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Plena
Plena is a genre of music and dance native to Puerto Rico. Origins The plena genre originated in Barrio San Antón, Ponce, Puerto Rico, around 1900. It was influenced by the bomba style of music. Originally, sung texts were not associated with the plena, which was rendered by guitar, accordion and pandero, but eventually, in 1907, singing was added. Plena was often called the ''periodico cantado'' or "sung newspaper" for the lower classes because it spread messages among people, similar to the corridos in Mexico. History The plena was a result of the mixing of the culturally diverse popular class, where their workplace, neighborhood, and life experiences met to create an expressive, satirical style of music. It became a way for the working class to gain empowerment through parody. Due to originating in the lower social class, it was regarded by the upper class as "a menace to public order and private property" and was for many years associated with people of ''la vida alegre ...
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Music Of Puerto Rico
The Music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources of Puerto Rico have primarily included Music of Africa, African, Taino Indigenous music, Indigenous, and Culture of Europe#Music, European influences. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially native genres such as Bomba (Puerto Rico), bomba, Jíbaro music, jíbaro, seis, danza, and plena to more recent hybrid genres such as Salsa music, salsa, Latin trap and reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the United States, especially in New York City. Their music, from salsa to the boleros of Rafael Hernández Marín, Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself. Traditional, folk, and popular music Early mu ...
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Ponce, Puerto Rico
Ponce ( , , ) is a city and a Municipalities of Puerto Rico, municipality on the southern coast of Puerto Rico. The most populated city outside the San Juan, Puerto Rico, San Juan metropolitan area, Ponce was founded on August 12, 1692Some publications/reporters have erroneously stated Ponce's date of founding as December 12, 1692 (see, for example, Jose Fernandez-Colon, The Associated Press, at "Noticias Online" on January 24, 2009, a''Noticias Puerto Rico.''Accessed 23 March 2019.) Another incorrect date sometimes found is September 12, 1692 (See, for example, Jorge L. Perez (El Nuevo Dia) and Jorge Figueroa (Ponce Municipal Historian), a''Historic Buildings and Structures in Ponce, Puerto Rico.'' at the text accompanying Drawing #20, titled "Tumba de los Bomberos". Puerto Rico Historic Buildings Drawings Society. 2019. Accessed 4 February 2019. See als''Mapa de Municipios y Barrios: Ponce, Memoria Numero 27.'' Gobierno del Estado Libre Asociado de Puerto Rico. Junta de Planifi ...
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Ponceños
Ponce ( , , ) is a city and a municipality on the southern coast of Puerto Rico. The most populated city outside the San Juan metropolitan area, Ponce was founded on August 12, 1692Some publications/reporters have erroneously stated Ponce's date of founding as December 12, 1692 (see, for example, Jose Fernandez-Colon, The Associated Press, at "Noticias Online" on January 24, 2009, a''Noticias Puerto Rico.''Accessed 23 March 2019.) Another incorrect date sometimes found is September 12, 1692 (See, for example, Jorge L. Perez (El Nuevo Dia) and Jorge Figueroa (Ponce Municipal Historian), a''Historic Buildings and Structures in Ponce, Puerto Rico.'' at the text accompanying Drawing #20, titled "Tumba de los Bomberos". Puerto Rico Historic Buildings Drawings Society. 2019. Accessed 4 February 2019. See als''Mapa de Municipios y Barrios: Ponce, Memoria Numero 27.'' Gobierno del Estado Libre Asociado de Puerto Rico. Junta de Planificación. Santurce, Puerto Rico. 1953. p. 6.). Miguel A ...
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Pandereta Plenera
The pandereta plenera, pandero plenero or plenera, is a handheld frame drum typical of Puerto Rican music. A group of these drums is commonly used in traditional Puerto Rican plena music. There are three general sizes: primo or requinto (for solos and lead), segundo or seguidor, and tercero or bajo (for rhythm and bass), although sizes can vary. A fourth type is the pandereta punteador, also used for rhythm. Matos, Tito. LP Percussion Presents: La Plena with Tito Matos. https://www.youtube.com/watch?v=Q6Rk46KJRr0 See also *Drum *Percussion instrument *Plena Plena is a genre of music and dance native to Puerto Rico. Origins The plena genre originated in Barrio San Antón, Ponce, Puerto Rico, around 1900. It was influenced by the bomba style of music. Originally, sung texts were not associated wit ... References * {{cite book , first=John , last=Beck , title = Encyclopedia of Percussion , year = 1994 , publisher = Garland , isbn = 978-0-8240-4788-7 Membranophones ...
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Bomba (Puerto Rico)
Bomba is an umbrella term that refers to a variety of musical styles and associated dances originating in Puerto Rico. It was developed by enslaved Africans and their descendants in sugar plantations along coastal towns, most notably Loiza, Mayagüez, Ponce, and San Juan, during the 17th century. It is the island's oldest musical tradition.Ferreras, S. E. (2005). ''Solo drumming in the Puerto Rican bomba: An analysis of musical processes and improvisational strategies'' (thesis)Online/ref> Bomba reflects a syncretism of Puerto Rico’s many cultural groups. It incorporates Taíno instruments such as the maraca; characteristics from traditional European dances like rigadoons, quadrilles and mazurkas; and drum ensembles and drummer/dancer interactions that bear close resemblance to a number of West African musical styles. The music also evolved through contact between enslaved populations from different Caribbean colonies and regions, including the Dutch colonies, Cuba, Domi ...
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Cuatro (instrument)
The cuatro is a family of Latin American string instruments played in Colombia, Puerto Rico, Venezuela and other Latin American countries. It is derived from the Spanish guitar. Although some have viola-like shapes, most cuatros resemble a small to mid-sized classical guitar. In Puerto Rico and Venezuela, the cuatro is an ensemble instrument for secular and religious music, and is played at parties and traditional gatherings. Cuatro means ''four'' in Spanish; the instrument's 15th century predecessors were the Spanish vihuela and the Portuguese cavaquinho, the latter having four strings like the cuatro. Modern cuatros come in a variety of sizes and shapes, and number of strings. Cuatros can either have single-strings, like a guitar, or double- or triple-coursed strings like a mandolin, and vary in size from a large mandolin or small guitar, to the size of a full-size guitar. Depending on their particular stringing, cuatros are part of the guitar or mandolin subfamilies ...
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Requinto
The term requinto is used in both Spanish and Portuguese to mean a smaller, higher-pitched version of another instrument. Thus, there are ''requinto'' guitars, drums, and several wind instruments. Wind instruments ''Requinto'' was 19th-century Spanish for "little clarinet". Today, the word ''requinto'', when used in relation to a clarinet, refers to the E-flat clarinet, also known as ''requint'' in Valencian language. ''Requinto'' can also mean a high-pitched flute (akin to a piccolo), or the person who plays it. In Galicia, the word may refer to a wooden fife-like instrument held sideways. Small guitar The ''requinto'' guitar has six nylon strings with a scale length of , which is about 18% smaller than a standard guitar scale. ''Requintos'' are tuned: A2-D3-G3-C4-E4-A4 (one fourth higher than the standard classical guitar). It was made popular throughout the 1940s by Mexican guitarist/vocalist Alfredo Gil of romantic music trio " Los Panchos." ''Requinto'' guitars are ...
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Pandereta
This is a list of membranophones used in the Caribbean music area, including the islands of the Caribbean Sea, as well as the musics of Guyana, Suriname, French Guiana, Belize, Honduras, and Bermuda. It only includes membranophones that are indigenous to the local music area or are a vital and long-standing part of local culture. It does not include membranophones that are, for example, a part of Western style orchestras, nor does it include trap sets and other common membranophones used in popular music recordings of many genres across the world. Almost all membranophones are drums and percussion instrument A percussion instrument is a musical instrument that is sounded by being struck or scraped by a percussion mallet, beater including attached or enclosed beaters or Rattle (percussion beater), rattles struck, scraped or rubbed by hand or ...s. The Hornbostel-Sachs number is given after each instrument. ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, Mechanical system, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustics, acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to a varying magnetic field by an electromagnet, which makes a representation of the sound as magnetized areas on a plastic tape with a magnetic coating on it. Analog sound reproduction is the reverse process, with a large ...
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Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as ...
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Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. The Oxford English Dictionary defines rhythm as ''"The measured flow of words or phrases in verse, forming various patterns of sound as determined by the relation of long and short or stressed and unstressed syllables in a metrical foot or line; an instance of this"''. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur ...
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