|
Broken Consort
In English early Baroque music, a broken consort is an ensemble featuring instruments from more than one family, for example a group featuring both string and wind instruments. A consort consisting entirely of instruments of the same family, on the other hand, was referred to as a "whole consort", though this expression is not found until well into the seventeenth century. The word "consort", used in this way, is an earlier form of "concert", according to one opinion, while other sources hold the reverse: that it comes from the French term ''concert'' or its Italian parent term ''concerto'', in its sixteenth-century sense. Matthew Locke published pieces for whole and broken consorts of two to six parts as late as 1672. History of the term Though historically the term only came into use in the late seventeenth century and with reference only to English music, some more recent writers have applied the term retrospectively to music of earlier periods and of different nationalities, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collegium Musicum Detail
A (plural ), or college, was any association in ancient Rome that Corporation, acted as a Legal person, legal entity. Following the passage of the ''Lex Julia'' during the reign of Julius Caesar as Roman consul, Consul and Roman dictator, Dictator of the Roman Republic (49–44 BC), and their reaffirmation during the reign of Augustus, Caesar Augustus as ''Princeps senatus'' and Imperator of the Imperial Roman army, Roman Army (27 BC–14 AD), ''collegia'' required the approval of the Roman Senate or the Roman emperor, Emperor in order to be Charter, authorized as legal bodies. Such associations could be civil or religious. The word literally means "society", from (‘colleague’). They functioned as social clubs or religious collectives whose members worked towards their shared interests. These shared interests encompassed a wide range of the various aspects of urban life; including political interests, cult practices, professions, trade, and civic services. The social co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Morley
Thomas Morley (1557 – early October 1602) was an English composer, theorist, singer and organist of the Renaissance. He was one of the foremost members of the English Madrigal School. Referring to the strong Italian influence on the English madrigal, ''The New Grove Dictionary of Music and Musicians'' states that Morley was "chiefly responsible for grafting the Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history of English music." Living in London at the same time as Shakespeare, Morley was the most famous composer of secular music in Elizabethan England. He and Robert Johnson are the composers of the only surviving contemporary settings of verse by Shakespeare. Morley was active in church music as a singer, composer and organist at St Paul's Cathedral. He was also involved in music publishing. From 1598 up to his death he held a printing patent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Quarterly
''The Musical Quarterly'' is the oldest academic journal on music in America. Originally established in 1915 by Oscar Sonneck, the journal was edited by Sonneck until his death in 1928. Sonneck was succeeded by a number of editors, including Carl Engel (1930–1944), Gustave Reese (1944-45), Paul Henry Lang, who edited the journal for over 25 years, from 1945 to 1973, Joan Peyser (1977–84), Eric Salzman who served as editor from 1984 to 1991 and several others. Since 1993 ''The Musical Quarterly'' has been edited by Leon Botstein, president of Bard College and principal conductor of the American Symphony Orchestra. Originally published by G. Schirmer, Inc., it is published by Oxford University Press. References External links * Articles published before 1923at the Internet Archive The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized materia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Dodge Boyden
David Dodge Boyden ( Westport, Connecticut, December 10, 1910Berkeley, California – September 18, 1986) was an American musicologist and violinist specializing in organology and performance practice. Education Boyden received a BA (1932) and MA (1938) from Harvard University; he also studied at Columbia University and Hartt School of Music (the latter awarding him an honorary Ph.D. in 1957). Career After teaching for a year at Mills College, Boyden joined the faculty at the University of California, Berkeley in 1939; he taught at UC Berkeley until 1975 as assistant professor (1943-9), associate professor (1949–55), full professor (1955-75), and also served as chairman of the music department (1955–61). Boyden played an important role in the development of the UC Berkeley music department in his position as chair. He was instrumental not only in building up the musicology department, but also in promoting the ethnomusicology, composition, and performance sectors. Boyden was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music & Letters
''Music & Letters'' is an academic journal published quarterly by Oxford University Press with a focus on musicology. The journal sponsors the Music & Letters Trust, twice-yearly cash awards of variable amounts to support research in the music field. A. H. Fox Strangways established the journal in 1920 and served as editor-in-chief until 1937. Eric Blom served as editor from 1937 to 1950 and again from 1954 to 1959. Other editors-in-chief have included Richard Capell, J.A. Westrup, Denis Arnold, Edward Olleson, Nigel Fortune Nigel Cameron Fortune (5 December 1924 – 10 April 2009) was an English musicologist and political activist. Along with Thurston Dart, Oliver Neighbour and Stanley Sadie he was one of Britain's leading musicologists of the post-World War II g ..., John Whenham, and Tim Carter. References External links * {{DEFAULTSORT:Music and Letters Music journals Oxford University Press academic journals Publications established in 1920 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard Mayer Brown
Howard Mayer Brown (April 13, 1930 – February 20, 1993) was an American musicologist. Brown obtained his BA from Harvard in 1951 and his Ph.D. in 1959, studying under Walter Piston and Otto Gombosi among others. He conducted and performed on flute often as a graduate student. He taught at Wellesley College, 1958–60, and then at the University of Chicago from 1960, where he became chair of the music department in 1970. In 1972 he became professor at King's College in London, but returned to Chicago in 1974. Brown was editor of ''Renaissance Music in Facsimile'', published 1977–1982, and was the general editor of several other monument series of musical editions. He contributed prolifically to the ''New Grove Dictionary of Music and Musicians''. He served as president of the American Musicological Society, 1978–80. Brown's scholarship covered a wide range of subjects. He published on the music of the Renaissance, especially the ''chanson'' and instrumental music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music In The Elizabethan Era
During the reign of Queen Elizabeth I (1558–1603), English art and high culture reached a pinnacle known as the height of the English Renaissance. Elizabethan music experienced a shift in popularity from sacred to secular music and the rise of instrumental music. Professional musicians were employed by the Church of England, the nobility, and the rising middle-class. Elizabeth I was fond of music and played the lute and virginal, sang, and even claimed to have composed dance music. She felt that dancing was a great form of physical exercise and employed musicians to play for her while she danced. During her reign, she employed over seventy musicians. The interests of the queen were expected to be adopted by her subjects. All noblemen were expected to be proficient in playing the lute and "any young woman unable to take her proper place in a vocal or instrumental ensemble became the laughing-stock of society." Music printing led to a market of amateur musicians purchasing work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Baltimore Consort
The Baltimore Consort is a musical ensemble that performs a wide variety of early music, Renaissance music and music from later periods. They began in 1980 as a group specializing in music of the Elizabethan period, but soon expanded their repertoire to include Scottish music, broadside ballads, and Italian, French, and other European music of the 16th and 17th centuries. Their music bridges the genres of classical and folk music. History The Baltimore Consort was founded by Roger Harmon and Mindy Rosenfeld in 1980. Harmon formerly had taught lute at the Peabody Conservatory in Baltimore, Maryland. They performed together for ten years before releasing their first album for Dorian Recordings, a collection of Scottish music called ''On the Banks of Helicon''. By the time of that recording the ensemble consisted of Custer LaRue (soprano), Ronn McFarlane (lute), Mary Anne Ballard (viols, fiddle), Larry Lipkis (bass viol, recorder), Chris Norman (flutes, bagpipes, bodhran), How ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Southern California
, mottoeng = "Let whoever earns the palm bear it" , religious_affiliation = Nonsectarian—historically Methodist , established = , accreditation = WSCUC , type = Private research university , academic_affiliations = , endowment = $8.12 billion (2021)As of June 30, 2021. , budget = $6.2 billion (2020–21) , president = Carol Folt , students = 49,318 (2021) , undergrad = 20,790 (2021) , postgrad = 28,528 (2021) , faculty = 4,706 (2021) , administrative_staff = 16,614 (2021) , city = , state = , country = United States , campus = Large City University Park campus, Heal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Tyler (musician)
James Tyler (August 3, 1940 – November 23, 2010) was a 20th-century American lutenist, banjoist, guitarist, composer, musicologist and author, who helped pioneer an early music revival with more than 60 recordings.James Tyler obituary (, 2 Dec 2010).Lutenist, James Tyler ( - 4 Dec 2010). < ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian Bream
Julian Alexander Bream (15 July 193314 August 2020) was an English classical guitarist and lutenist. Regarded as one of the most distinguished classical guitarists of the 20th century, he played a significant role in improving the public perception of the classical guitar as a respectable instrument. Over the course of a career that spanned more than half a century, Bream helped revive interest in the lute. Early years Bream was born in Battersea, London, England, to Henry and Violet Jessie (née Wright) Bream. At the age of two he moved with his family to Hampton in London, where he was brought up in a musical environment. His father was a commercial artist and an amateur jazz guitarist, who was unable to read music but had a finely attuned ear and could play a lot of popular music. His mother, a homemaker of Scottish descent, had a warm and loving personality, but no interest in music. His parents divorced when he was 14. His grandmother owned a pub in Battersea, and Bream sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> James Tyler (musician)")
