Folk Art
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Folk Art
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative art, decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made. The types of objects covered by the term "folk art" vary. The art form is categorised as "divergent... of cultural production ... comprehended by its usage in Europe, where the term originated, and in the United States, where it developed for the most part along very different lines." From a European perspective, Edward Lucie-Smith described it as "Unsophisticated art, both fine and applied, which is supposedly rooted in the collective awareness of simple people. The concep ...
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Pew Group MET DP-1135-002 (cropped)
A pew () is a long bench (furniture), bench seat or enclosed box, used for seating Member (local church), members of a Church (congregation), congregation or choir in a synagogue, Church (building), church, funeral home or sometimes a courtroom. Occasionally, they are also found in live performance venues (such as the Ryman Auditorium in Nashville, Tennessee, Nashville, which was formerly a church). In Christian churches of the Catholic Church, Roman Catholic, Lutheran, and Anglican traditions, kneelers are an essential part of the pew, that are used during various parts of the Christian liturgy, liturgy. Overview The first backless stone benches began to appear in English churches in the thirteenth century, originally placed against the walls of the nave. Over time, they were brought into the centre of the room, first as moveable furniture and later fixed to the floor. Wooden benches replaced the stone ones from the fourteenth century and became common in the fifteenth. Ch ...
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Material Culture
Material culture is culture manifested by the Artifact (archaeology), physical objects and architecture of a society. The term is primarily used in archaeology and anthropology, but is also of interest to sociology, geography and history. The field considers artifacts in relation to their specific cultural and historic contexts, communities and belief systems. It includes the usage, consumption, creation and trade of objects as well as the behaviors, norms and rituals that the objects create or take part in. Material culture is contrasted with symbolic culture or non-material culture, which include non-material symbols, beliefs and social constructs. However, some scholars include in material culture other intangible phenomena like sound, smell and events, while some even consider it to include language and media. Material culture can be described as any object that humans use to survive, define social relationships, represent facets of identity, or benefit peoples' state of mind, ...
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Communal Society
An intentional community is a voluntary residential community designed to foster a high degree of social cohesion and teamwork. Such communities typically promote shared values or beliefs, or pursue a common vision, which may be political, religious, utopian or spiritual, or are simply focused on the practical benefits of cooperation and mutual support. While some groups emphasise shared ideologies, others are centred on enhancing social connections, sharing resources, and creating meaningful relationships. Although intentional communities are sometimes described as alternative lifestyles or social experiments, some see them as a natural response to the isolation and fragmentation of modern housing, offering a return to the social bonds and collaborative spirit found in traditional village life. The multitude of intentional communities includes collective households, cohousing communities, coliving, ecovillages, monasteries, survivalist retreats, kibbutzim, Hutteri ...
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Simon Bronner
Simon J. Bronner (; born April 7, 1954, in Haifa, Israel) is an American folklorist, ethnologist, historian, sociologist, educator, college dean, and author. Life and career Bronner's parents were Polish-Jewish Holocaust survivors who immigrated to the United States from Israel in 1960. His childhood in the U.S. was spent in Chicago and New York City. His undergraduate study was in political science, history, and folklore (mentored by European and American folklorist W.F.H. Nicolaisen and political-social theorists Harold L. Nieburg and Louis C. Gawthrop) at Binghamton University (B.A., 1974) and then he received his M.A. in American Folk Culture at the Cooperstown Graduate Programs of the State University of New York (1977), where he also studied social history, ethnology, and museum studies (including work with historically oriented ethnologists Louis C. Jones, Bruce Buckley, and Roderick Roberts). He stayed in Cooperstown to work for the New York State Historical Assoc ...
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Mass Production
Mass production, also known as mass production, series production, series manufacture, or continuous production, is the production of substantial amounts of standardized products in a constant flow, including and especially on assembly lines. Together with job production and batch production, it is one of the three main production methods. The term ''mass production'' was popularized by a 1926 article in the ''Encyclopædia Britannica'' supplement that was written based on correspondence with Ford Motor Company. ''The New York Times'' used the term in the title of an article that appeared before the publication of the ''Britannica'' article. The idea of mass production is applied to many kinds of products: from fluids and particulates handled in bulk (food, fuel, chemicals and mined minerals), to clothing, textiles, parts and assemblies of parts ( household appliances and automobiles). Some mass production techniques, such as standardized sizes and production lines, ...
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Horse Taka
The horse (''Equus ferus caballus'') is a domesticated, one-toed, hoofed mammal. It belongs to the taxonomic family Equidae and is one of two extant subspecies of ''Equus ferus''. The horse has evolved over the past 45 to 55 million years from a small multi-toed creature, '' Eohippus'', into the large, single-toed animal of today. Humans began domesticating horses around 4000 BCE in Central Asia, and their domestication is believed to have been widespread by 3000 BCE. Horses in the subspecies ''caballus'' are domesticated, although some domesticated populations live in the wild as feral horses. These feral populations are not true wild horses, which are horses that have never been domesticated. There is an extensive, specialized vocabulary used to describe equine-related concepts, covering everything from anatomy to life stages, size, colors, markings, breeds, locomotion, and behavior. Horses are adapted to run, allowing them to quickly escape predators, and poss ...
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Smithsonian American Art Museum
The Smithsonian American Art Museum (SAAM; formerly the National Museum of American Art) is a museum in Washington, D.C., part of the Smithsonian Institution. Together with its branch museum, the Renwick Gallery, SAAM holds one of the world's largest and most inclusive collections of art made in the United States from the colonial period to the present. More than 7,000 artists are represented in the museum's collection. Most exhibitions are held in the museum's main building, the Old Patent Office Building (which is shared with the National Portrait Gallery (United States), National Portrait Gallery), while craft-focused exhibitions are shown in the Renwick Gallery. The museum provides electronic resources to schools and the public through its national education program. It maintains seven online research databases with more than 500,000 records, including the Inventories of American Painting and Sculpture that document more than 400,000 artworks in public and private collection ...
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Outsider Art
Outsider art is Fine art, art made by Autodidacticism, self-taught individuals who are untrained and untutored in the traditional arts with typically little or no contact with the Convention (norm), conventions of the art worlds. The term ''outsider art'' was coined in 1972 as the title of a book by art critic Roger Cardinal (art historian), Roger Cardinal. It is an English language, English equivalent for ''art brut'' (, "raw art" or "rough art"), a label created in the 1940s by France, French artist Jean Dubuffet to describe art created outside the boundaries of official culture. Dubuffet focused particularly on art by those on the outside of the established art scene, using as examples psychiatric hospital patients, hermits, and spiritualists.Cardinal, Roger (1972). ''Outsider Art''. New York: Praeger. pp. 24–30.Bibliography The 20th Century Art Book. New York, NY: Phaidon Press, 1996. Outsider art has emerged as a successful art marketing category; an annual Outsider Art ...
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Alois Riegl
Alois Riegl (14 January 1858 – 17 June 1905) was an Austrian art historian, and is considered a member of the Vienna School of Art History. He was one of the major figures in the establishment of art history as a self-sufficient academic discipline, and one of the most influential practitioners of formalism (art), formalism. Life Riegl studied at the University of Vienna, where he attended classes on philosophy and history taught by Franz Brentano, Alexius Meinong, Max Büdinger, and Robert von Zimmermann, Robert Zimmerman, and studied connoisseurship on the Giovanni Morelli, Morellian model with Moritz Thausing. His dissertation was a study of the Scots Monastery, Regensburg, Jakobskirche in Regensburg, while his habilitation, completed in 1889, addressed medieval calendar manuscripts. In 1886, Riegl accepted a curatorial position at the Imperial-Royal, k.k. Austria, Österreichisches Museum für Kunst und Industrie (today the Museum of Applied Arts, Vienna, Museum für angewan ...
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Style (visual Art)
In the visual arts, style is a "...distinctive manner which permits the grouping of works into related categories" or "...any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made". Style refers to the visual appearance of a work of art that relates to other works with similar aesthetic roots, by the same artist, or from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been historian's principal mode of classifying works of art". Style can be divided into the general style of a period, country or cultural group, group of artists or art movement, and the individual style of the artist within that group style. Divisions within both types of styles are often made, such as between "early", "middle" or "late". In some artists, such as Picasso for example, these divisions may be marked and easy to see; in others, they are more subtle. Style is ...
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Artisan
An artisan (from , ) is a skilled craft worker who makes or creates material objects partly or entirely by hand. These objects may be functional or strictly decorative, for example furniture, decorative art, sculpture, clothing, food items, household items, and tools and mechanisms such as the handmade clockwork movement of a watchmaker. Artisans practice a craft and may through experience and aptitude reach the expressive levels of an artist. History The adjective "artisanal" is often used in describing hand-processing in contrast to an industrial process, such as in the phrase '' artisanal mining''. Thus, "artisanal" is sometimes used in marketing and advertising as a buzz word to describe or imply some relation with the crafting of handmade food products, such as bread, beverages, cheese or textiles. Many of these have traditionally been handmade, rural or pastoral goods but are also now commonly made on a larger scale with automated mechanization in factorie ...
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Works Of Art
A work of art, artwork, art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature and music, these terms apply principally to tangible, physical forms of visual art: *An example of fine art, such as a painting or sculpture. *Objects in the decorative arts or applied arts that have been designed for aesthetic appeal, as well as any functional purpose, such as a piece of jewellery, many ceramics and much folk art. *An object created for principally or entirely functional, religious or other non-aesthetic reasons which has come to be appreciated as art (often later, or by cultural outsiders). *A non-ephemeral photograph or film. *A work of installation art or conceptual art. Used more broadly, the term is less commonly applied to: *A fine work of architecture or landscape design *A production of live performance, such as ...
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