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Psychopomps
Psychopomps (from the Greek word , , literally meaning the 'guide of souls') are creatures, spirits, angels, demons, or deities in many religions whose responsibility is to escort newly deceased souls from Earth to the afterlife. Their role is not to judge the deceased, but simply to guide them. Appearing frequently on funerary art, psychopomps have been depicted at different times and in different cultures as anthropomorphic entities, horses, deer, dogs, whip-poor-wills, ravens, crows, vultures, owls, sparrows, and cuckoos. In the case of birds, these are often seen in huge masses, waiting outside the home of the dying. Overview Ancient religion Classical examples of a psychopomp are the ancient Egyptian god Anubis, the deity Pushan in Hinduism, the Greek ferryman Charon, the goddess Hecate, and god Hermes,RADULOVI, IFIGENIJA; VUKADINOVI, SNEŽANA; SMIRNOVBRKI, ALEKSANDRA – Hermes the Transformer Ágora. Estudos Clássicos em debate, núm. 17, 2015, pp. 45–62 Univers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinigami
() are that invite humans toward death in certain aspects of Shinto, Japanese religion and Culture of Japan, culture. have been described as monsters, helpers, and creatures of darkness. are used for tales and religions in Japanese culture. Japanese religion In Buddhism, there is the Mara (demon), Mara that is concerned with death, the Mrtyu-mara. It is a demon that makes humans want to die, and it is said that upon being possessed by it, in a shock, one should suddenly want to die by suicide, so it is sometimes explained to be a . Also, in the Yogacarabhumi-sastra, a writing on Yogacara, a demon decided the time of people's deaths. Yama (Buddhism), Yama, the king of the Diyu, Underworld, as well as such as the Ox-Head and Horse-Face are also considered a type of . In Shinto and Japanese mythology, Izanami gave humans death, so she is sometimes seen as a . However, Izanami and Yama are also thought to be different from the death gods in Western mythology. Some forms of Bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermes
Hermes (; ) is an Olympian deity in ancient Greek religion and mythology considered the herald of the gods. He is also widely considered the protector of human heralds, travelers, thieves, merchants, and orators. He is able to move quickly and freely between the worlds of the mortal and the divine aided by his winged sandals. Hermes plays the role of the psychopomp or "soul guide"—a conductor of souls into the afterlife. In myth, Hermes functions as the emissary and messenger of the gods, and is often presented as the son of Zeus and Maia, the Pleiad. He is regarded as "the divine trickster", about which the '' Homeric Hymn to Hermes'' offers the most well-known account. Hermes's attributes and symbols include the herma, the rooster, the tortoise, satchel or pouch, talaria (winged sandals), and winged helmet or simple petasos, as well as the palm tree, goat, the number four, several kinds of fish, and incense. However, his main symbol is the ''caduceus'', a wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hecate
Hecate ( ; ) is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches, a key, or snakes, or accompanied by dogs, and in later periods depicted as three-formed or triple-bodied. She is variously associated with crossroads, night, light, magic, witchcraft, drugs, and the Moon.Seyffert, s.vHecate/ref>d'Este, Sorita & Rankine, David, Hekate Liminal Rites, Avalonia, 2009. Her earliest appearance in literature was in Hesiod's '' Theogony'' in the 8th century BCE as a goddess of great honour with domains in sky, earth, and sea. She had popular followings amongst the witches of Thessaly, and an important sanctuary among the Carians of Asia Minor in Lagina.Burkert, p. 171. The earliest evidence for Hecate's cult comes from Selinunte, in Sicily. Hecate was one of several deities worshipped in ancient Athens as a protector of the '' oikos'' (household), alongside Zeus, Hestia, Hermes, and Apollo. In the post-Christian writings of the Chalde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charon (mythology)
In Greek mythology, Charon or Kharon ( ; ) is a psychopomp, the ferryman of the Greek underworld. He carries the souls of those who have been given funeral rites across the rivers Acheron and Styx, which separate the worlds of the living and the dead. Archaeology confirms that, in some burials, low-value coins known generically as Charon's obols were placed in, on, or near the mouth of the deceased, or next to the cremation urn containing their ashes. This has been taken to confirm that at least some aspects of Charon's mytheme are reflected in some Greek and Roman funeral practices, or else the coins function as a viaticum for the soul's journey. In Virgil's epic poem, ''Aeneid'', the dead who could not pay the fee, and those who had received no funeral rites, had to wander the near shores of the Styx for one hundred years before they were allowed to cross the river. Charon also ferried the living mortals Heracles and Aeneas to the underworld and back again. Name origins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valkyrie
In Norse mythology, a valkyrie ( or ; from ) is one of a host of female figures who guide souls of the dead to the god Odin's hall Valhalla. There, the deceased warriors become ('single fighters' or 'once fighters').Orchard (1997:36) and Lindow (2001:104). When the are not preparing for the cataclysmic events of Ragnarök, the valkyries bear them mead. Valkyries also appear as lovers of heroes and other mortals, where they are sometimes described as the daughters of royalty, sometimes accompanied by ravens and sometimes connected to swans or horses. Valkyries are attested in the ''Poetic Edda'' (a book of poems compiled in the 13th century from earlier traditional sources), the ''Prose Edda'', the (both by Snorri Sturluson) and the (one of the Sagas of Icelanders), all written—or compiled—in the 13th century. They appear throughout the poetry of skalds, in a 14th-century magical formula, charm, and in various runic inscriptions. The Old English cognate term appears ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xolotl
In Aztec mythology, Xolotl () was a god of fire and lightning. He was commonly depicted as a dog-headed man and was a soul-guide for the dead. He was also god of twins, monsters, death, misfortune, sickness, and deformities. Xolotl is the canine brother and twin of Quetzalcoatl, the pair being sons of the virgin Chimalma. He is the dark personification of Venus, the evening star, and was associated with heavenly fire. The axolotl is named after him. Myths and functions Xolotl was the sinister god of monstrosities who wears the spirally-twisted wind jewel and the ear ornaments of Quetzalcoatl. His job was to protect the sun from the dangers of the underworld. As a double of Quetzalcoatl, he carries his conch-like ehecailacacozcatl or wind jewel. Xolotl accompanied Quetzalcoatl to Mictlan, the land of the dead, or the underworld, to retrieve the bones from those who inhabited the previous world (Nahui Atl) to create new life for the present world, Nahui Ollin, the sun of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anubis
Anubis (; ), also known as Inpu, Inpw, Jnpw, or Anpu in Ancient Egyptian (), is the god of funerary rites, protector of graves, and guide to the underworld in ancient Egyptian religion, usually depicted as a canine or a man with a canine head. Like many ancient Egyptian deities, Anubis assumed different roles in various contexts. Depicted as a protector of graves as early as the First Dynasty (), Anubis was also an embalmer. By the Middle Kingdom (c. 2055–1650 BC) he was replaced by Osiris in his role as lord of the underworld. One of his prominent roles was as a god who ushered souls into the afterlife. He attended the weighing scale during the "Weighing of the Heart", in which it was determined whether a soul would be allowed to enter the realm of the dead. Anubis is one of the most frequently depicted and mentioned gods in the Egyptian pantheon; however, few major myths involved him. Anubis was depicted in black, a color that symbolized regeneration, life, the soil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercury (mythology)
Mercury (; ) is a major god in Roman religion and mythology, being one of the 12 Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages, communication (including divination), travelers, boundaries, luck, trickery, and thieves; he also serves as the guide of souls to the underworld and the "messenger of the gods". In Roman mythology, he was the son of Maia, one of the seven daughters of the Titan Atlas, and Jupiter. In his earliest forms, he appears to have been related to the Etruscan deity Turms; both gods share characteristics with the Greek god Hermes. He is often depicted holding the caduceus in his left hand. Similar to his Greek equivalent Hermes, he was awarded a magic wand by Apollo, which later turned into the caduceus, the staff with intertwined snakes. Etymology The name "Mercury" is possibly related to the Latin words '' merx'' ("merchandise"; cf. ''merchant'', ''commerce'', etc.), ' (''to tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vanth
Vanth is a chthonic figure in Etruscan mythology shown in a variety of forms of funerary art, such as in tomb paintings and on sarcophagi. Background Vanth is a female entity in the Etruscan underworld that is often accompanied either by additional Vanth figures or by another underworld entity, Charun (later referred to as ''Charu''). Both Vanth and Charun are only seen in iconography beginning c. 400 BC, in the middle period of Etruscan art, although some earlier inscriptions mention her name. Vanth has no direct counterpart in Greek mythology, although her depiction as a winged figure has led to comparisons with the Greek Furies, the Erinyes, especially in older publications. This is an unlikely association since she is almost always shown in Etruscan iconography to be a benevolent guide, not an avenging spirit, which the Furies often represent. Her other attributes include the possession of a torch, key, or scroll, and she is shown often to be bare-chested with cross-straps ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heibai Wuchang
The Heibai Wuchang, or Hak Bak Mo Seong, literally "Black and White Impermanence", are two deities in Chinese folk religion in charge of escorting the spirits of the dead to the underworld. As their names suggest, they are dressed in black and white respectively. They are subordinates of Yanluo Wang, the Supreme Judge of the Underworld in Chinese mythology, alongside the Ox-Headed and Horse-Faced Hell Guards. They are worshiped as fortune deities and are also worshiped in City God Temples in some countries. In some instances, the Heibai Wuchang are represented as a single being – instead of two separate beings – known as the Wuchang Gui, literally "Ghost of Impermanence". Depending on the person it encounters, the Wuchang Gui can appear as either a fortune deity who rewards the person for doing good deeds or a malevolent deity who punishes the person for committing evil. Alternative names In folklore, the White Guard's name is Xie Bi'an (), which can be interpreted a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morana (goddess)
Morana (in Czech, Slovene, Bosnian, Croatian and Montenegrin), Morena (in Slovak and Macedonian), Mora (in Bulgarian), Mara (in Ukrainian), Morė (in Lithuanian), Marena (in Russian), or Marzanna (in Polish) is a pagan Slavic goddess associated with seasonal rites based on the idea of death and rebirth of nature. She is an ancient goddess associated with winter's death, rebirth and dreams. In ancient Slavic rites, the death of the Goddess Morana at the end of winter becomes the rebirth of Spring of the Goddess Kostroma (Russian), Lada or Vesna representing the coming of Spring. Some medieval Christian sources such as the Czech 13th century Mater Verborum compare her to the Greek goddess Hecate, associating her with sorcery. 15th century Polish chronicler Jan Długosz likened her in his ''Annales'' to Ceres, the Roman goddess of agriculture (together with another Slavic goddess Dziewanna). In modern times, the rituals associated with Marzanna have lost their sacred charac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
