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Born To Mack
''Born to Mack'' is the fourth studio album and debut major label album by American rapper Too Short. The album was released in 1987 via Dangerous Music. It was re-released in 1988 by Jive Records/RCA, after the success of ''Life Is...Too Short'', although Jive Records logos did not appear on it until it was released on compact disc in 1989. Too Short sold around 50,000 copies of the album directly from the trunk of his car. Critical reception ''Trouser Press'' wrote that Too Short made "weak work of simple beats and unconvincing boasts, big-booty fantasies ('Freaky Tales,' 'Partytime'), ugly putdowns ('Dope Fiend Beat') and jailbait concerns ('Little Girls')." The ''Spin Alternative Record Guide'' wrote that the album elevates "the 75 Girl formula without abandoning it." Track listing Charts References {{Authority control Too Short albums 1987 albums Jive Records albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Too Short
Todd Anthony Shaw (born April 28, 1966), better known by the stage name Too Short (stylized as Too $hort), is an American rapper and record producer. He became famous in the West Coast hip hop scene in the late 1980s, with lyrics often based on pimping and promiscuity, but also drug culture and street survival. This is respectively exemplified in his most popular songs " Blow the Whistle" and " The Ghetto". A pioneer of West Coast rap, Shaw began recording in 1983, cultivating a large following in his native Oakland. In 1987, his fourth album '' Born to Mack'' attracted the attention of Jive Records, who signed him and distributed the album nationally. His subsequent 1988 album '' Life Is...Too Short'' was highly successful, going double platinum, and he remained prominent into the 1990s. Early life Shaw was born and grew up in Los Angeles, California. In the early 1980s, he and his family moved to Oakland, California. He was a drummer in the band at Fremont High School in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dirty Rap
Dirty rap (also known as porno rap, porn rap, sex rap, booty rap, or pornocore) is a subgenre of hip hop music that contains lyrical content revolving mainly around sexually explicit subjects. The lyrics are often overtly explicit and graphic, sometimes to the point of being comical or offensive. Historically, dirty rap often contained a distinctly bass-driven sound, which arose from the popular Miami bass rap scene. However, dirty rap has recently been heavily influenced by Baltimore club, ghetto house, and ghettotech. Many dirty rap songs have been used as soundtracks to pornographic movies since the 2000s, replacing the traditional porn groove. Late 1980s and early 1990s dirty rap Though the genre had been around since at least the late 1970s, with Blowfly's ''Rapp Dirty'', it was not until the 1980s, when Oakland rapper Too Short released the 1983 album ''Don't Stop Rappin''' containing multiple dirty sex subjects, that sex became a central focus. Although the rele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jive Records
Jive Records was an American independent record label founded by Clive Calder in 1981 as a subsidiary to the Zomba Group. In the US, the label had offices in New York City and Chicago. Jive was best known for its successes with hip hop, R&B, and dance acts in the 1980s and 1990s, along with teen pop and boy bands during the late 1990s and early 2000s. Jive was acquired by Bertelsmann Music Group in 2002. In 2008, BMG itself was bought out by Sony Music Entertainment. Jive Records thereupon remained a unit wholly owned by Sony up until the label’s dissolution in 2011, when Jive was absorbed into RCA Records. History 1970s: Beginnings In 1971, South African businessmen Clive Calder and Ralph Simon began a publishing and management company. It was named Zomba Records and relocated to London, England, four years later; their first client was a young Robert "Mutt" Lange. Zomba originally wanted to avoid record labels to instead focus on their songwriters and producers while a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RCA Records
RCA Records is an American record label currently owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America. It is one of Sony Music's four flagship labels, alongside RCA's former long-time rival Columbia Records; also Arista Records, and Epic Records. The label has released multiple genres of music, including pop, classical, rock, hip hop, afrobeat, electronic, R&B, blues, jazz, and country. Its name is derived from the initials of its defunct parent company, the Radio Corporation of America (RCA). RCA Records was fully acquired by Bertelsmann in 1987, making it a part of Bertelsmann Music Group (BMG) and became a part of Sony BMG Music Entertainment after the 2004 merger of BMG and Sony; it was acquired by the latter in 2008, after the dissolution of Sony/BMG and the restructuring of Sony Music. RCA Records is the corporate successor of the Victor Talking Machine Company, founded in 1901, making it the second-oldest record label in American his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raw, Uncut, And X-Rated
''Raw, Uncut and X-Rated'' is the third studio album by American Oakland-based rapper Too Short. It was released via 75 Girls Records. Track listing Notes * "She's A Bitch" sampled " Funk It Up '85" by The Sequence * "The Bitch Sucks Dick" sampled "Mosquito" by West Street Mob West Street Mob were an American boogie and electro music trio, active between 1981 and 1984, best known for their 1983 song "Break Dance — Electric Boogie." The band comprised Joey Robinson, Jr., Warren Moore and singer Sabrina Gillison. H ... * "Short Side/Blow Job Betty" sampled "Rappin' Duke" by Rappin' Duke Personnel *Todd Anthony Shaw - vocals *Dean Hodges - producer References Too Short albums 1986 albums {{1980s-hiphop-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Gui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stone Album Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spin Alternative Record Guide
The ''Spin Alternative Record Guide'' is a music reference book compiled by the American music magazine '' Spin'' and published in 1995 by Vintage Books. It was edited by rock critic Eric Weisbard and Craig Marks, who was the magazine's editor-in-chief at the time. The book features essays and reviews from a number of prominent critics on albums, artists, and genres considered relevant to the alternative music movement. Contributors who were consulted for the guide include Ann Powers, Rob Sheffield, Simon Reynolds, and Michael Azerrad. The book did not sell particularly well and received a mixed reaction from reviewers in 1995. The quality and relevance of the contributors' writing were praised, while the editors' concept and comprehensiveness of alternative music were seen as ill-defined. Nonetheless, it inspired a number of future music critics and helped revive the career of folk artist John Fahey, whose music was covered in the guide. Content Spanning 468 pages, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show '' Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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