|
Film Formats
A film format is a technical definition of a set of standard characteristics regarding image capture on photographic film for still images or film stock for filmmaking. It can also apply to projected film, either slides or movies. The primary characteristic of a film format is its size and shape. In the case of motion picture film, the format sometimes includes audio parameters. Other characteristics usually include the film gauge, 3-perf and 2-perf pulldown, pulldown method, lens anamorphic format, anamorphosis (or lack thereof), and film gate or movie projector, projector aperture dimensions, all of which need to be defined for photography as well as projection, as they may differ. Motion picture film formats * 35 mm movie film Digital camera formats Photographic film formats * 135 film, 35mm film See also *Film base *Keykode *Large format *Medium format (film), Medium format *Microform References External linksFilm Formats and HDTV [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movie Projector
A movie projector (or film projector) is an optics, opto-mechanics, mechanical device for displaying Film, motion picture film by projecting it onto a movie screen, screen. Most of the optical and mechanical elements, except for the illumination and sound devices, are present in movie cameras. Modern movie projectors are specially built video projectors (see also digital cinema). Many projectors are specific to a particular film gauge and not all movie projectors are film projectors since the use of film is required. Predecessors The main precursor to the movie projector was the magic lantern. In its most common setup it had a concave mirror behind a light source to help direct as much light as possible through a painted glass picture slide and a lens, out of the lantern onto a screen. Simple mechanics to have the painted images moving were probably implemented since Christiaan Huygens introduced the apparatus around 1659. Initially, candles and oil lamps were used, but oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Microform
A microform is a scaled-down reproduction of a document, typically either photographic film or paper, made for the purposes of transmission, storage, reading, and printing. Microform images are commonly reduced to about 4% or of the original document size. For special purposes, greater optical reductions may be used. Three formats are common: microfilm (reels), microfiche (flat sheets), and aperture cards. Microcards, also known as "micro-opaques", a format no longer produced, were similar to microfiche, but printed on cardboard rather than photographic film. Equipment is available that accepts a data stream from a computer; this exposes film to produce images as if the stream had been sent to a line printer and the listing had been microfilmed. The process is known as computer output microfilm or computer output microfiche (COM). History Using the daguerreotype process, John Benjamin Dancer was one of the first to produce microphotographs, in 1839. He achieved a reduction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medium Format (film)
Medium format has traditionally referred to a film format in photography and the related cameras and equipment that use film. Nowadays, the term applies to film and digital cameras that record images on media larger than the used in 35 mm photography (though not including 127 sizes), but smaller than (which is considered large format photography). In digital photography, medium format refers either to cameras adapted from medium-format film photography uses or to cameras making use of sensors larger than that of a 35 mm film frame. Some of the benefits of using medium-format digital cameras include higher resolution sensors, better low-light capabilities compared to a traditional 35mm DSLR, and a wider dynamic range. Characteristics Medium-format cameras made since the 1950s are generally less automated than smaller cameras made at the same time. For example, autofocus became available in consumer 35 mm cameras in 1977, but did not reach medium forma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Large Format
Large format photography refers to any imaging format of or larger. Large format is larger than "medium format", the or size of Hasselblad, Mamiya, Rollei, Kowa, and Pentax cameras (using 120 film, 120- and 220-roll film), and much larger than the frame of 135 film, 35 mm format. The main advantage of a large format, film or digital, is a higher resolution at the same pixel pitch, or the same resolution with larger pixels or grains which allows each pixel to capture more light enabling exceptional low-light capture. A 4×5 inch image (12.903 mm²) has about 15 times the area, and thus 15 times the total resolution, of a 35 mm frame (864 mm²). Large format cameras were some of the earliest photographic devices, and before enlargers were common, it was normal to just make 1:1 contact prints from a 4×5, 5×7, or 8×10-inch negative. Formats The most common large format is , which was the size used by cameras like the Graflex Speed Graphi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keykode
Keykode (also written as either KeyKode or KeyCode) is an Eastman Kodak Company advancement on edge numbers, which are letters, numbers and symbols placed at regular intervals along the edge of 35 mm and 16 mm film to allow for frame-by-frame specific identification. It was introduced in 1990. Keykode is a variation of timecode used in the post-production process which is designed to uniquely identify film frames in a film stock. Edge numbers Edge numbers (also called key numbers or footage numbers) are a series of numbers with key lettering printed along the edge of a 35 mm negative at intervals of one foot (16 frames or 64 perforations) and on a 16 mm negative at intervals of six inches (twenty frames). The numbers are placed on the negative at the time of manufacturing by one of two methods: :''Latent image'' exposes the edge of the film while it passes through the perforation machine. This method is primarily used for color negative films. :''Visible ink'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Base
A film base is a transparent substrate which acts as a support medium for the photosensitive emulsion that lies atop it. Despite the numerous layers and coatings associated with the emulsion layer, the base generally accounts for the vast majority of the thickness of any given film stock. Since the late 19th century, there have been three major types of film base in use: nitrate (until about 1951), acetate, and polyester. Nitrate In the literature of photography, "nitrate" is used as a synonym for the chemical nitrocellulose. It is also referred to as "cellulose nitrate". Nitrocellulose is guncotton, the first replacement propellant for gun powder in firearms. Film stock with a nitrate base was the first transparent flexible plasticized base commercially available, thanks to celluloid developments by John Carbutt, Hannibal Goodwin, and Eastman Kodak in the 1880s. Eastman was the first to manufacture the film stock for public sale, in 1889. Unfortunately, nitrate also had th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
135 Film
file:135film.jpg, 135 film. The film is wide. Each image is 24×36 mm in the most common "small film" format (sometimes called "double-frame" for its relationship to the "single-frame" 35 mm movie format or full frame after the introduction of 135 sized digital sensors; confusingly, "full frame" was also used to describe the Full frame (cinematography), full gate of the movie format half the size). file:LEI0060 186 Leica I Sn.5193 1927 Originalzustand Front-2 FS-15.jpg, Leica I, 1927, the first successful camera worldwide for 35 cine film 135 film, more popularly referred to as 35 mm film or 35 mm, is a format of photographic film with a film gauge of loaded into a standardized type of magazine (also referred to as a cassette or cartridge) for use in 135 film cameras. The term 135 was introduced by Kodak in 1934 as a designation for 35 mm film specifically for still photography, perforated with Kodak Standard perforations. It quickly grew in populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
35 Mm Movie Film
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips wide. The standard negative pulldown, image exposure length on 35 mm for movies ("single-frame" format) is four film perforations, perforations per Film frame, frame along both edges, which results in 16 frames per foot of film. A variety of largely proprietary gauges were devised for the numerous camera and projection systems being developed independently in the late 19th and early 20th centuries, along with various film feeding systems. This resulted in cameras, projectors, and other equipment having to be calibrated to each gauge. The 35 mm width, originally specified as inches, was introduced around 1890 by William Kennedy Dickson and Thomas Edison, using 120 film st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Gate
The film gate is the rectangular opening in the front of a motion picture camera where the film is exposed to light (or an opening for showing the film with a projector). The film gate holds the film during exposure through the aperture formed by the shutter. The film gate can be seen by removing the lens and rotating the shutter out of the way. The film is held on a uniform plane at a calibrated distance in the gate by a pressure plate behind the film. Occasionally, as the film passes through the gate, friction can cause small slivers of celluloid to break off and stick in the side of the opening, or a speck of dust can lodge there. These pieces of debris are called ''hairs''. A "hair in the gate" will remain in front of the film and create a dark line that sticks into the edge of the film frame as the camera is filming a shot. A hair can ruin the shot and is almost impossible to fix in post production without using modern digital removal techniques. Because of the intractabilit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Photographic Film
Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin photographic emulsion, emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and image resolution, resolution of the film. Film is typically segmented in ''frames'', that give rise to separate photographs. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure (photography), exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which can be chemically photographic processing, developed into a visible photograph. In addition to visible light, all films are sensitive to ultraviolet light, X-rays, gamma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anamorphic Format
Anamorphic format is a cinematography technique that captures widescreen images using recording media with narrower native Aspect ratio (image), aspect ratios. Originally developed for 35 mm movie film, 35 mm film to create widescreen presentations without sacrificing image area, the technique has since been adapted to various film gauges, digital cinematography, digital sensors, and video formats. Rather than cropping or Matte (filmmaking)#Mattes and widescreen filming, matting the image and discarding visual information, anamorphic capture employs cylindrical lenses to horizontally compress or "squeeze" the image during recording. A complementary lens is then used during projection to expand the image back to its intended widescreen proportions. By utilizing the full height of the film frame or sensor, this method retains more image resolution than cropped non-anamorphic widescreen formats. Anamorphic lenses have more complex optics than standard spherical lenses, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
