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Brazilian Jazz (genre) Flautists
Brazilian jazz can refer to both a genre, largely influenced by bossa nova and samba, that exists in many nations and the jazz music of Brazil itself. Música instrumental Brasileira The term "música instrumental Brasileira", which literally means "Brazilian instrumental music", is used in Brazil as a generalized term to refer to jazz as well as several instrumental forms of art music drawing on national styles such as choro, samba and bossa nova. The term's ambiguity allows for the fact that Brazilian musicians themselves do not always have much in common with each other and might be willing to play in several genres. Terms for subgenres such as ''brazuca'', ''ecm'', and ''fusion'' are more specific to jazz. Examples of musicians associated with this instrumental style include Hermeto Pascoal, Egberto Gismonti, Moacir Santos, and Zimbo Trio. Jazz or jazz-influenced music has at times been controversial for being seen as representing a foreign "contamination" of native ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bossa Nova
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to musicologist Gilberto M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choro
''Choro'' (, "cry" or "lament"), also popularly called ''chorinho'' ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as ''chorões''. Choro instruments Originally ''choro'' was played by a trio of flute, guitar and cavaquinho (a small chordophone with four strings). Other instruments commonly played in choro are the mandolin, clarinet, saxophone, trumpet and trombone. These melody instruments are backed by a rhythm section composed of 6-string guitar, 7-string guitar (playing bass lines) and light percussion, such as a pandeiro. The cavaquinho appears sometimes as a melody instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermeto Pascoal
Hermeto Pascoal (born June 22, 1936) is a Brazilian composer and multi-instrumentalist. He was born in Lagoa da Canoa, Alagoas, Brazil. Pascoal is a significant figure in the history of Brazilian music, mainly known for his abilities in orchestration and improvisation, as well as being a record producer and contributor to many Brazilian and international albums. Biography Early life and career Pascoal comes from Northeastern Eastern Brazil, in an area that lacked electricity at the time he was born. He learned the accordion from his father and practiced for hours indoors, as, being albino, he was incapable of working in the countryside with the rest of his family. Hermeto's career began in 1964 with appearances on several Brazilian recordings alongside relatively unknown groups. These now-classic albums and the musicians involved ( Edu Lobo, Elis Regina, Cesar Camargo Mariano) established widely influential new directions in post-bossa nova Brazilian jazz. In 1966, he playe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egberto Gismonti
Egberto Amin Gismonti (born December 5, 1947) is a Brazilian composer, guitarist and pianist. Biography Gismonti was born in the small city of Carmo, Rio de Janeiro, Carmo, state of Rio de Janeiro (state), Rio de Janeiro, Brazil, into a musical family. His mother was from Sicily and his father was from Beirut, Lebanon. At the age of six, he started studying the piano at the Brazilian Conservatory of Music. After studying the classical repertoire in Brazil for fifteen years, he went to Paris, France, to delve into modern music. He studied with Nadia Boulanger (1887–1979), after acceptance as a student by the composer Jean Barraqué, a student of Anton Webern and Arnold Schoenberg, Schoenberg. Boulanger encouraged Gismonti to write the collective Brazilian experience into his music. Gismonti is a self-taught guitarist. After returning to Brazil, he designed guitars with more than six strings, expanding the possibilities of the instrument. Approaching the fretboard as if it we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moacir Santos
Moacir Santos (26 July 1926 – 6 August 2006) was a Brazilian composer, multi-instrumentalist and music educator. Musicians such as Baden Powell, Bola Sete and Wilson das Neves studied under him. As a composer, Santos worked with Nara Leão, Roberto Menescal, Sérgio Mendes and Lynda Laurence, among others. His music was highly respected by musicians in Brazil and the United States, despite never achieving wider recognition. Mark Levine, Anat Cohen, and Muiza Adnet have all released albums consisting entirely of Santos' music. Life and career Moacir Santos was born in Flores do Pajeú, Pernambuco in 1926. His mother died when he was two years old, and as his father had already left the family, he was taken in by another family. He grew up in poverty but his adoptive family assisted him with attending school and music lessons. By age 14, he could play the saxophone, banjo, guitar and mandolin. As a teenager, he played in the band of the Military Police of Parabia and later be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zimbo Trio
The Zimbo Trio is a Brazilian instrumental ensemble, established in 1964 in São Paulo, and originally comprising Amilton Godoy (piano), Luís Chaves (bass) and Rubinho Barsotti (drums). The Trio was one of the most influential groups of Brazilian music in the second half of the 20th century. History The Zimbo Trio is a Brazilian instrumental trio, founded in March 1964, São Paulo, by Luiz Chaves Oliveira da Paz "Luiz Chaves" (bass), Rubens Alberto Barsotti "Rubens"(drums) and Amilton Godoy (piano). The first presentation took place at “Boate Oásis” on March 17, featuring the singer Norma Bengell. One of the songs played was "Consolação" by Baden Powell and Vinicius de Moraes. In 1965, the Zimbo Trio became the fixed band of the TV Show “O Fino da Bossa”, TV Record, presented by Elis Regina and Jair Rodrigues. They released album "O fino do Fino" with Elis Regina. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Airto Moreira
Airto Guimorvan Moreira (born August 5, 1941) is a Brazilian jazz drummer and percussionist. He is married to jazz singer Flora Purim, and their daughter Diana Moreira is also a singer. Coming to prominence in the late 1960s as a member of the Brazilian ensemble Quarteto Novo, he moved to the United States and worked in jazz fusion with Miles Davis and Return to Forever. Biography Airto Moreira was born in Itaiópolis, Brazil, into a family of folk healers, and raised in Curitiba and São Paulo. Showing an extraordinary talent for music at a young age, he became a professional musician at age 13, noticed first as a member of the samba jazz pioneers Sambalanço Trio and for his landmark recording with Hermeto Pascoal in Quarteto Novo in 1967. Shortly after, he followed his wife Flora Purim to the United States. After moving to the US, Moreira studied with Moacir Santos in Los Angeles. He then moved to New York where he began playing regularly with jazz musicians, includi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flora Purim
Flora Purim (born March 6, 1942) is a Brazilian jazz singer known primarily for her work in the jazz fusion style. She became prominent for her part in Return to Forever with Chick Corea and Stanley Clarke. She has recorded and performed with numerous artists, including Dizzy Gillespie, Gil Evans, Opa, Stan Getz, George Duke, Mickey Hart of the Grateful Dead, Santana, Jaco Pastorius, and her husband Airto Moreira. In 2002, Purim was the recipient of one of Brazil's highest awards, the 2002 Ordem do Rio Branco for Lifetime Achievement. She has been called "The Queen of Brazilian Jazz". Early life Purim was born in Rio de Janeiro, Brazil, to Jewish parents who were classical musicians. Her father Naum Purim played violin and her mother Rachel Vaisberg was a pianist. When her father was out of the house, her mother played jazz. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Getz
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single " The Girl from Ipanema". Early life Stan Getz was born on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania, United States. Getz's father Alexander ("Al") was a Ukrainian Jewish immigrant who was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Byrd
Charlie Lee Byrd (September 16, 1925 – December 2, 1999) was an American jazz guitarist. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, he collaborated with Stan Getz on the album ''Jazz Samba'', a recording which brought bossa nova into the mainstream of North American music. Byrd played fingerstyle on a classical guitar. Early life Charlie Byrd was born in 1925 in Suffolk, Virginia, and grew up in the borough of Chuckatuck. His father, a mandolinist and guitarist, taught him how to play the acoustic steel guitar at age 10. Byrd had three brothers, Oscar, Jack, and Gene "Joe" Byrd, who was a bass player. In 1942, Byrd entered the Virginia Polytechnic Institute and played in the school orchestra. In 1943, he was drafted into the United States Army, saw combat in World War II, and was stationed in Paris in 1945. There he played in an Army Special Services band and toured occupied Europe in the all-soldier production '' G.I. C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bossa Nova
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to musicologist Gilberto M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
