Graphemes
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Graphemes
In linguistics, a grapheme is the smallest functional unit of a writing system. The word ''grapheme'' is derived from Ancient Greek ('write'), and the suffix ''-eme'' by analogy with ''phoneme'' and other emic units. The study of graphemes is called '' graphemics''. The concept of graphemes is abstract and similar to the notion in computing of a character. (A specific geometric shape that represents any particular grapheme in a given typeface is called a glyph.) Conceptualization There are two main opposing grapheme concepts. In the so-called ''referential conception'', graphemes are interpreted as the smallest units of writing that correspond with sounds (more accurately phonemes). In this concept, the ''sh'' in the written English word ''shake'' would be a grapheme because it represents the phoneme /ʃ/. This referential concept is linked to the ''dependency hypothesis'' that claims that writing merely depicts speech. By contrast, the ''analogical concept'' defines gr ...
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Writing System
A writing system comprises a set of symbols, called a ''script'', as well as the rules by which the script represents a particular language. The earliest writing appeared during the late 4th millennium BC. Throughout history, each independently invented writing system gradually emerged from a system of proto-writing, where a small number of ideographs were used in a manner incapable of fully encoding language, and thus lacking the ability to express a broad range of ideas. Writing systems are generally classified according to how its symbols, called ''graphemes'', relate to units of language. Phonetic writing systemswhich include alphabets and syllabariesuse graphemes that correspond to sounds in the corresponding spoken language. Alphabets use graphemes called ''letter (alphabet), letters'' that generally correspond to spoken phonemes. They are typically divided into three sub-types: ''Pure alphabets'' use letters to represent both consonant and vowel sounds, ''abjads'' gene ...
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Morpheme
A morpheme is any of the smallest meaningful constituents within a linguistic expression and particularly within a word. Many words are themselves standalone morphemes, while other words contain multiple morphemes; in linguistic terminology, this is the distinction, respectively, between free and bound morphemes. The field of linguistic study dedicated to morphemes is called morphology. In English, inside a word with multiple morphemes, the main morpheme that gives the word its basic meaning is called a root (such as ''cat'' inside the word ''cats''), which can be bound or free. Meanwhile, additional bound morphemes, called affixes, may be added before or after the root, like the ''-s'' in ''cats'', which indicates plurality but is always bound to a root noun and is not regarded as a word on its own. However, in some languages, including English and Latin Latin ( or ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European langua ...
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Times New Roman
Times New Roman is a serif typeface commissioned for use by the British newspaper ''The Times'' in 1931. It has become one of the most popular typefaces of all time and is installed on most personal computers. The typeface was conceived by Stanley Morison, the artistic adviser to the British branch of the printing equipment company Monotype, in collaboration with Victor Lardent, a lettering artist in ''The Times's'' advertising department. Asked to advise on a redesign, Morison recommended that ''The Times'' change their body text typeface from a spindly nineteenth-century face to a more robust, solid design, returning to traditions of printing from the eighteenth century and before. This matched a common trend in printing tastes of the period. Morison proposed an older Monotype typeface named Plantin as a basis for the design, and Times New Roman mostly matches Plantin's dimensions. The main change was that the contrast between strokes was enhanced to give a crisper image. T ...
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Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German language, German, ) or "Gothic" (although this often refers to blackletter type as well). In German usage, the term Antiqua (typeface class), Antiqua is used more broadly for serif types. Serif typefaces can be broadly classified into one of four subgroups: Serif#Old-style, Old-style, Serif#Transitional, Transitional, Serif#Didone, Didone, and Serif#Slab serif, Slab serif, in order of first emergence. Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with Roman square capitals, inscriptional lettering—words carved into s ...
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Slashed Zero
The slashed zero, , is a representation of the Arabic digit zero ("0") with a slash (punctuation), slash through it. This variant zero glyph is often used to distinguish the digit zero from the Latin script letter O anywhere that the distinction needs emphasis, particularly in encoding systems, scientific and engineering applications, computer programming (such as software development), and telecommunications. It thus helps to differentiate characters that would otherwise be homoglyphs. It was commonly used during the punched card, punch card era, when programs were typically written out by hand, to avoid ambiguity when the character was later typed on a card punch. Usage The slashed zero is used in a number of fields in order to avoid confusion with the letter "O". It is used by computer programmers, in recording amateur radio call signs and in military radio, as logs of such contacts tend to contain both letters and numerals. The slashed zero was used on teleprinter circuits ...
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Lowercase
Letter case is the distinction between the letters that are in larger uppercase or capitals (more formally ''majuscule'') and smaller lowercase (more formally '' minuscule'') in the written representation of certain languages. The writing systems that distinguish between the upper- and lowercase have two parallel sets of letters: each in the majuscule set has a counterpart in the minuscule set. Some counterpart letters have the same shape, and differ only in size (e.g. ), but for others the shapes are different (e.g., ). The two case variants are alternative representations of the same letter: they have the same name and pronunciation and are typically treated identically when sorting in alphabetical order. Letter case is generally applied in a mixed-case fashion, with both upper and lowercase letters appearing in a given piece of text for legibility. The choice of case is often denoted by the grammar of a language or by the conventions of a particular discipline. In ortho ...
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Latin Alphabet
The Latin alphabet, also known as the Roman alphabet, is the collection of letters originally used by the Ancient Rome, ancient Romans to write the Latin language. Largely unaltered except several letters splitting—i.e. from , and from —additions such as , and extensions such as letters with diacritics, it forms the Latin script that is used to write most languages of modern Languages of Europe, Europe, languages of Africa, Africa, languages of the Americas, the Americas, and Languages of Oceania, Oceania. Its basic modern inventory is standardized as the ISO basic Latin alphabet. Etymology The term ''Latin alphabet'' may refer to either the alphabet used to write Latin (as described in this article) or other alphabets based on the Latin script, which is the basic set of letters common to the various alphabets descended from the classical Latin alphabet, such as the English alphabet. These Latin-script alphabets may discard letters, like the Rotokas alphabet, or add new ...
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Abstraction
Abstraction is a process where general rules and concepts are derived from the use and classifying of specific examples, literal (reality, real or Abstract and concrete, concrete) signifiers, first principles, or other methods. "An abstraction" is the outcome of this process — a concept that acts as a common noun for all subordinate concepts and connects any related concepts as a ''group'', ''field'', or ''category''.Suzanne K. Langer (1953), ''Feeling and Form: A Theory of Art Developed from Philosophy in a New Key'', p. 90: "Sculpture, Sculptural form is a powerful abstraction from actual objects and the three-dimensional space which we construe ... through sensory system, touch and sight." Conceptual abstractions may be made by filtering the information content of a concept or an observable phenomenon, selecting only those aspects which are relevant for a particular purpose. For example, abstracting a leather soccer ball to the more general idea of a ball selects only the in ...
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Allograph
In graphemics and typography, the term allograph is used of a glyph that is a design variant of a letter or other grapheme, such as a letter, a number, an ideograph, a punctuation mark or other typographic symbol. In graphemics, an obvious example in Latin alphabet (and many other writing systems) is the distinction between uppercase and lowercase letters. Allographs can vary greatly, without affecting the underlying identity of the grapheme. Even if the word "cat" is rendered as "cAt", it remains recognizable as the sequence of the three graphemes , , . Letters and other graphemes can also have significant variations that may be missed by many readers. The letter g, for example, has two common forms in different typefaces, and a wide variety in people's handwriting. A positional example of allography is the long s , a symbol which was once a widely used as a non-final allograph for the lowercase letter s. A grapheme variant can acquire a separate meaning in a specialize ...
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Allophone
In phonology, an allophone (; from the Greek , , 'other' and , , 'voice, sound') is one of multiple possible spoken soundsor '' phones''used to pronounce a single phoneme in a particular language. For example, in English, the voiceless plosive (as in ''stop'' ) and the aspirated form (as in ''top'' ) are allophones for the phoneme , while these two are considered to be different phonemes in some languages such as Central Thai. Similarly, in Spanish, (as in ''dolor'' ) and (as in ''nada'' ) are allophones for the phoneme , while these two are considered to be different phonemes in English (as in the difference between ''dare'' and ''there''). The specific allophone selected in a given situation is often predictable from the phonetic context, with such allophones being called positional variants, but some allophones occur in free variation. Replacing a sound by another allophone of the same phoneme usually does not change the meaning of a word, but the result may sound ...
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Phone (phonetics)
In phonetics (a branch of linguistics), a phone is any distinct speech sound. It is any surface-level or unanalyzed sound of a language, the smallest identifiable unit occurring inside a stream of speech. In spoken human language, a phone is thus any vowel or consonant sound (or semivowel sound). In sign language, a phone is the equivalent of a unit of gesture. Phones versus phonemes Phones are the segment (linguistics), segments of speech that possess distinct physical or perceptual properties, regardless of whether the exact sound is critical to the meanings of words. Whereas a phone is a Abstract and concrete, concrete sound used across various spoken languages, a phoneme is more abstract and narrowly defined: any class of phones that the users of a particular language nevertheless ''perceive'' as a single basic sound, a single unit, and that distinguishes words from other words. If a phoneme is swapped with another phoneme inside a word, it can change the meaning of that word, ...
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