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Composition For Four Instruments
''Composition for Four Instruments'' (1948) is an early serial music composition written by American composer Milton Babbitt. It is Babbitt's first published ensemble work, following shortly after his ''Three Compositions for Piano'' (1947). In both these pieces, Babbitt expands upon the methods of twelve-tone composition developed by Arnold Schoenberg. He is notably innovative for his application of serial techniques to rhythm. ''Composition for Four Instruments'' is considered one of the early examples of “totally serialized” music. It is remarkable for a strong sense of integration and concentration on its particular premises—qualities that caused Elliott Carter, upon first hearing it in 1951, to persuade New Music Edition to publish it. Structure and analysis ''Composition for Four Instruments'' is scored for flute, clarinet, violin, and cello. An immediate division is apparent between the two wind instruments and the two strings. In addition to this, Babbitt makes u ...
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Array - Babbitt's Composition For Four Instruments
An array is a systematic arrangement of similar objects, usually in rows and columns. Things called an array include: {{TOC right Music * In Twelve-tone technique, twelve-tone and Serialism, serial composition, the presentation of simultaneous twelve-tone sets such that the sums of their horizontal segments form a succession of twelve-tone tone row#total_chromatic, aggregates * Array mbira, a musical instrument * Spiral array model, a music pitch space Science Astronomy A telescope array, also called astronomical interferometer. Biology * Various kinds of multiple biological arrays called microarrays * Visual feature array, a model for the visual cortex Computer science Generally, a collection of same type data items that can be selected by indices computed at run-time, including: * Array data structure, an arrangement of items at equally spaced addresses in computer memory * Array data type, used in a programming language to specify a variable that can be indexed * ...
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Composition For Twelve Instruments
''Composition for Twelve Instruments'' (1948, rev. 1954) is a serial music composition written by American composer Milton Babbitt for flute, oboe, clarinet, bassoon, horn, trumpet, harp, celesta, violin, viola, cello, and double bass. In it Babbitt for the first time employs a twelve-element duration set to serialize the rhythms as well as the pitches, predating Olivier Messiaen's (non-serial) " Mode de valeurs et d'intensités", but not the ''Turangalîla-Symphonie'' (1946–48), in which Messiaen used a duration series for the first time in the opening episode of the seventh movement, titled "Turangalîla II". (Babbitt had also earlier used a different kind of rhythmic series, and serial manipulation thereof, in his '' Three Compositions for Piano'' (1947) and '' Composition for Four Instruments'' (1948)). Babbitt's use of rhythm in ''Composition for Twelve Instruments'' was criticized by Peter Westergaard in ''Perspectives of New Music'': "can we be expected to hear a family re ...
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20th-century Classical Music
20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. Musical style diverged during the 20th century as it never had previously. So this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started much later in the century and can be seen as a change from the modern to post-modern era, although some date post-modernism from as early as about 1930. Aleatory, atonality, serialism, ''musique concrète'', electronic music, and concept music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, mus ...
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1948 Compositions
Events January * January 1 ** The General Agreement on Tariffs and Trade (GATT) is inaugurated. ** The Constitution of New Jersey (later subject to amendment) goes into effect. ** The railways of Britain are nationalized, to form British Railways. * January 4 – Burma gains its independence from the United Kingdom, becoming an independent republic, named the ''Union of Burma'', with Sao Shwe Thaik as its first President, and U Nu its first Prime Minister. * January 5 ** Warner Brothers shows the first color newsreel (''Tournament of Roses Parade'' and the ''Rose Bowl Game''). ** The first Kinsey Report, ''Sexual Behavior in the Human Male'', is published in the United States. * January 7 – Mantell UFO incident: Kentucky Air National Guard pilot Thomas Mantell crashes while in pursuit of an unidentified flying object. * January 12 – Mahatma Gandhi begins his fast-unto-death in Delhi, to stop communal violence during the Partition of India. * January 17 &nda ...
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Compositions By Milton Babbitt
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hungaria ...
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David Lewin
David Benjamin Lewin (July 2, 1933 – May 5, 2003) was an American music theorist, music critic and composer. Called "the most original and far-ranging theorist of his generation", he did his most influential theoretical work on the development of transformational theory, which involves the application of mathematical group theory to music. Biography Lewin was born in New York City and studied piano from a young age and was for a time a pupil of Eduard Steuermann. He graduated from Harvard in 1954 with a degree in mathematics. Lewin then studied theory and composition with Roger Sessions, Milton Babbitt, Edward T. Cone, and Earl Kim at Princeton University, earning an M.F.A. in 1958. He returned to Harvard as a Junior Fellow in the Harvard Society of Fellows from 1958 to 1961. After holding teaching positions at the University of California, Berkeley (1961–67), the State University of New York at Stony Brook (1967–79), and Yale University (1979–85), he returned to Harva ...
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Laura Karpman
Laura Anne Karpman (born March 1, 1959) is an American composer, whose work has included music for film, television, video games, theater, and the concert hall. She has won five Emmy Awards for her work. Karpman was trained at The Juilliard School, where she played jazz, and honed her skills scatting in bars. Education Born in Los Angeles, Karpman worked with John Harbison at the Tanglewood Music Center, and attended Aspen Music School and the Ecole des Arts Americaines, where she worked with Nadia Boulanger. She received her Bachelor of Music degree from the University of Michigan, where she graduated magna cum laude, studying with William Bolcom and Leslie Bassett. She received both her Doctorate and master's degree in Music Composition at The Juilliard School, where her principal teacher was Milton Babbitt. Career Compositions by Karpman have been commissioned by Tonya Pinkins, Los Angeles Opera, American Composers Orchestra, Czech Philharmonic, The Juilliard Choral Union ...
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Arnold Whittall
Arnold Whittall (born 1935, Shrewsbury, Shropshire, England) is a British musicologist and writer. He is Professor Emeritus at King's College London. Between 1975 and 1996 he was Professor at King's. Previously he lectured at Cambridge, Nottingham (1964–1969) and Cardiff (1969–1975), where one of his students was Australian composer Norma Tyer Norma Phyllis Tyer (born 23 April 1928) was an Australian composer who wrote orchestral, choral, electronic and chamber music. Education and career Tyer was born in Sydney. In 1960, she was one of two students (the other was Ann Carr-Boyd) to g .... Since the 1960s he has published books, articles and contributed chapters to multi-authored books. Books * ''Schoenberg Chamber Music''. London: BBC, 1972. * ''Music since the First World War''. London : Dent, 1977. * ''The Music of Britten and Tippett – Studies in Themes and Techniques''. Cambridge: Cambridge University Press, 1982. (Second edition 1990) * ''Romantic Music : a concise ...
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Richard Taruskin
Richard Filler Taruskin (April 2, 1945 – July 1, 2022) was an American musicologist and music critic who was among the leading and most prominent music historians of his generation. The breadth of his scrutiny into source material as well as musical analysis that combines sociological, cultural, and political perspectives, has incited much discussion, debate and controversy. He regularly wrote music criticism for newspapers including ''The New York Times''. He researched a wide variety of areas, but a central topic was the Russian music of the 18th century to present day. Other subjects he engaged with include the theory of performance, 15th-century music, 20th-century classical music, nationalism in music, the theory of modernism, and analysis. He is best known for his monumental survey of Western classical music, the six-volume '' Oxford History of Western Music''. He received several awards, including the first Noah Greenberg Award from the American Musicological Socie ...
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Richard Swift (composer)
Richard G. Swift (September 24, 1927 – November 8, 2003) was an American composer and music theorist. Life Born in Middle Point, Ohio, Swift studied with Leland Smith, Grosvenor Cooper, and Leonard B. Meyer at the University of Chicago, where he received an MA in 1956. His career was spent teaching at the University of California, Davis, from 1956 until his retirement in 1991. He was the recipient of many awards, amongst others from the National Endowment for the Arts (1977), and the American Academy and Institute of Arts and Letters (1978). He died in Davis, California, in 2003. In addition to his activity as a composer, he also published many articles on twentieth-century music and music theory. His wife, Dorothy Zackrisson Swift (1928–1990), was an accomplished musician and poet who wrote the libretto for Swift's opera, ''The Trial of Tender O'Shea'' (1964). Richard Swift also set two of her poems in the song cycle ''Roses Only'', conceived as a memorial for her ...
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Music Theory Spectrum
''Music Theory Spectrum'' () is a peer-reviewed, academic journal specializing in music theory and analysis. It is the official journal of the Society for Music Theory, and is published by Oxford University Press. The journal was first published in 1979 as the official organ of the Society for Music Theory, which had been founded in 1977 and had its first conference in 1978.. Unlike many other journals (music or otherwise), ''Music Theory Spectrum'' was initially published in an oblong (landscape) page format, to better accommodate such musical graphics as Schenkerian graphs. Published twice annually, ''Music Theory Spectrum'' includes research articles and book reviews. Online access to back issues of the journal up 2017 is provided through JSTOR. In a 1999 study, it was the seventh most frequently cited journal in music theses overall, and the third most frequently cited journal in music theory theses. In Spring 2014, Oxford University Press began publishing ''Music Theory S ...
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Edward T
Edward is an English given name. It is derived from the Anglo-Saxon name ''Ēadweard'', composed of the elements '' ēad'' "wealth, fortune; prosperous" and '' weard'' "guardian, protector”. History The name Edward was very popular in Anglo-Saxon England, but the rule of the Norman and Plantagenet dynasties had effectively ended its use amongst the upper classes. The popularity of the name was revived when Henry III named his firstborn son, the future Edward I, as part of his efforts to promote a cult around Edward the Confessor, for whom Henry had a deep admiration. Variant forms The name has been adopted in the Iberian peninsula since the 15th century, due to Edward, King of Portugal, whose mother was English. The Spanish/Portuguese forms of the name are Eduardo and Duarte. Other variant forms include French Édouard, Italian Edoardo and Odoardo, German, Dutch, Czech and Romanian Eduard and Scandinavian Edvard. Short forms include Ed, Eddy, Eddie, Ted, Teddy an ...
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