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Okeh Records Artists
OKeh Records () is an American record label founded by the Otto Heinemann Phonograph Corporation, a phonograph supplier established in 1916, which branched out into phonograph records in 1918. The name originally was spelled "OkeH" from the initials of Otto K. E. Heinemann but was later changed to "OKeh". In 1965, OKeh became a subsidiary of Epic Records, a subsidiary of Sony Music. OKeh has since become a jazz imprint, distributed by Sony Masterworks. Early history OKeh was founded by Otto (Jehuda) Karl Erich Heinemann (Lüneburg, Germany, 20 December 1876 – New York, USA, 13 September 1965) a German-American manager for the U.S. branch of Odeon Records, which was owned by Carl Lindstrom. In 1916, Heinemann incorporated the Otto Heinemann Phonograph Corporation, set up a recording studio and pressing plant in New York City, and started the label in 1918. The first discs were vertical cut, but later the more common lateral-cut method was used. The label's parent company w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamie Smith
Mamie Smith ( Robinson; May 26, 1891 – August or September 16, 1946) was an American singer. As a vaudeville singer, she performed in multiple styles, including jazz and blues. In 1920, she entered blues history as the first African-American artist to make vocal blues recordings. Willie "The Lion" Smith (no relation) described the background of these recordings in his autobiography ''Music on My Mind'' (1964). Early life Robinson was born in Cincinnati, Ohio in 1891. The year of her birth has been given as 1883, but in 2018, researcher John Jeremiah Sullivan discovered her birth certificate stating she was born in Cincinnati in 1891. When she was around age 10, she found work touring with the Four Dancing Mitchells, a white act. As a teenager, she danced in Salem Tutt Whitney's ''Smart Set''. In 1913, she left the Tutt Brothers to sing in clubs in Harlem and married William "Smitty" Smith, a singer. Musical career On February 14, 1920, Smith recorded "That Thing Called ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Armstrong Hot Five And Hot Seven Sessions
The Louis Armstrong Hot Five and Hot Seven Sessions were recorded between 1925 and 1928 by Louis Armstrong with his Hot Five and Hot Seven groups. According to the National Recording Registry, "Louis Armstrong was jazz's first great soloist and is among American music's most important and influential figures. These sessions, his solos in particular, set a standard musicians still strive to equal in their beauty and innovation." These recordings were added to the National Recording Registry in 2002, the first year of the institution's existence. Ron Wynn and Bruce Boyd Raeburn, writing for the ''All Music Guide to Jazz'', note that "these recordings radically altered jazz's focus; instead of collective playing, Armstrong's spectacular instrumental (and vocal) improvisations redefined the music." Armstrong helped popularize scat singing in " Heebie Jeebies," and his solo on "Potato Head Blues" helped establish the stop-time technique in jazz. Recordings 1925–1926 Hot Five ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Lang
Eddie Lang (born Salvatore Massaro; October 25, 1902 – March 26, 1933) was an American musician who is credited as the father of jazz guitar. During the 1920s, he gave the guitar a prominence it previously lacked as a solo instrument, as part of a band or orchestra, and as accompaniment for vocalists. He recorded duets with guitarists Lonnie Johnson and Carl Kress and jazz violinist Joe Venuti, and played rhythm guitar in the Paul Whiteman Orchestra and was the favoured accompanist of Bing Crosby. Biography The son of an Italian-American instrument maker, Lang was born in Philadelphia, Pennsylvania, and grew up as friends with violinist Joe Venuti. He started playing the violin, his first instrument, when he was seven. He performed on violin in 1917 and became a member of a trio. In 1920, he dropped the violin for banjo and worked with Charlie Kerr, then Bert Estlow, Vic D'Ippolito, and Billy Lustig's Scranton Siren Orchestra. A few years later, he traded the banjo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankie Trumbauer
Orie Frank Trumbauer (May 30, 1901 – June 11, 1956) was an American jazz saxophonist of the 1920s and 1930s. His main instrument was the C melody saxophone, a now-uncommon instrument between an alto and tenor saxophone in size and pitch. He also played alto saxophone, bassoon, clarinet and several other instruments. He was a composer of sophisticated sax melodies, one of the major small group jazz bandleaders of the 1920s and 1930s. His landmark recording of " Singin' the Blues" with Bix Beiderbecke and Eddie Lang in 1927, was inducted into the Grammy Hall of Fame in 1977. His major recordings included "Krazy Kat", "Red Hot", "Plantation Moods", "Trumbology", "Tailspin", "Singin' the Blues", "Wringin' an' Twistin'", and " For No Reason at All in C" with Bix Beiderbecke and Eddie Lang, and the first hit recording of "Georgia On My Mind" in 1931. "Tram" was described as one of the most influential and important jazz saxophonists of the 1920s and 1930s, particularly influencing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bennie Moten
Benjamin Moten (November 13, 1893 – April 2, 1935) was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States. He led his Kansas City Orchestra, the most important of the regional, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that would come to define many of the 1930s big bands. The jazz standard " Moten Swing" bears his name. Career Moten started making music from an early age and developed as a pianist, pulling together other musicians in a band. His first recordings were made (for OKeh Records) on September 23, 1923, and were rather typical interpretations of the New Orleans style of King Oliver and others. They also showed the influence of the ragtime that was still popular in the area, as well as the stomping beat for which his band was famous. These OKeh sides (recorded 1923–1925) are some of the more valuable acoustic jazz 78s of the era; they are treasured records in m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lillie Delk Christian
Lillie Delk Christian (born Lillie Delk) was an early 20th-century American early-jazz singer and recording star. Early life Lillie Delk was born, and spent her early years, in Mobile, Alabama. Born sometime after the turn of the twentieth century, Delk was very private about her birth year. The Delk family moved to Chicago, Illinois in 1915. There, she became an acquaintance with jazzman Johnny St. Cyr, who often heard the teenager singing at the boarding house he shared with the family on Indiana Street. She married Charles Christian sometime in the mid-1920s. Impressed with her voice, St. Cyr eventually introduced her to the vibrant Chicago jazz music scene and Okeh Records, the label to which he was then signed.''The Lillie Delk Christian Mysteries : P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bix Beiderbecke
Leon Bismark "Bix" Beiderbecke ( ; March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like "shooting bullets at a bell”. His solos on seminal recordings such as Singin' the Blues (1920 song)#Trumbauer/Beiderbecke Recording, "Singin' the Blues" and "I'm Coming Virginia, I'm Coming, Virginia" (both 1927) demonstrate a gift for extended Jazz improvisation, improvisation that heralded the jazz ballad style, in which jazz solos are an integral part of the composition. Moreover, his use of extended chords and an ability to improvise freely along harmonic as well as melodic lines are echoed in post-WWII developments in jazz. "In a Mist" (1927) is the best known of Beiderbecke's published piano compositions and the only one that he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong received numerous accolades including the Grammy Award for Best Male Pop Vocal Performance, Grammy Award for Best Male Vocal Performance for ''Hello, Dolly! (song), Hello, Dolly!'' in 1965, as well as a posthumous win for the Grammy Lifetime Achievement Award in 1972. His influence crossed musical genres, with inductions into the DownBeat, ''DownBeat'' Jazz Hall of Fame, the Rock and Roll Hall of Fame, and the National Rhythm & Blues Hall of Fame, among others. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, he was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Oliver
Joseph Nathan "King" Oliver (December 19, 1881 – April 10, 1938) was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today, including " Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and " Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, jazz would not be what it is today." Biography Life Joseph Nathan Oliver was born in Aben, Louisiana, near Donaldsonville in Ascension Parish, to Nathan Oliver and Virginia "Jinnie" Jones. He claimed 1881 as his year of birth in his draft registration in September 1918 (two months before the end of World War I) but that year is open to debate, with some census records and other sources suggesting 1884 or 1885 as his true year of birth. He moved to New Orleans in his youth. He firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lonnie Johnson (musician)
Alonzo "Lonnie" Johnson (February 8, 1899 – June 16, 1970) was an American blues and jazz singer, guitarist, violinist and songwriter. He was a pioneer of jazz guitar and jazz violin and is recognized as the first to play an electrically amplified violin.Herzhaft, Gérard (1979). ''Encyclopedia of the Blues'' Biography Early career Johnson was born in New Orleans, Louisiana and raised in a family of musicians. He studied violin, piano and guitar as a child and learned to play various other instruments, including the mandolin, but he concentrated on the guitar throughout his professional career. "There was music all around us," he recalled, "and in my family you'd better play something, even if you just banged on a tin can." In 1917, Johnson joined a revue that toured England, returning home in 1919 to find that all of his family, except his brother James, had died in the 1918 influenza epidemic. He and his brother settled in St. Louis in 1921, where they performed as a duo. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard M
Richard is a male given name. It originates, via Old French, from Frankish language, Old Frankish and is a Compound (linguistics), compound of the words descending from Proto-Germanic language, Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include "Richie", "Dick (nickname), Dick", "Dickon", "Dickie (name), Dickie", "Rich (given name), Rich", "Rick (given name), Rick", "Rico (name), Rico", "Ricky (given name), Ricky", and more. Richard is a common English (the name was introduced into England by the Normans), German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Portuguese and Spanish "Ricardo" and the Italian "Ricc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
