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Kathakali
''Kathakali'' (International Alphabet of Sanskrit Transliteration, IAST: Kathakaḷi ) is a traditional form of Indian Classical Dance, and one of the most complex forms of Theatre of India, Indian theatre. It is a play of verses. These verses are called Kathakali literature or ''Aattakatha (performance), Attakatha''. Mostly played in the courts of kings and temple festivals. Hence it is known as suvarna art forms. This performance uses the ''navarasas'' from the Natya Shastra text, authored by sage Bharata. Makeup and costumes are unique and large. It represents one of Kerala's traditional theater artforms. It is native to the Malayalam-speaking state of Kerala and is almost entirely practiced by Malayali people. Kathakali is closely related to a more ancient theater artform of Kerala called ''Kutiyattam'' which is the only surviving specimen of the ancient Sanskrit theatre, thought to have originated around the beginning of the common era, and is officially recognized by UN ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathakali BNC
''Kathakali'' (IAST: Kathakaḷi ) is a traditional form of Indian Classical Dance, and one of the most complex forms of Indian theatre. It is a play of verses. These verses are called Kathakali literature or '' Attakatha''. Mostly played in the courts of kings and temple festivals. Hence it is known as suvarna art forms. This performance uses the '' navarasas'' from the Natya Shastra text, authored by sage Bharata. Makeup and costumes are unique and large. It represents one of Kerala's traditional theater artforms. It is native to the Malayalam-speaking state of Kerala and is almost entirely practiced by Malayali people. Kathakali is closely related to a more ancient theater artform of Kerala called ''Kutiyattam'' which is the only surviving specimen of the ancient Sanskrit theatre, thought to have originated around the beginning of the common era, and is officially recognized by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. Overview The fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Dance
Indian classical dance, or ''Shastriya Nritya'', is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance,, Quote: All of the dances considered to be part of the Indian classical canon (Bharata Natyam, Chhau, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniattam, Odissi, Sattriya, and Yakshagana) trace their roots to religious practices (...) the Indian diaspora has led to the translocation of Hindu dances to Europe, North America and the world." the theory and practice of which can be traced to the Sanskrit text ''Natya Shastra''. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: ''Bharatanatyam'', ''Kathak'', '' Kuchipudi'', '' Odissi'', '' Kathakali'', '' Sattriya'', '' Manipuri'' and '' Mohiniyattam''. Additionally, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malayali
The Malayali people (; also spelt Malayalee and sometimes known by the demonym Keralite) are a Dravidian ethnolinguistic group originating from the present-day state of Kerala and Union Territory of Lakshadweep in India, occupying its southwestern Malabar coast. They form the majority of the population in Kerala and Lakshadweep. They are predominantly native speakers of the Malayalam language, one of the eleven classical languages of India. The state of Kerala was created in 1956 through the States Reorganisation Act. Prior to that, since the 1800s existed the Kingdom of Travancore, the Kingdom of Cochin, Malabar District, and South Canara of the British India. The Malabar District was annexed by the British through the Third Mysore War (1790–92) from Tipu Sultan. Before that, the Malabar District was under various kingdoms including the Zamorins of Calicut, Kingdom of Tanur, Arakkal kingdom, Kolathunadu, Valluvanad, and Palakkad Rajas."Travancore." Encyclopædia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Dance
Indian classical dance, or ''Shastriya Nritya'', is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance,, Quote: All of the dances considered to be part of the Indian classical canon (Bharata Natyam, Chhau, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniattam, Odissi, Sattriya, and Yakshagana) trace their roots to religious practices (...) the Indian diaspora has led to the translocation of Hindu dances to Europe, North America and the world." the theory and practice of which can be traced to the Sanskrit text ''Natya Shastra''. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: ''Bharatanatyam'', ''Kathak'', '' Kuchipudi'', '' Odissi'', '' Kathakali'', '' Sattriya'', '' Manipuri'' and '' Mohiniyattam''. Additionally, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aattakatha (performance)
Aattakatha is a literary genre in Malayalam language consisting of the libretto used for the Indian classical dance drama '' kathakali''. The word ''aatta-katha'' literally means "story for dancing and acting" (''atu'' "to sway" + ''kathā'' "story"). The narrative framework of ''aattakatha'' consists quatrains in Sanskrit metres where the diction also is heavily Sanskritised; the dialogue part, however, is made up of ''padas'', which can be set to ''raga'' (tune) and ''tala'' (rhythm) and have to be rendered by means of gestures and body movements by the actors while being sung by musicians from behind. The origins of ''aattakatha'' literature dates back to the 12th century and it emerged as a literary genre in the 17th century. The earliest of the ''aattakatha''s is believed to be a cycle of eight ''Ramayana'' stories (collectively known as '' Ramanattam''), composed by Kottarakkara Tampuran and about whose date there is an ongoing controversy. Next in importance are the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kerala
Kerala ( , ) is a States and union territories of India, state on the Malabar Coast of India. It was formed on 1 November 1956, following the passage of the States Reorganisation Act, by combining Malayalam-speaking regions of the erstwhile regions of Kingdom of Cochin, Cochin, Malabar District, Malabar, South Canara, and Travancore. Spread over , Kerala is the 14th List of states and union territories of India by area, smallest Indian state by area. It is bordered by Karnataka to the north and northeast, Tamil Nadu to the east and south, and the Laccadive Sea, Lakshadweep Sea to the west. With 33 million inhabitants as per the 2011 Census of India, 2011 census, Kerala is the List of states of India by population, 13th-largest Indian state by population. It is divided into 14 List of districts of Kerala, districts with the capital being Thiruvananthapuram. Malayalam is the most widely spoken language and is also the official language of the state. The Chera dynasty was the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of India
Theatre of India is one of the most ancient forms of theatre and it features a detailed textual, sculptural, and dramatic effects which emerged in mid first millennium BC. Like in the areas of music and dance, the Indian theatre is also defined by the dramatic performance based on the concept of '' Nritya'', which is a Sanskrit word for drama but encompasses dramatic narrative, virtuosic dance, and music. Historically, Indian theatre has exerted influence beyond its borders, reaching ancient China and other countries in the Far East. With the Islamic conquests that began in the 10th and 11th centuries, theatre was discouraged or forbidden entirely.Brandon (1997, 72) and Richmond (1998, 516). Later, in an attempt to re-assert indigenous values and ideas, village theatre was encouraged across the subcontinent, developing in a large number of regional languages from the 15th to the 19th centuries. Modern Indian theatre developed during the period of colonial rule under the Brit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishna
Krishna (; Sanskrit language, Sanskrit: कृष्ण, ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme God (Hinduism), Supreme God in his own right. He is the god of protection, compassion, tenderness, and love; and is widely revered among Hindu divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar calendar, lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Līlā''. He is a central figure in the ''Mahabharata'', the ''Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the ''Bhagavad Gita'', and is mentioned in many Hindu philosophy, Hindu philosophical, Hindu theology, theological, and Hindu mythology, mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Navarasas
Indian art evolved with an emphasis on inducing special spiritual or philosophical states in the audience, or with representing them symbolically. Rasas in the performing arts The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing ''rasa'' in classical Indian dance form is referred to as ''rasa-abhinaya''. The ''Nātyasāstra'' carefully delineates the '' bhavas'' used to create each ''rasa''. The expressions used in Kudiyattam or Kathakali are extremely exaggerated theatrical expressions. The opposite of this interpretation is Balasaraswathi's school of subtle and understated abhinaya of the devadasis. There were serious public debates when Balasaraswathi condemned Rukmini Devi's puritanistic interpretations and applications of Sringara rasa. The abhinaya of the Melattur style of abhinaya remains extremely rich in vari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalaripayattu
Kalaripayattu (), also known simply as Kalari, is an Indian martial art that originated on the southwestern coast of India, in what is now Kerala, during the 3rd century BCE. Etymology Kalaripayattu is a martial art which developed out of combat techniques of the 11th–12th century battlefield, with weapons and combative techniques that are unique to Kerala. The word is a combination of two Malayalam words – (training ground or battleground) and (training of martial arts), which is roughly translated as "practice in the arts of the battlefield". may also be derived from the Malayalam or Sanskrit term , which is the name of a goddess associated with Shaktism who is worshipped in Kalaripayattu. The , a 5th century CE South Indian ancient text on Shaiva Siddhanta, discusses the construction of the , as place for military exercise. History Associations with Indian folklore and legends According to legend, Parashurama, the sixth avatar of Vishnu, learned the art from S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malayalam
Malayalam (; , ) is a Dravidian languages, Dravidian language spoken in the Indian state of Kerala and the union territories of Lakshadweep and Puducherry (union territory), Puducherry (Mahé district) by the Malayali people. It is one of 22 Languages with official status in India, scheduled languages of India. Malayalam was designated a "Classical Languages of India, Classical Language of India" in 2013. Malayalam has official language status in Kerala, Lakshadweep and Puducherry (Mahé, Puducherry, Mahé), and is also the primary spoken language of Lakshadweep. Malayalam is spoken by 35.6 million people in India. Malayalam is also spoken by linguistic minorities in the neighbouring states; with a significant number of speakers in the Kodagu and Dakshina Kannada districts of Karnataka, and Kanyakumari district, Kanyakumari, Coimbatore district, Coimbatore and Nilgiris district, Nilgiris district of Tamil Nadu. It is also spoken by the Malayali diaspora, Malayali Diaspora wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavata Purana
The ''Bhagavata Purana'' (; ), also known as the ''Srimad Bhagavatam (Śrīmad Bhāgavatam)'', ''Srimad Bhagavata Mahapurana'' () or simply ''Bhagavata (Bhāgavata)'', is one of Hinduism's eighteen major Puranas (''Mahapuranas'') and one of the most popular in Vaishnavism. Composed in Sanskrit and traditionally attributed to Veda Vyasa, it promotes '' bhakti'' (devotion) towards Krishna, an avatar of Vishnu, integrating themes from the Advaita (monism) philosophy of Adi Shankara, the Vishishtadvaita (qualified monism) of Ramanujacharya and the Dvaita (dualism) of Madhvacharya. It is widely available in almost all Indian languages. The ''Bhagavata Purana'', like other puranas, discusses a wide range of topics including cosmology, astronomy, genealogy, geography, legend, music, dance, yoga and culture. As it begins, the forces of evil have won a war between the benevolent '' devas'' (deities) and evil '' asuras'' (demons) and now rule the universe. Truth re-emerges as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
