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Captain Ward And The Rainbow
Captain Ward and the Rainbow, or Ward the Pirate, is Child ballad 287. It recounts a tale of the pirate Captain Ward, likely Jack Ward. Synopsis The king sends a ship, the ''Rainbow'', after Captain Ward. In one variant, the ship carries 500 seamen, in another it carries 1,300. Ward defeats the ''Rainbow'' and sends taunts back to the king, "If he reign king of all the land, I will reign king at sea." In many variants, Ward claims to have never harmed an English ship. Lyrics Come all you gallant seamen bold, All you that march to drum, Let's go and look for Captain Ward, Far on the sea he roams; He is the biggest robber That ever you did hear, There's not been such a robber found For above this hundred year. A ship was sailing from the east And going to the west, Loaded with silks and satins And velvets of the best, But meeting there with Captain Ward, It proved a bad meeting; He robbèd them of all their wealth And bid them tell their king. O then the king provided a ship ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Child Ballad
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of " Judas" dates to the thirteenth century and a version of "A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Scottish Border
The Anglo-Scottish border () is a border separating Scotland and England which runs for between Marshall Meadows Bay on the east coast and the Solway Firth in the west. The surrounding area is sometimes referred to as "the Borderlands". The Firth of Forth was the border between the Picto-Gaelic Kingdom of Alba and the Anglian Kingdom of Northumbria in the early 10th century. It became the first Anglo-Scottish border with the annexation of Northumbria by Anglo-Saxon England in the mid-10th century. In 973, Kenneth, King of Scots attended the English king, Edgar the Peaceful, at his council in Chester. After Kenneth had reportedly done homage, Edgar rewarded Kenneth by granting him Lothian. Despite this transaction, the control of Lothian was not finally settled and the region was taken by the Scots at the Battle of Carham in 1018 and the River Tweed became the ''de facto'' Anglo-Scottish border. The Solway–Tweed line was legally established in 1237 by the Treaty o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northumbrian Folklore
Northumbrian may refer to: Languages * present-day Northumbrian dialect, a variant of Northern English closely related to Scots * historic Northumbrian Old English, a variety of Old English spoken in the Kingdom of Northumbria People * an inhabitant of the present-day region of Northumbria or North East England * an inhabitant of the historic county of Northumberland specifically * an inhabitant of the historic Kingdom of Northumbria la, Regnum Northanhymbrorum , conventional_long_name = Kingdom of Northumbria , common_name = Northumbria , status = State , status_text = Unified Anglian kingdom (before 876)North: Anglian kingdom (af ... Transport * Northumbrian (locomotive), a locomotive built in 1830 and first to encompass smokebox and firebox within the boiler barrel {{disambiguation Northumbria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Border Ballads
Border ballads are a group of songs in the long tradition of balladry collected from the Anglo-Scottish border. Like all traditional ballads, they were traditionally sung unaccompanied. There may be a repeating motif, but there is no "chorus" as in most popular songs. The supernatural is a common theme in border ballads, as are recountings of raids and battles. Ballad types The ballads belong to various groups of subjects, such as riding ballads like "Kinmont Willie"; historical ballads like " Sir Patrick Spens"; comic ballads like " Get Up and Bar the Door";''About this book'' - inside front cover of and those with supernatural themes including "Thomas the Rhymer" (also known as "True Thomas" or "Thomas of Erceldoune") and "Tam Lin". Writings about Some of the earliest known references (in Middle Scots) to the ballads appeared in ''The Complaynt of Scotland'' (1549). Sir Walter Scott wrote about border ballads in '' Minstrelsy of the Scottish Border'', first published in 1802 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Child Ballads
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of " Judas" dates to the thirteenth century and a version of "A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norfolk Rhapsodies
The ''Norfolk Rhapsodies'' are three orchestral rhapsodies by Ralph Vaughan Williams, drafted in 1905–06. They were based on folk songs Vaughan Williams had collected in the English county of Norfolk, in particular the fishing port of King's Lynn in January 1905. Only the first rhapsody survives in its entirety, having been revised by the composer in 1914. The second exists in fragmentary form, and has been completed by other hands. The third is lost. The three rhapsodies together were originally intended to form a sort of folk-song symphony. The First Rhapsody corresponded to the first movement, the Second Rhapsody combines the second and third movements of the symphony, with the scherzo occurring as an inserted episode of the slow movement. The Third Rhapsody was the finale, using four tunes formed as a quick march and trio. Norfolk Rhapsody No. 1 in E minor The first rhapsody was written in 1906, and revised in 1914. It was premiered in London on 23 August 1906 conducted by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Vaughan Williams
Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social life. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Teutonic influences. Vaughan Williams is among the best ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pirate
Piracy is an act of robbery or criminal violence by ship or boat-borne attackers upon another ship or a coastal area, typically with the goal of stealing cargo and other valuable goods. Those who conduct acts of piracy are called pirates, vessels used for piracy are pirate ships. The earliest documented instances of piracy were in the 14th century BC, when the Sea Peoples, a group of ocean raiders, attacked the ships of the Aegean and Mediterranean civilisations. Narrow channels which funnel shipping into predictable routes have long created opportunities for piracy, as well as for privateering and commerce raiding. Historic examples include the waters of Gibraltar, the Strait of Malacca, Madagascar, the Gulf of Aden, and the English Channel, whose geographic structures facilitated pirate attacks. The term ''piracy'' generally refers to maritime piracy, although the term has been generalized to refer to acts committed on land, in the air, on computer networks, and (in scien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four-part Harmony
The term "four-part harmony" refers to music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music. The four main voices are typically labelled as soprano (or treble and countertenor), alto (contralto, countertenor or mezzo), tenor, and bass. Because the human voice has a limited range, different voice types are usually not able to sing pitches that lie outside of their specific range. The effort required to perform four-part harmony varies greatly. Pieces written in such a style can be usually executed by a single keyboard player, a group of 4 instruments (or singers), or even a large choir with multiple singers per part. In European classical music In the baroque era, a set of rules developed for voice leading in four-part harmony. In these rules, the bass voice would be assigned the root of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
