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Blow-up
''Blowup'' (sometimes styled as ''Blow-up'' or ''Blow Up'') is a 1966 mystery drama thriller film directed by Michelangelo Antonioni and produced by Carlo Ponti. It was Antonioni's first entirely English-language film, and stars David Hemmings as a London fashion photographer who believes he has unwittingly captured a murder on film. The film also stars Vanessa Redgrave, Sarah Miles, John Castle, Jane Birkin, Tsai Chin, Peter Bowles, and Gillian Hills, as well as 1960s model Veruschka. The film's plot was inspired by Julio Cortázar's short story " Las babas del diablo" (1959). The screenplay was by Antonioni and Tonino Guerra, with English dialogue by British playwright Edward Bond. The cinematographer was Carlo di Palma. The film's non- diegetic music was scored by jazz pianist Herbie Hancock, while rock group the Yardbirds also feature. The film is set within the mod subculture of 1960s Swinging London. In the main competition section of the Cannes Film Festival, ''Bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julio Cortázar
Julio Florencio Cortázar (26 August 1914 – 12 February 1984; ) was an Argentine, nationalized French novelist, short story writer, essayist, and translator. Known as one of the founders of the Latin American Boom, Cortázar influenced an entire generation of Spanish-speaking readers and writers in America and Europe. He is considered one of the most innovative and original authors of his time, a master of history, poetic prose and short story in general and a creator of important novels that inaugurated a new way of making literature in the Hispanic world by breaking the classical moulds through narratives that escaped temporal linearity. He lived his childhood and adolescence and incipient maturity in Argentina and, after the 1950s, in Europe. He lived in Italy, Spain, and in Switzerland. In 1951, he settled in France for more than three decades and composed some of his works there. Early life Julio Cortázar was born on 26 August 1914, in Ixelles,Cortázar sin barb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo Antonioni
Michelangelo Antonioni (, ; 29 September 1912 – 30 July 2007) was an Italian filmmaker. He is best known for directing his "trilogy on modernity and its discontents"—''L'Avventura'' (1960), ''La Notte'' (1961), and ''L'Eclisse'' (1962)—as well as the English-language film '' Blow-up'' (1966), all considered masterpieces of world cinema. His films have been described as "enigmatic and intricate mood pieces" that feature elusive plots, striking visual composition, and a preoccupation with modern landscapes. His work substantially influenced subsequent art cinema. Antonioni received numerous awards and nominations throughout his career, being the only director to have won the Palme d'Or, the Golden Lion, the Golden Bear and the Golden Leopard. Early life Antonioni was born into a prosperous family of landowners in Ferrara, Emilia Romagna, in northern Italy. He was the son of Elisabetta ( née Roncagli) and Ismaele Antonioni. The director explained to Italian f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
End Of The Game And Other Stories
''Blow-Up and Other Stories'' is a collection of short stories, selected from the short fiction of the Argentinian author Julio Cortázar.This article refers to the 1967, 1963 Random House Copyrighted publication of the book by this name, as translated from the Spanish by Paul Blackburn, and published by Pantheon Books, New York. It was originally published in hardcover as ''End of the Game and Other Stories''. Earlier publications included the Spanish volumes: ''Bestiario''; ''Las armas secretas''; and ''Final del juego''. The title story of the paperback collection served as inspiration for Michelangelo Antonioni's film ''Blowup''. Contents *One **Axolotl **House Taken Over "Casa Tomada" (English: "House Taken Over") is a 1946 short story by Argentine writer Julio Cortázar. It was originally published in ''Los anales de Buenos Aires,'' a literary magazine edited by Jorge Luis Borges, and later included in his volume o ... **The Distances **The Idol of the Cyclades **Lett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Castle
John Michael Frederick Castle (born 14 January 1940) is an English actor. He is best known for his film and television work, most notably playing Bill in Michelangelo Antonioni's '' Blowup'' (1966) and Geoffrey in '' The Lion in Winter'' (1968). His other significant credits include ''Man of La Mancha'' (1972) and '' RoboCop 3'' (1993). Early life Born in Croydon, Castle was educated at Brighton College and Trinity College, Dublin, and trained at the Royal Academy of Dramatic Art (RADA). Work Castle's first appearance was as Westmoreland on stage in ''Henry V'' on 5 June 1964, at the Open Air Theatre, Regent's Park. He was 24 years old. His first Broadway theatre appearance was in February 1970 as "Jos" in the short-lived musical '' Georgy''. His screen debut was in Michelangelo Antonioni's 1966 film '' Blowup'' playing David Hemmings' artist friend, Bill. In 1968, he portrayed the plotting Prince Geoffrey in the film adaptation of '' The Lion in Winter'', starring Peter O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swinging London
The Swinging Sixties was a youth-driven cultural revolution that took place in the United Kingdom during the mid-to-late 1960s, emphasising modernity and fun-loving hedonism, with Swinging London as its centre. It saw a flourishing in art, music and fashion, and was symbolised by the city's "pop and fashion exports". Among its key elements were the Beatles, as leaders of the British Invasion of musical acts; Mary Quant's miniskirt; popular fashion models such as Twiggy and Jean Shrimpton; the mod subculture; the iconic status of popular shopping areas such as London's King's Road, Kensington and Carnaby Street; the political activism of the anti-nuclear movement; and sexual liberation. Music was a big part of the scene, with "the London sound" including the Who, the Kinks, the Small Faces and the Rolling Stones, bands that were the mainstay of pirate radio stations like Radio Caroline, Wonderful Radio London and Swinging Radio England. Swinging London also reached Bri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mod Subculture
Mod, from the word modernist, is a subculture that began in London and spread throughout Great Britain and elsewhere, eventually influencing fashions and trends in other countries, and continues today on a smaller scale. Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men in the late 1950s who were termed ''modernists'' because they listened to modern jazz. Elements of the mod subculture include fashion (often tailor-made suits); music (including soul, rhythm and blues, ska and mainly jazz) and motor scooters (usually Lambretta or Vespa). In the mid-1960s, the subculture listened to power pop rock groups with mod following, such as the Who and Small Faces, after the peak Mod era. The original mod scene was associated with amphetamine-fuelled all-night jazz dancing at clubs. During the early to mid-1960s, as mod grew and spread throughout the UK, certain elements of the mod scene became engaged in well-publicised clashes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Yardbirds
The Yardbirds are an English rock band, formed in London in 1963. The band's core lineup featured vocalist and harmonica player Keith Relf, drummer Jim McCarty, rhythm guitarist and later bassist Chris Dreja and bassist/producer Paul Samwell-Smith. The band started the careers of three of rock's most famous guitarists, Eric Clapton, Jimmy Page and Jeff Beck, all of whom ranked in the top five of ''Rolling Stone'' magazine's list of 100 greatest guitarists. The band had a string of hits throughout the mid-1960s, including " For Your Love", "Heart Full of Soul", "Shapes of Things" and "Over Under Sideways Down". Originally a blues-based band noted for their signature "rave-up" instrumental breaks, the Yardbirds broadened their range into pop, pioneering psychedelic rock and early hard rock; and contributed to many electric guitar innovations of the mid-1960s. Some rock critics and historians also cite their influence on the later punk rock, progressive rock and heavy m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Score
A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for other media such as live theatre, television and radio programs, and video game, and said music is typically referred to as either the soundtrack or incidental music. Film scores encompass an enormous variety of styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diegetic Music
Diegetic music or source music is music in a drama (e.g., film or video game) that is part of the fictional setting and so, presumably, is heard by the characters. The term refers to diegesis, a style of storytelling. The opposite of source music is incidental music or underscoring, which is music heard by the viewer (or player), intended to comment on or highlight the action, but is not to be understood as part of the "reality" of the fictional setting. Source music was sometimes used as scores from the earliest days of Hollywood talkies, in some cases—e.g., '' The Public Enemy'' (1931)—using it to the exclusion of any underscoring; or in ''Touch of Evil'' (1958), where there is proportionately more source compared to underscore. Film sound and music If the characters in the film can (or could) hear the music the audience hears, then that music is called ''diegetic''. It is also called ''source music'' by professionals in the industry. It is said to be within the narr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Di Palma
Carlo Di Palma (17 April 19259 July 2004) was an Italian cinematographer, renowned for his work on both color and black-and-white films, whose most famous collaborations were with Michelangelo Antonioni and Woody Allen. Early life Carlo Di Palma was born into a poor Roman family; his mother was a flower seller on the Spanish Steps, while his father was a camera operator for a number of Italian film studios. In an interview shortly before his death, Di Palma recounted his childhood memories of observing his father in action: "I'd run to the studio or the location, and watch my father work. I was fascinated by the whole experience. I would stand on a crate sometimes and watch. All of the people that were on the location were pleasant to me. I was very quiet and observant, so with that they let me stay on set. I would watch many different directors over and over." Career Di Palma's collaborations with Antonioni included '' Il deserto rosso'' (1964); the "Il provino" segment in ''I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Senses Of Cinema
''Senses of Cinema'' is a quarterly online film magazine founded in 1999 by filmmaker Bill Mousoulis. Based in Melbourne, Australia, ''Senses of Cinema'' publishes work by film critics from all over the world, including critical essays, career overviews of the works of key directors, and coverage of many international festivals. Its contributors have included Raphaël Bassan, Salvador Carrasco, Barbara Creed, Wheeler Winston Dixon, David Ehrenstein, Thomas Elsaesser, Valie Export, Gwendolyn Audrey Foster, Dušan Makavejev, Edgar Morin, Joseph Natoli, Murray Pomerance, Berenice Reynaud, Jonathan Rosenbaum, David Sanjek, Sally Shafto, David Sterritt, Robert Dassanowsky, and Viviane Vagh. The magazine's current editors are Amanda Barbour, César Albarrán-Torres, Tara Judah, Abel Muñoz-Hénonin and Fiona Villella. Format Every issue of ''Senses of Cinema'' follows roughly the same format: about a dozen "featured articles," often related to a unifying theme, a special ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veruschka Von Lehndorff
Vera Lehndorff (German: Vera Anna Gottliebe Gräfin von Lehndorff; born 14 May 1939), known professionally as Veruschka, is a German aristocrat, model, actress and artist. She is considered the "first German supermodel.“ Early life von Lehndorff was born Vera Gottliebe Anna Gräfin von Lehndorff-Steinort in Königsberg, East Prussia, now known as Kaliningrad, Russia. She is one of four sisters: Marie Eleanore "Nona" (b. 1937, d. 2018, married and later Wolf-Siegfried Wagner (b. 1943), son of Wieland Wagner and great-grandson of composer Richard Wagner); Gabriele (b. 1942, married Armin, Edler Herr und Freiherr von Plotho); and Katharina (b. 1944, married Henrik Kappelhoff-Wulff). She grew up at Steinort, an estate in East Prussia, which had belonged to her family for centuries. Her mother was Countess Gottliebe von Kalnein (1913–1993). Her father, Count Henrich von Lehndorff-Steinort, was a German aristocrat and army reserve officer who became a key member of the G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
