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Cursive Script (East Asia)
Cursive script (; , ''sōshotai''; , ''choseo''; ), often referred to as ''grass script'', is a script style used in Chinese and East Asian calligraphy. It is an umbrella term for the cursive variants of the clerical script and the regular script. The cursive script functions primarily as a kind of shorthand script or calligraphic style and is faster to write than other styles, but it can be difficult to read for those unfamiliar with it because of its abstraction and alteration of character structures. People who can read only standard or printed forms of Chinese or related scripts may have difficulty reading the cursive script. Names The character primarily means "grass", and the character means script in this context, which has led to the literal calque for as "grass script". However, can be extended to mean "hurried" or "rough", from which the name came. Thus, the name of this script is literally "draft script", "quick script" or "rough script". The character ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mi Fu
Mi Fu (Chinese language, Chinese: 米芾; 1051–1107)Barnhart: 373. He was born with the name 米黻, also pronounced Mi Fu. His courtesy name was Yuanzhang (元章) with several sobriquets: Nangong (南宮), Lumen Jushi (鹿門居士), Xiangyang Manshi (襄陽漫士), and Haiyue Waishi (海岳外史) was a Chinese people, Chinese painter, poet, calligrapher, and art theorist in the Song dynasty, Early Song Dynasty. Born in Taiyuan, he was known for his misty landscape paintings, which consisted of broad, wet ink dots applied with a flat brush. This technique, later known as the "Mi Fu Style", significantly influenced Chinese painting. His poetry and calligraphy were inspired by Li Bai and Wang Xizhi, respectively. Mi Fu is considered one of the most influential calligraphers of the Song dynasty, along with Su Shi, Huang Tingjian, and Cai Xiang. His major works include ''Zhang Jiming Tie'' (張季明帖), ''Li Taishi Tie'' (李太師帖), ''Zijin Yan Tie'' (紫金研帖), and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bamboo
Bamboos are a diverse group of mostly evergreen perennial plant, perennial flowering plants making up the subfamily (biology), subfamily Bambusoideae of the grass family Poaceae. Giant bamboos are the largest members of the grass family, in the case of ''Dendrocalamus sinicus'' having individual stalks (Culm (botany), culms) reaching a length of , up to in thickness and a weight of up to . The internodes of bamboos can also be of great length. ''Kinabaluchloa, Kinabaluchloa wrayi'' has internodes up to in length. and ''Arthrostylidium schomburgkii'' has internodes up to in length, exceeded in length only by Cyperus papyrus, papyrus. By contrast, the stalks of the tiny bamboo Raddiella, ''Raddiella vanessiae'' of the savannas of French Guiana measure only in length by about in width. The origin of the word "bamboo" is uncertain, but it most likely comes from the Dutch language, Dutch or Portuguese language, Portuguese language, which originally borrowed it from Malay langua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stroke (CJK Character)
Strokes ( zh, t=筆畫, s=笔画, p=bǐhuà) are the smallest structural units making up written Chinese characters. In the act of writing, a stroke is defined as a movement of a writing instrument on a writing material surface, or the trace left on the surface from a discrete application of the writing implement. The modern sense of discretized strokes first came into being with the clerical script during the Han dynasty. In the regular script that emerged during the Tang dynasty—the most recent major style, highly studied for its aesthetics in East Asian calligraphy—individual strokes are discrete and highly regularized. By contrast, the ancient seal script has line terminals within characters that are often unclear, making them non-trivial to count. Study and classification of strokes is useful for understanding Chinese calligraphy, Chinese character calligraphy, ensuring character legibility, identifying fundamental components of Radical (Chinese characters), radicals, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sun Guoting
Sun Guoting () (646–691) or Sun Qianli (孫虔禮),It is not known whether Guoting was his name and Qianli his courtesy name, or the other way around. was a Chinese calligrapher of the early Tang dynasty, remembered for his cursive calligraphy and his Shu Pu (書譜, "A Narrative on Calligraphy" or "Treatise on Calligraphy" ()). The work was the first important theoretical work on Chinese calligraphy, and has remained important ever since, though only its preface survived. The preface is the only surviving calligraphic work of Sun, therefore it is responsible for both Sun's reputation as an artist and as a theorist. The original handscroll can be seen at the National Palace Museum, in Taipei, Taiwan, and on its web site. Notes References *''Two Chinese Treatises on Calligraphy: Treatise on Calligraphy (Shu pu) by Sun Qianli; Sequel to the "Treatise on Calligraphy" (Xu shu pu) by Jiang Kui''; Yale University Press, 1995; . * Zhu, Guantian"Sun Guoting" ''Encyclopedia of China ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sōgana
is an archaic Japanese syllabary, now used for aesthetic purposes only. It represents an intermediate cursive form between historic man'yōgana script and modern hiragana. Sōgana appears primarily in Heian era texts, most notably the and . Originating from cursive Cursive (also known as joined-up writing) is any style of penmanship in which characters are written joined in a flowing manner, generally for the purpose of making writing faster, in contrast to block letters. It varies in functionality and m ... forms of the man'yōgana characters, commonly occurring sōgana were further adapted and by the early eleventh century had evolved into the forms of modern hiragana. The principal purpose of Sōgana—nowadays its only use—was for artistic effect. It was often used for the rendition of poetry, as in the work of Fujiwara Kozei, whose style is often cited to exemplify the use of sōgana. However, attribution of the few surviving sōgana works is disputed. Referen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man'yōgana
is an ancient writing system that uses Chinese characters to represent the Japanese language. It was the first known kana system to be developed as a means to represent the Japanese language phonetically. The date of the earliest usage of this type of kana is not clear, but it was in use since at least the mid-7th century. The name "man'yōgana" derives from the '' Man'yōshū'', a Japanese poetry anthology from the Nara period written with ''man'yōgana.'' Texts using the system also often use Chinese characters for their meaning, but ''man'yōgana'' refers to such characters only when they are used to represent a phonetic value. The values were derived from the contemporary Chinese pronunciation, but native Japanese readings of the character were also sometimes used. For example, (whose character means 'tree') could represent (based on Middle Chinese ), , or (meaning 'tree' in Old Japanese). Simplified versions of ''man'yōgana'' eventually gave rise to both the hira ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiragana
is a Japanese language, Japanese syllabary, part of the Japanese writing system, along with ''katakana'' as well as ''kanji''. It is a phonetic lettering system. The word ''hiragana'' means "common" or "plain" kana (originally also "easy", as contrasted with kanji). Hiragana and katakana are both kana systems. With few exceptions, each mora (linguistics), mora in the Japanese language is represented by one character (or one digraph) in each system. This may be a vowel such as /a/ (hiragana wikt:あ, あ); a consonant followed by a vowel such as /ka/ (wikt:か, か); or /N/ (wikt:ん, ん), a nasal stop, nasal sonorant which, depending on the context and dialect, sounds either like English ''m'', ''n'' or ''ng'' () when syllable-final or like the nasal vowels of French language, French, Portuguese language, Portuguese or Polish language, Polish. Because the characters of the kana do not represent single consonants (except in the case of the aforementioned ん), the kana are r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simplified Chinese Characters
Simplified Chinese characters are one of two standardized Chinese characters, character sets widely used to write the Chinese language, with the other being traditional characters. Their mass standardization during the 20th century was part of an initiative by the People's Republic of China (PRC) to promote literacy, and their use in ordinary circumstances on the mainland has been encouraged by the Chinese government since the 1950s. They are the official forms used in mainland China, Malaysia, and Singapore, while traditional characters are officially used in Hong Kong, Macau, and Taiwan. Simplification of a component—either a character or a sub-component called a Radical (Chinese characters), radical—usually involves either a reduction in its total number of Chinese character strokes, strokes, or an apparent streamlining of which strokes are chosen in what places—for example, the radical used in the traditional character is simplified to to form the simplified charac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Dynasty
The Tang dynasty (, ; zh, c=唐朝), or the Tang Empire, was an Dynasties of China, imperial dynasty of China that ruled from 618 to 907, with an Wu Zhou, interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilisation, and a Golden age (metaphor), golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivalled that of the Han dynasty. The House of Li, Li family founded the dynasty after taking advantage of a period of Sui decline and precipitating their final collapse, in turn inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The An Lushan rebellion (755 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huaisu
250px, One of Huai Su's surviving works Huaisu (, 737–799), courtesy name Zangzhen (), was a Buddhist monk and calligrapher of the Tang dynasty, famous for his cursive calligraphy. Fewer than 10 pieces of his works have survived. One of his representative works is Huai Su's Autobiography. He was born in Lingling, Yongzhou, Hunan. Not much is known of his early life. His secular surname may have been Qian (). It is possible that Huaisu was a nephew of the poet Qian Qi (). He became a monk in his childhood, apparently out of poverty. Legend has it that he planted banana trees (or any genus of trees under Musaceae) in the courtyard of the temple where he lived and used the leaves as paper to practice his art.His contemporary Lu Yu wrote in his ''Life of the monk Huaisu'' (僧懷素傳): "He was broke and had no paper for writing. So he planted tens of thousands of banana trees in his hometown o obtain leavesto practice his art (貧無紙可書，嘗於故里種芭蕉萬� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhang Xu
Zhang Xu (, fl. 8th century), courtesy name Bogao (), was a Chinese calligrapher and poet of the Tang dynasty. A native of Suzhou, he became an official during the reign of Emperor Xuanzong of Tang. Zhang was known as one of the Eight Immortals of the Wine Cup. Legend has it that whenever he was drunk, he would use his hair as brush to perform his art, and upon his waking up, he would be amazed by the quality of those works but failed to produce them again in his sober state. Though more well known for his explosive cursive script, he excelled in the regular script. There is an anecdote that says he grasped the essence of cursive writing by observing some porters fight for their way with the guard of honor of some princess, and by watching the solo performance of a famous sword-dancer named Lady Gongsun (). He was known as 草聖 (the Divine Cursive-writer) for his great skill in the cursive script. Under the excitement of art (and wine), he became oblivious of social expe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
