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UK Funky
UK funky (sometimes known as UKF or funky) is a genre of electronic dance music which originated in England that is heavily influenced by soca, soulful house, tribal house, funky house, UK garage, broken beat and grime. Typically, UK funky blends beats, bass loops and synths with African and Latin percussion in the dembow rhythm with contemporary R&B-style vocals. Characteristics UK funky uses tempos of around 130bpm. Drum patterns vary between tracks, using either " 4 to the floor" or a syncopated style. The drum patterns commonly also include percussion playing African inspired rhythms. Instrumentation varies widely, but drum machines and synthesizers are common. There are similarities to garage in rhythmic, musical and vocal styles. UK funky is highly influenced by the tribal, soulful and bassline house subgenres. Similar genres include afro house, broken beat, electro and garage. History US house producers such as Masters At Work, Karizma (with "Twyst This"), Q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage House
Garage house (originally known as "garage"; local terms include "New York house" and New Jersey sound) is a dance music style that was developed alongside Chicago house music. The genre was popular in the 1980s in the United States and the 1990s in the United Kingdom, where it developed into UK garage and speed garage. Characteristics In comparison to other forms of house music, garage includes more gospel-influenced piano riffs and female vocals. It has a more soulful R&B-derived sound than Chicago house. History Garage house was developed in the Paradise Garage nightclub in New York City and Club Zanzibar in Newark, New Jersey, United States, during the early-to-mid 1980s. There was much overlap between it and early house music, making it difficult to tell the two apart. It predates the development of Chicago house, and according to All Music, is relatively closer to disco than other dance styles. As Chicago house gained international popularity, New York's garage music s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
England
England is a Countries of the United Kingdom, country that is part of the United Kingdom. It is located on the island of Great Britain, of which it covers about 62%, and List of islands of England, more than 100 smaller adjacent islands. It shares Anglo-Scottish border, a land border with Scotland to the north and England–Wales border, another land border with Wales to the west, and is otherwise surrounded by the North Sea to the east, the English Channel to the south, the Celtic Sea to the south-west, and the Irish Sea to the west. Continental Europe lies to the south-east, and Ireland to the west. At the 2021 United Kingdom census, 2021 census, the population was 56,490,048. London is both List of urban areas in the United Kingdom, the largest city and the Capital city, capital. The area now called England was first inhabited by modern humans during the Upper Paleolithic. It takes its name from the Angles (tribe), Angles, a Germanic peoples, Germanic tribe who settled du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quentin Harris
Quentin Harris (born 8 September 1970 in Detroit, Michigan) is a New York City-based house music producer, remixer and DJ. He is active in the gay, underground, and pop-dance music scenes.Interview: Quentin Harris Djhistory.com, interviewed by Bill Brewster and Mark Treadwell in London, February 20, 2010 He is best known for his 2005 club hit ''Let’s Be Young''. Early career Quentin Harris' early influences included DJ , , |
Karizma (musician)
Karizma (born Christopher Clayton on March 28, 1970, in Baltimore, Maryland) is an American electronic musician, DJ and record producer, known for his wide variety of music production in deep house, deep techno, hip hop, jazz, and broken beat. Early career Karizma grew up in Baltimore, United States, and he began to DJ for fashion shows and college parties at age of 13. Karizma and DJ Spen worked on a music production project with a record label, Jasper Street Company, and joined the house music production group the Basement Boys, and worked on remixes for musicians such as Mary J. Blige, Bob Sinclar, and Lenny Kravitz. In October 1999, Karizma released his first solo work, "The Power E.P." from Black Vinyl Records, while he belong to the Basement Boys. In 2006, Karizma distributed his unreleased track, "Twyst this" to a few contacts including Gilles Peterson. Gilles Peterson introduced it on his radio program, Worldwide on BBC Radio 1, and this track got chart in on top 14 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masters At Work
Masters at Work is the American garage house production and remix team of "Little" Louie Vega and Kenny "Dope" Gonzalez. The duo has produced music together under the names MAW, KenLou, Sole Fusion, Hardrive, and Nuyorican Soul. They have been referred to as one of the most influential artists in the history of house music. Biography In the late 1980s, Kenny "Dope" Gonzalez organized a series of block parties with his friend Mike Delgado under the name "Masters at Work". Gonzalez loaned the name to Todd Terry for his 1987 singles "Alright Alright" and "Dum Dum Cry", with editing by Mike Delgado and Franklin Martinez. Terry had attended Gonzalez's parties and became influential to him. When Vega was hired to mix one of Terry's freestyles, this eventually led him to meeting Gonzalez. Gonzalez and Vega then started using the name ''Masters at Work'' in 1990. In 1993, the duo also created the Nuyorican Soul moniker, blending their residence in New York City, Puerto Rican heri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro (music)
Electro (also known as electro-funk, and sometimes referred to as electro-pop) Globaldarkness.com. Retrieved on July 18, 2011. is a genre of electronic dance music that emerged in the early 1980s. It is defined by the prominent use of the Roland TR-808 drum machine, and draws direct influence from early hip hop and funk music. Electro music is typically characterized by synthetic beats, robotic textures, and minimal or electronically processed vocals—often delivered through vocoders or talkboxes. Unlike its boogie predecessor, which emphasized vocal elements, electro focused more on rhythm and machine-generated sound. The genre arose as the popularity of disco waned in the U.S., blending funk and early hip hop elements with influences from New York's boogie scene and electronic pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassline House
Bassline (sometimes referred to as bassline house or 4x4 or niche) is a music genre closely related to UK garage that originated in South Yorkshire and the West Midlands in the early 2000s. Stylistically it comprises a four-to-the-floor rhythm normally at around 135–142 beats per minute and a strong emphasis on bass, similar to that of its precursor speed garage, with chopped up vocal samples and a pop music aesthetic. The genre is often confused with grime music however deviates from grime's aggressive electronic sound and rapid syncopated breakbeats instead it has a more mainstream friendly sound. Particularly in the scene's early days, the most prominent bassline club was Sheffield's Niche Nightclub, which became the centre of controversy due to a police raid which resulted in the club's closure in 2005. Characteristics Early bassline house Early bassline shares more similarities with its predecessor speed garage than the style that began to emerge in the latter half of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four On The Floor (music)
Four-on-the-floor (or four-to-the-floor) is a rhythm used primarily in dance genres such as disco and electronic dance music. It is a steady, uniformly accented beat in time in which the bass drum is hit on every beat (1, 2, 3, 4)."The Dance Music Manual: Tools, Toys and Techniques," Rick Snoman (2004) This was popularized in the disco music of the 1970s and the term ''four-on-the-floor'' was widely used in that era, since the beat was played with the pedal-operated, drum-kit bass drum. Four on the floor was common in jazz drumming until bebop styles expanded rhythmic roles beyond the basics in the 1940s. Garage rock bands of the 1960s such as the Troggs and the Seeds used four-on-the-floor on some of their hits. Many styles of electronic dance music use this beat as an important part of the rhythmic structure. Sometimes the term is used to refer to a 4/4 uniform drumming pattern for any drum. A form of four-on-the-floor is also used in jazz drumming. Instead of hittin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music Music genre, genre, originating from African Americans, African-American musicians in the 1980s that combines rhythm and blues with elements of Pop music, pop, Soul music, soul, funk, Hip-hop, hip hop, and electronic music. The genre features a distinctive Record producer, record production style and a smooth, lush style of vocal arrangement. Electronic music, Electronic influences and the use of hip hop or electronic dance music, dance-inspired beat (music), beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music, pop culture and pop music. Precursors According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of [R&B] in ways that haven't been equaled since" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dembow
The dembow beat or dembow riddim is a musical rhythm best known for its use as the core percussion element in reggaeton music, having taken its name from the 1990 dancehall song " Dem Bow" by Shabba Ranks. The rhythm, first developed by Jamaican and Afro-Panamanian producers in the early 1990s as reggaeton was beginning to form, employs the tresillo pattern that is common in Latin American music. Characteristics The dembow rhythm is usually employed as a loop, in line with reggaeton's mainly electronic production. Described as having a "bounce", it has a 3+3+2 (tresillo) cross-rhythm with a slight syncopation on every other half-beat. While dembow is the main building block of the reggaeton genre, similar modern rhythms can be found in Africa with the genres of afrobeats, on account of their common ancestry. There are also connections with Arabic music, credited to "cross-pollination" between Spain, the Arab world, and sub-Saharan Africa Sub-Saharan Africa is the ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Percussion
{{for, the company, Latin Percussion Latin percussion is a family of percussion, membranophone, lamellophone and idiophone instruments used in Latin music. Instruments Afro-Cuban and Puerto Rican styles Folkloric and Santeria * Trap drums * Abakua and Arará drums * Chekere/Shekere * Erikundi * Bata * Cowbell * Shaker * Conga * Cajon * Guiro * Barril de bomba * Pandereta plenera * Cuá * mouth sounds 20-21st century music (Salsa, Son Montuno, Bolero, etc.) * Bongo * Conga * Clave/ Wood block * Cowbell (cencerro) * Timbales * Shaker/ Maraca * Güiro * Cajón South America * Timbales, a similar Afro-Cuban instrument * Surdo * Cuíca * Caixa * Reco-reco *Cabasa/ Afuche * Repinique * Agogô * Tan-tan * Pandeiro * Tamborim * Apito * Berimbau Neo Samba and Neo-Bossa Nova additions * Conga * Timbales * Bongo * Clave/ Wood block * Cowbell Andean styles (Peru, Bolivia, South Ecuador, Argentina, Chile) * Rain Stick * Reco-reco * Sheep hooves, or chapchas * Chipaya box * Bombo * Huancar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
