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Tomb Of Pope Julius II
The ''Tomb of Pope Julius II'' is a sculptural and architectural ensemble by Michelangelo and his assistants, originally commissioned in 1505 but not completed until 1545 on a much reduced scale. Originally intended for St. Peter's Basilica, the structure was instead placed in the church of San Pietro in Vincoli on the Esquiline in Rome after the pope's death. This church was patronized by the Della Rovere family from which Julius came, and he had been titular cardinal there. Julius II, however, is buried next to his uncle Sixtus IV in St. Peter's Basilica, so the final structure does not actually function as a tomb. As originally conceived, the tomb would have been a colossal structure that would have given Michelangelo the room he needed for his superhuman, tragic beings. This project became one of the great disappointments of Michelangelo's life when the pope, for unexplained reasons, interrupted the commission, possibly because funds had to be diverted for Bramante's reb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moses (Michelangelo)
''Moses'' ( ; ) is a sculpture by the Italian High Renaissance artist Michelangelo, housed in the Basilica of San Pietro in Vincoli in Rome. Commissioned in 1505 by Pope Julius II for Tomb of Pope Julius II, his tomb, it depicts the Bible, biblical figure Moses with horned Moses, horns on his head, based on a description in chapter 34 of Book of Exodus, Exodus in the Vulgate, the Latin translation of the Bible used at that time. Some scholars believe the use of horns may often hold an antisemitic implication, while others hold that it is simply a convention based on the translation error. Sigmund Freud's interpretations of the statue from 1916 are particularly well-known. Some interpretations of the sculpture including Freud note a demotic force, but also as a beautiful figure, with an emotional intensity as God's word is revealed. The delicacy of some of the features such as Moses' flowing hair are seen as a remarkable technical achievement, but Freud argues that Michelangelo goes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Di Belle Arti Firenze
The Accademia di Belle Arti di Firenze () is an instructional art academy in Florence, in Tuscany, in central Italy. It was founded by Cosimo I de' Medici in 1563, under the influence of Giorgio Vasari. Michelangelo, Benvenuto Cellini and other significant artists have been associated with it. Like other state art academies in Italy, it became an autonomous degree-awarding institution under law no. 508 dated 21 December 1999, and falls under the administration of the Ministero dell'Istruzione, dell'Università e della Ricerca, the Italian ministry of education and research. The adjacent (but unaffiliated) Galleria dell'Accademia houses the original ''David'' by Michelangelo. History The Accademia e Compagnia delle Arti del Disegno, or "academy and company of the arts of drawing", was founded on 13 January 1563 by Cosimo I de' Medici, under the influence of Giorgio Vasari. It was made up of two parts: the company was a kind of guild for all working artists, while the ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Awakening Slave
The ''Awakening Slave'' is a 2.67m high marble statue by Michelangelo, dated to 1525–1530. It is one of the 'Prisoners', the series of unfinished sculptures for the tomb of Pope Julius II. It is now held in the Galleria dell'Accademia in Florence. It seems that from the first project for the tomb of Julius II (1505) in the lower register of the mausoleum were planned a series of "Prisons", that is, a series of statues larger than the life of figures chained in various poses as prisoners, precisely, to be placed on the pillars that framed niches and topped with Hermes. Paired with each niche (in which a ''winged victory'' was planned) they were to initially be sixteen or twenty, being gradually reduced in the projects that followed, to twelve (second project, 1513), eight (third project, 1516) and finally perhaps only four (perhaps from the fourth or fifth project, 1526 and 1532), and then definitively eliminated in the final project of 1542. The first of the series, of which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bearded Slave
The ''Bearded Slave'' (Italian: ''Schiavo barbuto'') is a marble sculpture by Michelangelo datable to around 1525–1530 and kept in the Galleria dell'Accademia in Florence. It forms part of the series of unfinished Prigioni intended for the Tomb of Pope Julius II. History It seems that, from the first design of the Tomb of Pope Julius II (1505), a series of "Prigioni" was planned for the bottom level of the mausoleum, a series of statues larger than life size of chained figures in various poses, leaning on pilasters which would frame niches containing winged Victories and be surmounted by herms. With a pair on each side of each niche, there must initially have been sixteen or twenty such statues planned. This number was reduced in successive designs, to twelve (second version, 1513), eight (third version, 1516) and finally maybe only four (fourth version, 1526, or fifth version, 1532), before being eliminated from the project altogether in the final version of 1542. The fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atlas Slave
The ''Atlas Slave'' is a 2.77m high marble statue by Michelangelo, dated to 1525–1530. It is one of the 'Prisoners', the series of unfinished sculptures for the tomb of Pope Julius II. It is now held in the Galleria dell'Accademia in Florence Florence ( ; ) is the capital city of the Italy, Italian region of Tuscany. It is also the most populated city in Tuscany, with 362,353 inhabitants, and 989,460 in Metropolitan City of Florence, its metropolitan province as of 2025. Florence .... History Before the end of the first project for tomb of Pope Julius II (1505), a series of sculptures was planned for the lower part of the mausoleum. This series, the 'Prisoners', would be a number of larger-than-life statues chained up in various poses representing prisoners leaning on the pillars and herms which flanked the niches. As they were coupled with each niche (featuring images of Winged Victory), there were originally supposed to be sixteen or twenty sculptures. In later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Young Slave
The ''Young Slave'' (Italian: ''Schiavo giovane'') is a marble sculpture of Michelangelo, datable to around 1525–1530 which is conserved in the Galleria dell'Accademia in Florence. It is part of the "unfinished" series of ''Prigioni'' intended for the Tomb of Julius II. History It seems that from the first version of the tomb of Julius II (1505) a series of "Prigioni" was planned for the lowest level of the mausoleum – a series of more-than-life-size statues of chained figures in various poses, leaning on the pilasters which framed a set of niches, each of which would contain a "winged Victory". With one on each side of each niche, it must have been initially intended for there to be sixteen or twenty Prigioni. In the course of the reductions of the project which followed, this was reduced to twelve (second project, 1513), eight (third project, 1516) and finally perhaps a mere four (fourth or fifth version, 1526 or 1532), before they were completely eliminated from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raffaello Da Montelupo
Raffaello da Montelupo (born Raffaele Sinibaldi; – c. 1566/1567) was a sculptor and architect of the Italian Renaissance, and an apprentice of Michelangelo. He was the son of another Italian sculptor, Baccio da Montelupo. Both father and son are profiled in Vasari's ''Lives of the Most Excellent Painters, Sculptors, and Architects''. Works Raffaello was born in Montelupo Fiorentino, near Florence. As a young artist in his twenties, he assisted Lorenzetto in Rome with the execution of statues of Elijah and Jonah for the Chigi Chapel in Santa Maria del Popolo (on designs by Raphael). He is also attributed a marble relief of the mystical marriage of St. Catherine (c. 1530), in a chapel at Santa Maria della Consolazione. Raffaello then went to Loreto, where the ''Visitazione'' and ''Adorazione dei Magi'' (c. 1534) at the Basilica of the Holy House (Chiesa della Casa Santa) are attributed to him (on designs by Andrea Sansovino).he Arch of Constantine Michelangelo and S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Vecchio
The ( "Old Palace") is the town hall of Florence, Italy. It overlooks the , which holds a copy of Michelangelo's ''David'' statue, and the gallery of statues in the adjacent Loggia dei Lanzi. Originally called the ''Palazzo della Signoria'', after the Signoria of Florence, the ruling body of the Republic of Florence, this building was also known by several other names: ''Palazzo del Popolo'', ''Palazzo dei Priori'', and ''Palazzo Ducale'', in accordance with the varying use of the palace during its long history. The building acquired its current name when the Medici duke's residence was moved across the Arno River to the Palazzo Pitti. History In 1299, the commune and people of Florence decided to build a palace that would be worthy of the city's importance, and that would be more secure and defensible in times of turbulence for the magistrates of the commune.Bartlett, 37. Arnolfo di Cambio, the architect of the Duomo and the Santa Croce church, began construction upon t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warburg Institute
The Warburg Institute is a research institution associated with the University of London in central London, England. A member of the School of Advanced Study, its focus is the study of cultural history and the role of images in culture – cross-disciplinary and global. It is concerned with the histories of art and science, and their relationship with superstition, magic, and popular beliefs. The researches of the Warburg Institute are historical, philological and anthropological. It is dedicated to the study of the survival and transmission of cultural forms – whether in literature, art, music or science – across borders and from the earliest times to the present including especially the study of the influence of classical antiquity on all aspects of European Western culture, civilisation. Based originally in Hamburg, Germany, in 1933 the collection was moved to London, where it became incorporated into the University of London in 1944. Following a major renovation from 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Slave In European Art
Representations of slavery in European art date back to ancient times. They show slaves of varied ethnicity, white as well as black. In Europe, slavery became increasingly associated with blackness from the 17th century onwards. However, slaves before this period were predominantly white. The ''black'' in European art is not the same topic as the ''slave'' in European art: slaves were not always black and black people not always slaves. The article also concentrates on European art rather than Western art in general. Slaves in art From the Renaissance onwards, a substantial number of bound figures, often naked and crouching, illustrate enslavement.''The Slave in European Art: From Renaissance Trophy to Abolitionist Emblem'', ed. Elizabeth McGrath and Jean Michel Massing, London (The Warburg Institute) and Turin 2012. This imagery had for one of its roots the ancient tradition of Roman Triumph, but its contemporaneous relevance was greatly magnified by the prevalence of s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leah
Leah () appears in the Hebrew Bible as one of the two wives of the Biblical patriarch Jacob. Leah was Jacob's first wife, and the older sister of his second (and favored) wife Rachel. She is the mother of Jacob's first son Reuben. She has three more sons, namely Simeon, Levi and Judah, but does not bear another son until Rachel offers her a night with Jacob in exchange for some mandrake root (, ''dûdâ'îm''). Leah gives birth to two more sons after this, Issachar and Zebulun, and to Jacob's only daughter, Dinah. Name Leah means "wild cow”, a common title with ancient goddesses like Inana, Urash, and Nanshe. Rachel means "ewe lamb." Noegel says there's an irony involving Laban's flocks within this detail, one is on generative acts, - ''Give me my wife for my days are fulfilled, that I may go into her'' (אליה) (29:21). Herein also lies a subtle pun on Leah's name, which occurs again in 29:23. however, note that references to bovines and their fertility would not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rachel
Rachel () was a Bible, Biblical figure, the favorite of Jacob's two wives, and the mother of Joseph (Genesis), Joseph and Benjamin, two of the twelve progenitors of the tribes of Israel. Rachel's father was Laban (Bible), Laban. Her older sister was Leah, Jacob's first wife. Her aunt Rebecca was Jacob's mother. After Leah conceived again, Rachel finally had a son, Joseph (son of Jacob), Joseph, who would become Jacob's favorite child. Children Rachel's son Joseph (Genesis), Joseph was destined to be the leader of Israel's tribes between exile and nationhood. This role is exemplified in the Biblical story of Joseph, who prepared the way in Egypt for his family's exile there. After Joseph's birth, Jacob decided to return to the land of Canaan with his family. Fearing that Laban would deter him, he fled with his two wives, Leah and Rachel, and twelve children without informing his father-in-law. Laban pursued him and accused him of stealing his teraphim. Indeed, Rachel had taken ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
