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California (Phantom Planet Song)
"California" is a song by American rock band Phantom Planet. It was released as a single from their second album '' The Guest'' in 2002. The song is about driving on U.S. Route 101, traveling to see a concert. Both the song and the band received major attention when it became the theme song on the Fox television show '' The O.C.'', and it soon became a top-10 hit in Austria, Ireland, Italy, and the United Kingdom. Song information The estates of Al Jolson and his songwriting team are co-credited for "California", presumably because the title and chorus bear strong resemblances to his own " California, Here I Come". Some websites refer to the Phantom Planet song as a cover of the Jolson tune. Some parts of the song, particularly the piano solos at the beginning and end, are similar to the Jolson song, but still contain several differences in melody. It also bears some thematic and melodic resemblance to Joni Mitchell's "California" from her 1971 album ''Blue''. The song was r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phantom Planet
Phantom Planet is an American Rock music, rock band from Los Angeles, formed in 1994. The band consists of Alex Greenwald (vocals, rhythm guitar), Darren Robinson (lead guitar), Sam Farrar (bass guitar) and Jeff Conrad (drums). The band is best known for its track "California (Phantom Planet song), California", which became the theme song for the Television program, TV series ''The O.C.''. The band featured actor Jason Schwartzman on drums until 2003. On November 25, 2008, the band announced in a blog entry on their website that they were going on "hiatus" and would "not be playing any more live shows or making any new records, indefinitely." They played their last pre-hiatus show on December 12, 2008, in Los Angeles. The band reunited in 2019, announcing that their hiatus was over. History Early years and ''Phantom Planet Is Missing'' (1994–1999) Phantom Planet was named in 1994 after a 1961 B-movie called ''The Phantom Planet''. While still in their teens, the group playe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival Records (Australia), Festival, Sony Music, CBS, Bertelsmann Music Group, RCA, Warner Music Group, WEA and PolyGram, Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licences and royalties. The association has more than 190 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a board of directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alvin And The Chipmunks
Alvin and the Chipmunks, originally David Seville and the Chipmunks and billed for their first two decades as the Chipmunks, are an American animated virtual band and media franchise first created by Ross Bagdasarian for Novelty records in 1958. The group consists of three singing animated anthropomorphic chipmunk brothers named Alvin, Simon, and Theodore. The characters have since featured in several television series and films, as well as other media. Bagdasarian provided the group's voices by producing sped-up recordings of his own, a technique pioneered on the successful "Witch Doctor". Later in 1958, Bagdasarian released the similarly engineered " The Chipmunk Song (Christmas Don't Be Late)" for which he came up with the chipmunk characters and their human father, attributing the track to them. The Chipmunks were first depicted in animated form in '' The Alvin Show'' (1961). ''David Seville and the Chipmunks'' released several more records over the following decade un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yes! (k-os Album)
''Yes!'' is the fourth album of alternative hip hop artist k-os, released in Canada on April 14, 2009 in Canada by Universal Music Canada. The first single, " 4 3 2 1", was released to radio in December 2008 and peaked at #98 on the Canadian Hot 100, also the video premiered on February 17, 2009. "Burning Bridges" and "I Wish I Knew Natalie Portman" are the second and third singles respectively. The album also debuted at #9 on the Canadian Albums Chart. On November 17, ''Yes!'' was released on iTunes in the United States, with a physical release in the US on February 23, 2010, and in the UK on May 3. The video for "I Wish I Knew Natalie Portman" was released on November 23 as promo for the US physical release in February 2010. The video for "Zambony" was released on July 14, 2010, as promo for the US and UK physical releases as well. Background ''Yes!'' was recorded at a number of studios, including Vancouver's The Warehouse Studio, Mushroom Studios, and k-os' home studio. A w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as ''Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival '' Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Hit Radio
Contemporary hit radio (CHR, also known as contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 Record chart, music charts. There are several subcategories, dominantly focusing on rock music, rock, pop music, pop, or Urban contemporary, urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary music, adult contemporary, Urban contemporary music, urban contemporary, Contemporary Christian music, contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modifie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Adult Contemporary
Adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad-heavy music of the 1980s to the present day, with varying degrees of easy listening, pop, soul, R&B, quiet storm and rock influence. Adult contemporary is generally a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music. Adult contemporary tends to have lush, soothing and highly polished qualities where emphasis on melody and harmonies is accentuated. It is usually melodic enough to get a listener's attention, abstains from profanity or complex lyricism, and is most commonly used as background music in heavily-frequented family areas such as supermarkets, shopping malls, convention centers, or restaurants. Like most of pop music, its songs tend to be written in a basic format employing a verse–chorus structure. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to ''Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood On ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Album Alternative
Adult album alternative (also triple-A, AAA, or adult alternative) is a radio format. See pages 9 and 10Mills, Joshua. "A New Radio Music Format: Rock for Prosperous Adults" New York Times, Feb 28 1994, p. 2. ProQuest. Web. Accessed September 4, 2021. See also New York Times archive.Staples, Brent. "Rock-and-Roll for Grown-Ups: The Record Business Gets a Scare." New York Times, Dec 23 1996, p. 1. ProQuest. Web. Accessed September 4, 2021. See also New York Times archive. Its roots trace to both the " classic album stations of the ’70s as well as the alternative rock format that developed in the ’80s." AAA programming is carried on more than 150 broadcast outlets in the United States, with a roughly even split between commercial and public stations. Format The format covers a broader, more diverse playlist than most other formats. Musical selection tends to be on the fringe of mainstream pop and rock. It also includes many other music genres such as indie rock, Americana, po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Radio
Modern rock is an umbrella term used to describe rock music that is found on college and commercial rock radio stations. Some radio stations use this term to distinguish themselves from classic rock, which is based in 1960s–1980s rock music. Radio format Modern rock (also known as alternative radio) is a rock format commonly found on commercial radio; the format consists primarily of the alternative rock genre. Generally beginning with hardcore punk but referring especially to alternative rock music since the 1980s, the phrase "modern rock" is used in the US to differentiate the music from classic rock, which focuses on music recorded in the 1960s through to the early 1990s. A few modern rock radio stations existed during the 1980s, such as KROQ-FM in Los Angeles, XETRA-FM in San Diego, WHTG-FM (now WKMK) on the Jersey Shore, WLIR on Long Island, WFNX in Boston, and KQAK The Quake in San Francisco. Modern rock was solidified as a radio format in 1988 with ''Billboard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
