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Czartoryski Museum
The Princes Czartoryski Museum ( pl, Muzeum Książąt Czartoryskich ) – often abbreviated to Czartoryski Museum – is a historic museum in Kraków, Poland, and one of the country's oldest museums. The initial collection was formed in 1796 in Puławy by Princess Izabela Czartoryska. The Museum officially opened in 1878.Olivia Petrides ''Anthem Guide to the Art Galleries and Museums of Europe.''Page 509. ''Anthem Press'', 2009, . The Puławy collection was partly destroyed after the November 1830 Uprising and the confiscation of the Czartoryski properties. Most of the Museum holdings, however, were saved and moved to Paris, where they reposed at the Hôtel Lambert. In 1870 Prince Władysław Czartoryski decided to move the collections to Kraków, where they arrived in 1876. The most renowned painting at the Museum is one of Leonardo da Vinci's best-known works, the ''Lady with an Ermine''. Other highlights include two works by Rembrandt; several antiquities, including sculptu ...
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Kraków
Kraków (), or Cracow, is the second-largest and one of the oldest cities in Poland. Situated on the Vistula River in Lesser Poland Voivodeship, the city dates back to the seventh century. Kraków was the official capital of Poland until 1596 and has traditionally been one of the leading centres of Polish academic, economic, cultural and artistic life. Cited as one of Europe's most beautiful cities, its Old Town with Wawel Royal Castle was declared a UNESCO World Heritage Site in 1978, one of the first 12 sites granted the status. The city has grown from a Stone Age settlement to Poland's second-most-important city. It began as a hamlet on Wawel Hill and was reported by Ibrahim Ibn Yakoub, a merchant from Cordoba, as a busy trading centre of Central Europe in 985. With the establishment of new universities and cultural venues at the emergence of the Second Polish Republic in 1918 and throughout the 20th century, Kraków reaffirmed its role as a major national academic an ...
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Jacob Jordaens
Jacob (Jacques) Jordaens (19 May 1593 – 18 October 1678) was a Flemish people, Flemish painter, Drawing, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painting, Flemish Baroque painter of his day. Unlike those contemporaries he never travelled abroad to study Italian painting, and his career is marked by an indifference to their intellectual and courtly aspirations.d'Hulst, pp. 23 In fact, except for a few short trips to locations elsewhere in the Low Countries, he remained in Antwerp his entire life. As well as being a successful painter, he was a prominent designer of tapestries.d'Hulst, pp. 24–25. Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died—he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general.d'Hulst ...
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Ottoman Empire
The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) // CITED: p. 36 (PDF p. 38/338) also known as the Turkish Empire, was an empire that controlled much of Southeast Europe, Western Asia, and North Africa, Northern Africa between the 14th and early 20th centuries. It was founded at the end of the 13th century in northwestern Anatolia in the town of Söğüt (modern-day Bilecik Province) by the Turkoman (ethnonym), Turkoman tribal leader Osman I. After 1354, the Ottomans crossed into Europe and, with the Ottoman wars in Europe, conquest of the Balkans, the Ottoman Anatolian beyliks, beylik was transformed into a transcontinental empire. The Ottomans ended the Byzantine Empire with the Fall of Constantinople, conquest of Constantinople in 1453 by Mehmed the Conqueror. Under the reign of Sule ...
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Jagiellon Family
The Jagiellonian dynasty (, pl, dynastia jagiellońska), otherwise the Jagiellon dynasty ( pl, dynastia Jagiellonów), the House of Jagiellon ( pl, Dom Jagiellonów), or simply the Jagiellons ( pl, Jagiellonowie), was the name assumed by a cadet branch of the Lithuanian ducal dynasty of Gediminids upon reception by Jogaila, the Grand Duke of Lithuania, of baptism as Władysław in 1386, which paved the way to his ensuing marriage to the Queen Regnant Jadwiga of Poland, resulting in his ascension to the Crown of the Kingdom of Poland as Władysław II Jagiełło (initially ruling ''jure uxoris'' jointly with Hedwig until her death), and the effective promotion of his branch to a royal dynasty. The Jagiellons reigned in several Central European countries between the 14th and 16th centuries. Members of the dynasty were Kings of Poland (1386–1572), Grand Dukes of Lithuania (1377–1392 and 1440–1572), Kings of Hungary (1440–1444 and 1490–1526), and Kings of Bohemia and i ...
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Master Of The Female Half-Lengths
The Master of the Female Half-Lengths (sometimes referred to as Master of the Half-Lengths)Martha Wolff, ''Master of the Half-Lengths'', in: Fifteenth- to eighteenth-century European paintings: France, Central Europe, the Netherlands, Spain, and Great Britain
(cat. no. 23), p. 115-116
is the given to a painter, or more likely a group of painters of a workshop, active in the in the early sixt ...
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Alessandro Magnasco
Alessandro Magnasco (February 4, 1667 – March 12, 1749), also known as il Lissandrino, was an Italian late- Baroque painter active mostly in Milan and Genoa. He is best known for stylized, fantastic, often phantasmagoric genre or landscape scenes. Magnasco's distinctive style is characterized by fragmented forms rendered with swift brushstrokes and darting flashes of light. Life Born in Genoa to a minor artist, Stefano Magnasco, he apprenticed with Valerio Castello, and finally with Filippo Abbiati (1640–1715) in Milan. Except for 1703–09 (or 1709–11)Wittkower 1993, p. 478 when working in Florence for the Grand Duke Cosimo III, Magnasco labored in Milan until 1735, when he returned to his native Genoa. Magnasco often collaborated with placing figures in the landscapes of Tavella and the ruins of Clemente Spera in Milan. Mature style After 1710, Magnasco excelled in producing small, hypochromatic canvases with eerie and gloomy landscapes and ruins, or crowded inter ...
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Andrea Mantegna
Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola di Carturo, Venetian Republic close to Padua (now Italy), second son of a carpenter, Biagio. At the age of 11, he became the apprentice of Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was an ancient Rome enthusiast: he traveled in Italy, and perha ...
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Lorenzo Monaco
Lorenzo Monaco (1370 – 1425) was an Italian painter of the late Gothic to early Renaissance age. He was born Piero di Giovanni in Siena, Italy. Little is known about his youth, apart from the fact that he was apprenticed in Florence. He was influenced by Giotto and that artist's followers Spinello Aretino and Agnolo Gaddi. Life In 1390, Piero di Giovanni joined the Camaldolese monastery of Santa Maria degli Angeli. He was thenceforth generally known as ''Lorenzo Monaco'' ('Lawrence the Monk'). Starting from around 1404, his works show the influence of the International Gothic, of Lorenzo Ghiberti's earliest works and of Gherardo Starnina. From this period is the ''Pietà'' in the Galleria dell'Accademia in Florence. His works, often over a gilded background, showed in general a spiritual value, and usually did not feature profane elements. In 1414, he painted the ''Coronation of the Virgin'' (now at the Uffizi), characterized by a great number of saints and brilliant col ...
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Lucas Cranach The Younger
Lucas Cranach the Younger (german: Lucas Cranach der Jüngere ; October 4, 1515 – January 25, 1586) was a German Renaissance painter and portraitist, the son of Lucas Cranach the Elder and brother of Hans Cranach. Life and career Lucas Cranach the Younger was born in Wittenberg, Germany on October 4, 1515, the second son of Lucas Cranach the Elder and Barbara Brengebier. He began his career as a painter as an apprentice in his father's workshop, training alongside his older brother, Hans. Following the sudden death of Hans in 1537, Cranach the Younger would assume greater responsibilities in his father's workshop. The Protestant Reformation began in Wittenberg in 1517. Cranach the Elder was friends with Martin Luther and became known as a leading producer of Protestant artistic propaganda. In 1550, Cranach the Elder left Wittenberg to join his patron, John Frederick I, Elector of Saxony, in exile. Following his father's departure, Cranach the Younger assumed full responsib ...
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Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic individuality, even an idiosyncratic style (although it fits w ...
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Joos Van Cleve
Joos van Cleve (; also Joos van der Beke; c. 1485–1490 – 1540/1541) was a leading painter active in Antwerp from his arrival there around 1511 until his death in 1540 or 1541. Within Dutch and Flemish Renaissance painting, he combines the traditional techniques of Early Netherlandish painting with influences of more contemporary Renaissance painting styles. An active member and co-deacon of the Guild of Saint Luke of Antwerp, he is known mostly for his religious works and portraits, some of royalty. He ran a large workshop, with at least five pupils and other assistants, which produced paintings in a variety of styles over his career. As a skilled technician, his art shows sensitivity to color and a unique solidarity of figures. His style is highly eclectic: he was one of the first to introduce broad world landscapes in the backgrounds of his paintings, sometimes collaborating with Joachim Patinir, which would become a popular technique of sixteenth century northern Rena ...
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