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A photograph (also known as a photo, or more generically referred to as an ''image'' or ''picture'') is an image created by light falling on a photosensitive surface, usually photographic film or an electronic image sensor. The process and practice of creating such images is called photography. Most photographs are now created using a smartphone or camera, which uses a lens to focus the scene's visible wavelengths of light into a reproduction of what the human eye would perceive. Etymology The word ''photograph'' was coined in 1839 by Sir John Herschel and is based on the Greek φῶς (''phos''), meaning "light", and γραφή (''graphê''), meaning "drawing, writing", together meaning "drawing with light". History The first permanent photograph, a contact-exposed copy of an engraving, was made in 1822 using the bitumen-based "heliography" process developed by Nicéphore Niépce. The first photographs of a real-world scene, made using a camera obscura, followed a few year ...
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Nicéphore Niépce Oldest Photograph 1825
Nicéphore may refer to: *Nicéphore Niépce Joseph Nicéphore Niépce (; 7 March 1765 – 5 July 1833) was a French inventor and one of the earliest History of photography, pioneers of photography. Niépce developed heliography, a technique he used to create the world's oldest surviving ... (1765–1833), French inventor, most noted as the inventor of photography and a pioneer in the field * Nicéphore Soglo (born 1934), Beninese politician who was Prime Minister of Benin 1990–1991 and President 1991–1996 * St-Nicéphore, Quebec, former municipality that has become a sector of Drummondville in the Centre-du-Québec region of Quebec See also * Nikephoros (other) {{disambiguation ...
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Bitumen Of Judea
Bitumen of Judea is a naturally occurring asphalt used since antiquity as a wood colorant, and in early photography as a light-sensitive coating. Wood coloration usage Bitumen of Judea may be used as a colorant for wood for an aged, natural and rustic appearance. It is soluble in turpentine and some other terpenes, and can be combined with oils, waxes, varnishes and glazes. Light-sensitive properties It is a light-sensitive material in what is accepted to be the first complete photographic process, i.e., one capable of producing durable light-fast results. The technique was developed by French scientist and inventor Nicéphore Niépce in the 1820s. In 1826 or 1827, he applied a thin coating of the tar-like material to a pewter plate and took a picture of parts of the buildings and surrounding countryside of his estate, producing what is usually described as the first photograph. It is considered to be the oldest known surviving photograph made in a camera. The plate ...
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Collodion Process
The collodion process is an early photography, photographic process for the production of grayscale images. The collodion process – mostly synonymized with the term "''wet-plate process''", requires the photographic material to be coated, sensitized, exposed, and developed within the span of about fifteen minutes, necessitating a portable darkroom for use in the field. Collodion is normally used in its wet form, but it can also be used in its dry form, at the cost of greatly increased exposure time. The increased exposure time made the dry form unsuitable for the usual portraiture work of most professional photographers of the 19th century. The use of the dry form was mostly confined to landscape photography and other special applications where exposure times sometimes longer than a half hour were tolerable. History Gustave Le Gray first theorized about the collodion process, publishing a method in 1850 that was "theoretical at best", but Frederick Scott Archer was credited wi ...
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Tintype
A tintype, also known as a melanotype or ferrotype, is a photograph made by creating a direct positive on a thin sheet of metal, colloquially called 'tin' (though not actually tinplate, tin-coated), coated with a dark lacquer or Enamel paint, enamel and used as the support for the photographic emulsion. It was introduced in 1853 by Adolphe Alexandre Martin in Paris. It competed with both the ambrotype process and the older and established daguerreotype, finding particular adoption in North America. Tintypes enjoyed their widest use during the 1860s and 1870s, but lesser use of the medium persisted into 1930s and it has been revived as a novelty and fine art form in the 21st century. It has been described as the first "truly democratic" medium for mass portraiture. Tintypes were particularly used for portraits. They were at first usually made in a formal photographic studio, like daguerreotypes and other early types of photographs. At the time though the process like the profe ...
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