Her age 20". Hemessen is shown at half length and holding a brush, looking outwards as if at her own image as she records it on the oak panel in front of her. She has only begun work on the ...
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Caterina Van Hemessen Portrait Of A Lady
Caterina is a feminine given name which is an Italian and Catalan form of the name ''Katherine''. Notable people with the name include: In music: * Caterina Assandra, Italian composer and Benedictine nun * Caterina Bueno, Italian singer and folk music historian * Caterina Caselli, Italian singer, actress and music producer * Caterina Cavalieri, Austrian soprano * Caterina Jarboro, pioneering African American opera singer * Caterina Valente, Italian-born singer, dancer, and actress In education: * Caterina Mieras, teacher at the Teacher Training School of the Balearic Islands In acting: * Caterina Murino, Italian actress * Caterina Scorsone, Canadian actress In sports: * Kateřina Baďurová, Czech pole vaulter * Kateryna Bondarenko, Ukrainian tennis player In other fields: * Caterina Appiani, lady of Piombino * Caterina Consani, Italian mathematician * Caterina dei Virgi, aristocratic Bolognese woman raised in the court of Bologna * Caterina Fake, American businesswoman ...
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Linda Nochlin
Linda Nochlin (''née'' Weinberg; January 30, 1931 – October 29, 2017) was an American art historian, Lila Acheson Wallace Professor Emerita of Modern Art at New York University Institute of Fine Arts, and writer. As a prominent feminist art historian, she became well known for her pioneering 1971 article " Why Have There Been No Great Women Artists?" published by ''ARTnews''.Nochlin, Linda. "Why Have There Been No Great Women Artists?" ''ARTnews'' January 1971: 22-39, 67-71. Early life and education Linda Natalie Weinberg was born the daughter of Jules Weinberg and Elka Heller (Weinberg) in Brooklyn, New York and raised in the borough's Crown Heights neighborhood. She attended Brooklyn Ethical Cultural School, a progressive grammar school. She received her B.A. in Philosophy from Vassar College in 1951, her M.A. in English from Columbia University in 1952, and her Ph.D in the history of art from the Institute of Fine Arts at New York University in 1963. Academic career A ...
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Virginals
The virginals (or virginal) is a keyboard instrument of the harpsichord family. It was popular in Europe during the late Renaissance and early Baroque periods. Description A virginal is a smaller and simpler rectangular or polygonal form of harpsichord with only one string per note running more or less parallel to the keyboard on the long side of the case. Many, if not most, of the instruments were constructed without legs, and would be placed on a table for playing. Later models were built with their own stands. Mechanism The mechanism of the virginals is identical to the harpsichord's, in that its wire strings are plucked by plectra mounted in jacks. Its case, however, is rectangular or polygonal, and the single choir of strings—one per note—runs roughly parallel to the keyboard. The strings are plucked either near one end, as with the harpsichord, or, in the case of the muselar, nearer the middle, producing a more flute-like tone reduced in upper harmonics. Etymology ...
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Pendant (art)
In art, a pendant is one of two paintings, statues, reliefs or other type of works of art intended as a pair. Typically, pendants are related thematically to each other and are displayed in close proximity. For example, pairs of portraits of married couples are very common, as are symmetrically arranged statues flanking an altar. Pendants may be the work of a single artist or of two artists, who in some instances might be in competition with one another. An example of the latter case is the pairing of the marble groups ''The Triumph of Faith over Idolatry'' by Jean-Baptiste Théodon and ''Religion Overthrowing Heresy and Hatred'' by Pierre Le Gros the Younger on the ''Altar of Saint Ignatius of Loyola'' (1695–1697/98), in the Church of the Gesù, Rome. When J. M. W. Turner bequeathed two of his paintings to the National Gallery in London with the clause that they should in perpetuity hang next to two landscape painting Landscape painting, also known as landscape art ...
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Dictionary Of Women Artists
''Dictionary of Women Artists'' is a two-volume dictionary of 600 women artists born before 1945, going back to the Middle Ages. It was edited by Delia Gaze with 23 advisors and over 100 contributors. Gaze is a writer for the Oxford DNB and wrote several biographies that were released in the 2004 edition of the ODNB. The book is widely cited as a reference for Western women artists and has a disclaimer that it is biased towards Western artists because of the constraints imposed on the selection. The book includes a list of artists in alphabetical order and chronological order and a bibliography of sources. Preceding the biographies is a series of "introductory surveys", a product of a somewhat dated notion in gender studies that women can be grouped into categories. There are many women artists mentioned in the surveys whose biography was not included, because there was not enough documented material to fulfill the inclusion criteria. The work was meant as a follow-up to a previ ...
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Lives Of The Most Excellent Painters, Sculptors, And Architects
''The Lives of the Most Excellent Painters, Sculptors, and Architects'' ( it, Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as ''The Lives'' ( it, Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art",Max Marmor, ''Kunstliteratur''
translated by , in Art Documentation Vol 11 # 1, 1992
"some of the 's most influential writing on ...
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Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany.G ...
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Lodovico Guicciardini
Lodovico Guicciardini (19 August 1521 – 22 March 1589) was an Italian writer and merchant from Florence who lived primarily in Antwerp from 1542 or earlier. He was the nephew of historian and diplomat Francesco Guicciardini. ''Description of the Low Countries'' His best-known work, the ''Descrittione di Lodovico Guicciardini patritio fiorentino di tutti i Paesi Bassi altrimenti detti Germania inferiore'' (1567, ''Description of the Low Countries''), was an influential account of the history and the arts of the Low Countries, accompanied by city maps by various leading engravers. Death Guicciardini died in Antwerp in 1589; he was buried there in the Cathedral of Our Lady. Gallery File:Guicciardini Map of 's-Hertogenbosch.png File:Guicciardini Map of Amsterdam.png File:Guicciardini Map of Antwerp.png File:Guicciardini Map of Belgium and Netherlands.png File:Guicciardini Map of Brabant.png File:Guicciardini Map of Bruges.png File:Guicciardini Map of Brussels.png File:Guicciar ...
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's-Hertogenbosch
s-Hertogenbosch (), colloquially known as Den Bosch (), is a city and municipality in the Netherlands with a population of 157,486. It is the capital of the province of North Brabant and its fourth largest by population. The city is south of the Maas river and near the Waal; it is to the north east of the city of Tilburg, north west of Eindhoven, south west of Nijmegen, and a longer distance south of Utrecht and south east of Dordrecht. History The city's official name is a contraction of the (archaic) Dutch ''des Hertogen bosch'' — "the forest of the duke". The duke in question was Henry I of Brabant, whose family had owned a large estate at nearby Orthen for at least four centuries. He founded a new town located on some forested dunes in the middle of a marsh. At age 26, he granted 's-Hertogenbosch city rights and the corresponding trade privileges in 1185. This is, however, the traditional date given by later chroniclers; the first mention in contemporaneous sou ...
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Cathedral Of Our Lady, Antwerp
The Cathedral of Our Lady ( nl, Onze-Lieve-Vrouwekathedraal) is a Roman Catholic cathedral in Antwerp, Belgium. Today's see of the Diocese of Antwerp started in 1352 and, although the first stage of construction was ended in 1521, has never been 'completed'. In Gothic style, its architects were Jan and Pieter Appelmans. It contains a number of significant works by the Baroque painter Peter Paul Rubens, as well as paintings by artists such as Otto van Veen, Jacob de Backer and Marten de Vos. The belfry of the cathedral is included in the Belfries of Belgium and France entry in the list of UNESCO World Heritage Sites. History Before 1124 The first Christian missionaries arrived in the 7th century. The first parish church dedicated to Saint Peter and Saint Paul was constructed in the current ''Sint Michielsstraat''. After the Viking raids in 836, the church was damaged and restored, and subsequently dedicated to Saint Michael. In the 10th century, a group of 12 secular canons ...
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