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Parodies
A parody is a creative work designed to imitate, comment on, and/or mock its subject by means of satirical or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. The writer and critic John Gross observes in his ''Oxford Book of Parodies'', that parody seems to flourish on territory somewhere between pastiche ("a composition in another artist's manner, witho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody Music
Parody music, or musical parody, involves changing or copying existing (usually well known) musical ideas, and/or lyrics, or copying the particular style of a composer or performer, or even a general style of music. In music, parody has been used for many different purposes and in various musical contexts: as a serious compositional technique, as an unsophisticated re-use of well-known melody to present new words, and as an intentionally humorous, even mocking, reworking of existing musical material, sometimes for satirical effect. Examples of musical parody with completely serious intent include parody masses in the 16th century, and, in the 20th century, the use of folk tunes in popular song, and neo-classical works written for the concert hall, drawing on earlier styles. "Parody" in this serious sense continues to be a term in musicological use, existing alongside the more common use of the term to refer to parody for humorous effect. Etymology The word "parody" derives fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastiche
A pastiche () is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche pays homage to the work it imitates, rather than mocking it. The word is the French borrowing of the Italian noun , which is a pâté or pie-filling mixed from diverse ingredients. Its first recorded use in this sense was in 1878. Metaphorically, and describe works that are either composed by several authors, or that incorporate stylistic elements of other artists' work. Pastiche is an example of eclecticism in art. Allusion is not pastiche. A literary allusion may refer to another work, but it does not reiterate it. Allusion requires the audience to share in the author's cultural knowledge. Allusion and pastiche are both mechanisms of intertextuality. By art Literature In literary usage, the term denotes a literary technique employing a generally light-hearted tongue-in-cheek imit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Gross
John Gross FRSL (12 March 1935 – 10 January 2011) was an English man of letters. A leading intellectual, writer, anthologist, and critic. ''The Guardian'' (in a tribute titled "My Hero") and ''The Spectator'' were among several publications to describe Gross as "the best-read man in Britain". ''The Guardian''s obituarist Ion Trewin wrote: "Mr Gross is one good argument for the survival of the species", a comment Gross would have disliked since he was known for his modesty. Charles Moore wrote in ''The Spectator'': "I am left with the irritated sense that he was under-appreciated. He was too clever, too witty, too modest for our age." Gross was the editor of ''The Times Literary Supplement'' from 1974 to 1981, senior book editor and book critic on the staff of ''The New York Times'' from 1983 to 1989 and theatre critic for ''The Sunday Telegraph'' from 1989 to 2005. He also worked as assistant editor on '' Encounter'' and as literary editor of '' The New Statesman'' and '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hegemon Of Thasos
Hegemon of Thasos () was a Greek writer of the Old Comedy. Hardly anything is known of him, except that he flourished during the Peloponnesian War. According to Aristotle (''Poetics'', ii. 5) he was the inventor of a kind of parody; by slightly altering the wording in well-known poems he transformed the sublime into the ridiculous. When the news of the disastrous defeat of the Sicilian Expedition reached Athens, his parody of the '' Gigantomachia'' was being performed: it is said that the audience were so amused by it that, instead of leaving to show their grief, they remained in their seats. He was also the author of a comedy called ''Philinne'' (Philine), written in the manner of Eupolis and Cratinus, in which he attacked a well-known courtesan. Athenaeus (p. 698), who preserves some parodic hexameters of his, relates other anecdotes concerning him (pp. 5, 108, 407). Criticisms In Aristotle's '' Poetics'', Aristotle states "Homer Homer (; , ; possibly bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopédie
, better known as ''Encyclopédie'' (), was a general encyclopedia published in France between 1751 and 1772, with later supplements, revised editions, and translations. It had many writers, known as the Encyclopédistes. It was edited by Denis Diderot and, until 1759, co-edited by Jean le Rond d'Alembert. The ''Encyclopédie'' is most famous for representing the thought of the Age of Enlightenment, Enlightenment. According to Denis Diderot in the article "Encyclopédie", the ''Encyclopédie'' aim was "to change the way people think" and for people to be able to inform themselves and to know things. He and the other contributors advocated for the secularization of learning away from the Jesuits. Diderot wanted to incorporate all of the world's knowledge into the ''Encyclopédie'' and hoped that the text could disseminate all this information to the public and future generations. Thus, it is an example of democratization of knowledge. It was also the first encyclopedia to include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heracles
Heracles ( ; ), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a Divinity, divine hero in Greek mythology, the son of ZeusApollodorus1.9.16/ref> and Alcmene, and the foster son of Amphitryon.By his adoptive descent through Amphitryon, Heracles receives the epithet Alcides, as "of the line of Alcaeus (mythology), Alcaeus", father of Amphitryon. Amphitryon's own, mortal son was Iphicles. He was a descendant and half-brother (as they are both sired by the god Zeus) of Perseus. He was the greatest of the Greek heroes, the ancestor of royal clans who claimed to be Heracleidae (), and a champion of the Twelve Olympians, Olympian order against chthonic monsters. In Roman mythology, Rome and the modernity, modern western world, West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. Details of his cult (religion), cult were adapted to Rome as well. Origin Many popular stories were told ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Frogs
''The Frogs'' (; , often abbreviated ''Ran.'' or ''Ra.'') is a comedy written by the Ancient Greek playwright Aristophanes. It was performed at the Lenaia, one of the Festivals of Dionysus in Athens, in 405 BC and received first place. The play features the comical katabasis of the god of theater Dionysus, with his slave Xanthias, in order to revive the late tragedian Euripides. Dionysus is frustrated with tragedy's decline in quality after the playwright's recent passing, and concerned about theatre's future as the city of Athens struggles in the Peloponnesian War. During the pair's journey through the underworld, the god cravenly and unsuccessfully attempts to evade trouble after masquerading as Heracles, still infamous for his prior kidnapping of the guard-dog Cerberus. At the palace of Pluto, Dionysus then adjudicates a fierce debate between Euripides and Aeschylus for the underworld's throne of tragic drama. Aeschylus wins due to his pragmatism, and Dionysus ends up reviv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Comedy
Old Comedy is the first period of the ancient Greek comedy, according to the canonical division by the Alexandrian grammarians.Mastromarco (1994) p.12 The most important Old Comic playwright is Aristophanes – whose works, with their daring political commentary and abundance of sexual innuendo, ''de facto'' define the genre. The only extant plays of Old Comedy are credited to Aristophanes. There are only fragments and 'testimonia' of all other Old Comedy playwrights and plays. Origins and history The word "comedy" (, ''kōmōidía'') derives from the words for 'revel' and 'song' ( κῶμος, ''kōmos'', and ᾠδή, ''ōidē'') and according to Aristotle comic drama actually developed from song. The first official comedy at the City Dionysia was not staged until 487/6 BCE, by which time tragedy had already been long established there. The first comedy at the Lenaia was staged later still, only about 20 years before the performance there of ''The Acharnians'', the first of A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mock-heroic
Mock-heroic, mock-epic or heroi-comic works are typically satires or parodies that mock common Classical stereotypes of heroes and heroic literature. Typically, mock-heroic works either put a fool in the role of the hero or exaggerate the heroic qualities to such a point that they become absurd. History Historically, the mock-heroic style was popular in 17th-century Italy, and in the post- Restoration and Augustan periods in Great Britain. The earliest example of the form is the '' Batrachomyomachia'' ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great. A longstanding assumption on the origin of the mock-heroic in the 17th century is that epic and the pastoral genres had become used up and exhausted,Griffin, Dustin H. (1994) ''Satire: A Critical Reintroduction'p. 135/ref> and so they got parodically reprised. In the 17th century the epic genre was heavily crit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Poetry
In poetry, an epic is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. With regard to oral tradition, epic poems consist of formal speech and are usually learnt word for word, and are contrasted with narratives that consist of everyday speech where the performer has the license to recontextualize the story to a particular audience, often to a younger generation. Influential epics that have shaped Western literature and culture include Homer's ''Iliad'' and '' Odyssey''; Virgil's '' Aeneid''; and the anonymous '' Beowulf'' and '' Epic of Gilgamesh''. The genre has inspired the adjective '' epic'' as well as derivative works in other mediums (such as epic films) that evoke or emulate the characteristics of epics. Etymology The English word ''epic'' comes from Latin , which itself comes from the Ancient Greek adject ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Literature
Greek literature () dates back from the ancient Greek literature, beginning in 800 BC, to the modern Greek literature of today. Ancient Greek literature was written in an Ancient Greek dialect, literature ranges from the oldest surviving written works until works from approximately the fifth century AD. This time period is divided into the Preclassical, Classical, Hellenistic, and Roman periods. Preclassical Greek literature primarily revolved around myths and include the works of Homer; the ''Iliad'' and the ''Odyssey''. The Classical period saw the dawn of drama and history. Three philosophers are especially notable: Socrates, Plato, and Aristotle. During the Roman era, significant contributions were made in a variety of subjects, including history, philosophy, and the sciences. Byzantine literature, the literature of the Byzantine Empire, was written in Atticizing, Medieval and early Modern Greek. Chronicles, distinct from historics, arose in this period. Encyclopedias ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetics (Aristotle)
Aristotle's ''Poetics'' ( ''Peri poietikês''; ; ) is the earliest surviving work of Greek dramatic theory and the first extant philosophical treatise to solely focus on literary theory. In this text, Aristotle offers an account of , which refers to poetry, and more literally, "the poetic art", deriving from the term for "poet; author; maker", . Aristotle divides the art of poetry into verse drama (comedy, tragedy, and the satyr play), lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes: # There are differences in music rhythm, harmony, meter, and melody. # There is a difference of goodness in the characters. # A difference exists in how the narrative is presented: telling a story or acting it out. The surviving book of ''Poetics'' is primarily concerned with drama; the analysis of tragedy constitutes the core of the discussion. Although the text is universally acknowledged in the West ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
