|
Architecture In Spain
Spanish architecture refers to architecture in any area of what is now Spain, and by :Spanish architects, Spanish architects worldwide, influencing mainly areas of what was once part of the Spanish Empire. The term includes buildings which were constructed within the current borders of Spain prior to its existence as a nation, when the land was called Iberian Peninsula, Iberia, Hispania, or was divided between several Christian and Taifa, Muslim kingdoms. Spanish architecture demonstrates great historical and geographical diversity, depending on the historical period. It developed along similar lines as other architectural styles around the Mediterranean and from Central and Northern Europe, although some Spanish constructions are unique. A real development came with the arrival of the Ancient Rome, Romans, who left behind some of their most outstanding monuments in Hispania. The arrival of the Visigoths brought about a profound decline in building techniques which was paralleled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aragon
Aragon ( , ; Spanish and ; ) is an autonomous communities of Spain, autonomous community in Spain, coextensive with the medieval Kingdom of Aragon. In northeastern Spain, the Aragonese autonomous community comprises three provinces of Spain, provinces (from north to south): Province of Huesca, Huesca, Province of Zaragoza, Zaragoza, and Province of Teruel, Teruel. Its capital is Zaragoza. The current Statute of Autonomy declares Aragon a ''nationalities and regions of Spain, historic nationality'' of Spain. Covering an area of , the region's terrain ranges diversely from permanent glaciers to verdant valleys, rich pasture lands and orchards, through to the arid steppes of the central lowlands. Aragon is home to many rivers—most notably, the river Ebro, Spain's largest river in volume, which runs west–east across the entire region through the province of Zaragoza. It is also home to the Pyrenees#Highest summits, highest mountains of the Pyrenees. , the population of Arago ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Critical Regionalism
Critical regionalism is an approach to architecture that strives to counter the placelessness and lack of identity of the International Style, but also rejects the whimsical individualism and ornamentation of Postmodern architecture. The stylings of critical regionalism seek to provide an architecture rooted in the modern tradition, but tied to geographical and cultural context. Critical regionalism is not simply regionalism in the sense of vernacular architecture. It is a progressive approach to design that seeks to mediate between the global and the local languages of architecture. The phrase "critical regionalism" was first presented in 1981, in ‘The Grid and the Pathway,’ an essay published in ''Architecture in Greece,'' by the architectural theorists Alexander Tzonis and Liane Lefaivre and, with a slightly different meaning, by the historian-theorist Kenneth Frampton. Sri Lankan Architect Minnette De Silva was one of the pioneers in practicing this architecture style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eclecticism In Architecture
Eclecticism in architecture is a 19th and 20th century architectural style in which a single piece of work incorporates eclecticism, a mixture of elements from previous historical styles to create something that is new and original. In architecture and interior design, these elements may include structural features, furniture, decorative motives, distinct historical ornament, traditional cultural motifs or styles from other Country, countries, with the mixture usually chosen based on its suitability to the project and overall aesthetic value. The term is also used of the many architects of the 19th and early 20 (number), 20th centuries who designed buildings in a variety of styles according to the wishes of their clients, or their own. The styles were typically Revivalism (architecture), revivalist, and each building might be mostly or entirely consistent within the style selected, or itself an eclectic mixture. Gothic Revival architecture, especially in churches, was most likel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan De Villanueva
Juan de Villanueva (September 15, 1739 in Madrid – August 22, 1811) was a Spanish architect. Alongside Ventura Rodríguez, Villanueva is the best known architect of Spanish Neoclassicism. Biography His father was the sculptor Juan de Villanueva and his brother, Diego de Villanueva was not only his protector, but also his teacher. He entered the Royal Academy of Fine Arts of San Fernando as a pupil when he was eleven years old. In 1758, he travelled to Rome to become a grant holder of the Academy to complete his studies. In 1765, he returned to Spain. A year later, he travelled through Córdoba and Granada, where he, together with José de Hermosilla, went to draw the "Arab antiquities." The drawings from these travels were published in 1804. He settled in Madrid, where he was appointed Academic of the Academy of San Fernando. In 1777, Charles III appointed him Architect of the Prince and the Infants. From then to the end of his life he would work almost exclusively f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassical Architecture
Neoclassical architecture, sometimes referred to as Classical Revival architecture, is an architectural style produced by the Neoclassicism, Neoclassical movement that began in the mid-18th century in Italy, France and Germany. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of Roman architecture, ancient Rome and ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer, more complete, and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman archi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herrerian
The Herrerian style ( or ''arquitectura herreriana'') of architecture was developed in Spain during the last third of the 16th century under the reign of Philip II of Spain, Philip II (1556–1598), and continued in force in the 17th century, but transformed by the Baroque architecture, Baroque style of the time. It corresponds to the third and final stage of Spanish Renaissance architecture, whose dominant trend had been towards austerity and minimal decoration. The ornate Plateresque style had given way to classical Purism (architecture), Purism in the second third of the 16th century. Purism in turn had given way to the geometric simplicity of the Herrerian style. It originated with the construction of the Monastery of El Escorial (San Lorenzo de El Escorial, Community of Madrid) and, more specifically, with the reorganization of the project made by Cantabrian architect Juan de Herrera (1530–1597), after the death of Juan Bautista de Toledo (1515–1567), author of the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Churrigueresque
Churrigueresque (; Spanish: ''Churrigueresco''), also but less commonly "Ultra Baroque", refers to a Spanish Baroque style of elaborate sculptural architectural ornament which emerged as a manner of stucco decoration in Spain in the late 17th century and was used until about 1750, marked by extreme, expressive and florid decorative detailing, normally found above the entrance on the main façade of a building. Origins Named after the architect and sculptor, José Benito de Churriguera (1665–1725), who was born in Madrid and who worked primarily in Madrid and Salamanca, the origins of the style are said to go back to an architect and sculptor named Alonso Cano, who designed the façade of the cathedral at Granada, in 1667. A distant, early 15th century precursor of the highly elaborate Churrigueresque style can be found in the Lombard Charterhouse of Pavia. Development The development of the style passed through three phases. Between 1680 and 1720, the Churriguera popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Baroque Architecture
Spanish Baroque is a strand of Baroque architecture that evolved in Spain, its provinces, and former colonies. History The development of the style passed through three phases. Between 1680 and 1720, the Churriguera popularized Guarini's blend of Solomonic columns and Composite order, known as the "supreme order". Between 1720 and 1760, the Churrigueresque column, or estipite, in the shape of an inverted cone or obelisk, was established as a central element of ornamental decoration. The years from 1760 to 1780 saw a gradual shift of interest away from twisted movement and excessive ornamentation toward a neoclassical balance and sobriety. In contrast to the art of Northern Europe, the Spanish art of the period appealed to the emotions rather than seeking to please the intellect. The Churriguera family, which specialized in designing altars and retables, revolted against the sobriety of the Herreresque classicism and promoted an intricate, exaggerated, almost capricious s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture and neoclassical architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to other parts of Europe at different dates and with varying degrees of impact. It began in Florence in the early 15th century and reflected a revival of classical Greek and Roman principles such as symmetry, proportion, and geometry. This movement was supported by wealthy patrons, including the Medici family and the Catholic Church, who commissioned works to display both religious devot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mudéjar Art
Mudéjar art, or Mudéjar style, was a type of ornamentation and decoration used in the Iberian Peninsula, Iberian Christian kingdoms, primarily between the 13th and 16th centuries. It was applied to Romanesque architecture, Romanesque, Gothic art, Gothic and Renaissance architectural styles as constructive, ornamental and decorative motifs derived from those that had been brought to or developed in Al-Andalus. These motifs and techniques were also present in the art and crafts, especially Hispano-Moresque ware, Hispano-Moresque lustreware that was once widely exported across Europe from southern and eastern Spain at the time. The term ''Mudejar art'' was coined by the art historian José Amador de los Ríos, José Amador de los Ríos y Serrano in reference to the Mudéjars, who played a leading role in introducing Islamic derived decorative elements into the Iberian Christian kingdoms. The Mudéjars were the Muslims who remained in the former areas of Al-Andalus after the Christ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
