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Biographies Of Mozart
Wolfgang Amadeus Mozart died after a short illness on 5 December 1791, aged 35. His reputation as a composer, already strong during his lifetime, rose rapidly in the years after his death, and he became (as he has remained to this day) one of the most celebrated of all composers. Shortly after Mozart's death, biographers began to piece together accounts of his life, relying on the testimony of those still living who knew him, as well as surviving correspondence. The creation of Mozart biographies has been an activity of scholars ever since. Early biographers Friedrich Schlichtegroll was a teacher and a scholar who published Mozart's obituary in 1793. The obituary was part of a volume of obituaries referred to as Nekrolog. The two had never met. Most of the information was obtained from Nannerl, Mozart's sister, and Johann Andreas Schachtner, a friend of the family in Mozart's early years. Therefore, what Schlichtegroll knew and wrote about was the period before Vienna. Franz Xa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Abert
Hermann Abert (; 25 March 1871 – 13 August 1927) was a German historian of music. Life Abert was born in Stuttgart, the son of Johann Josef Abert (1832–1915), the '' Hofkapellmeister'' of that city. From 1890 to 1896 he studied classical philology at the Universities of Tübingen, Berlin and Leipzig. While at Tübingen he joined the '' Akademische Gesellschaft Stuttgardia'', a student fraternity which shaped the political views of the liberalism in southern Germany. His philological studies ended in 1896 at Halle, where he had done work on Ancient Greek music. For the next three years he studied music theory at Berlin. In 1902 he qualified as lecturer by presenting his thesis on music of the Middle Ages at the University of Halle. Abert stayed on at Halle as a lecturer, becoming a senior lecturer (or associate professor) in 1910 and a full professor in 1918. In this capacity he moved the next year to the University of Heidelberg. But after just one year, Abert took up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Einstein
Alfred Einstein (December 30, 1880February 13, 1952) was a German-American musicologist and music editor. He was born in Munich and fled Nazi Germany after Hitler's ''Machtergreifung'', arriving in the United States by 1939. He is best known for being the editor of the first major revision of the Köchel catalogue, which was published in the year 1936. The Köchel catalogue is the extensive catalogue of the works of Wolfgang Amadeus Mozart. Biography Einstein was born in Munich. Though he originally studied law, he quickly realized his principal love was music, and he acquired a doctorate at Munich University, focusing on instrumental music of the late Renaissance and early Baroque eras, in particular music for the viola da gamba. In 1918 he became the first editor of the ''Zeitschrift für Musikwissenschaft''; slightly later he became music critic for the ''Münchner Post''; and in 1927 became music critic for the ''Berliner Tageblatt''. In this period he was also a frien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David J
David John Haskins (born 24 April 1957, Northampton, Northamptonshire, England), better known as David J, is a British alternative rock musician, producer, and writer. He is the bassist for the gothic rock band Bauhaus and for Love and Rockets. He has composed the scores for a number of plays and films, and also wrote and directed his own plays, ''Silver for Gold (The Odyssey of Edie Sedgwick)'', in 2008, which was restaged at REDCAT in Los Angeles in 2011, and ''The Chanteuse and The Devil's Muse'' in 2011. His artwork has been shown in galleries internationally, and he has been a resident DJ at venues such as the Knitting Factory. David J has released a number of singles and solo albums, and in 1990 he released one of the first No. 1 hits on the then nascent Modern Rock Tracks charts, with "I'll Be Your Chauffeur". His most recent single, "The Day That David Bowie Died" entered the UK vinyl singles chart at number 4 in 2016. The track appears on his double album, ''Vaga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Einstein (1880–1952) 1927 © Georg Fayer (1892–1950)
Alfred Einstein (December 30, 1880February 13, 1952) was a German-American musicologist and music editor. He was born in Munich and fled Nazi Germany after Hitler's ''Machtergreifung'', arriving in the United States by 1939. He is best known for being the editor of the first major revision of the Köchel catalogue, which was published in the year 1936. The Köchel catalogue is the extensive catalogue of the works of Wolfgang Amadeus Mozart. Biography Einstein was born in Munich. Though he originally studied law, he quickly realized his principal love was music, and he acquired a doctorate at Munich University, focusing on instrumental music of the late Renaissance and early Baroque eras, in particular music for the viola da gamba. In 1918 he became the first editor of the ''Zeitschrift für Musikwissenschaft''; slightly later he became music critic for the ''Münchner Post''; and in 1927 became music critic for the ''Berliner Tageblatt''. In this period he was also a friend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dexter Edge
Dexter Edge (born in Tacoma, Washington, 20 January 1953) is an American musicologist. Academic career Dexter Edge attended The Evergreen State College (BA, Interdisciplinary Arts). He studied music history at the University of Southern California (1983-2001, Ph.D., 2001). He has taught music history at the Louisiana State University 1997-1999. 2002-2005 he was Senior Editor at the Packard Humanities Institute (''The Complete Works of Carl Philip Emanuel Bach''). He was a 2006 Fellow of the American Council of Learned Societies, and the "William J. Bouwsma" Fellow at the National Humanities Center (2006-2007). The recipient of an "Alvin H. Johnson AMS 50 Fellowship," Edge has published numerous scholarly articles on Joseph Haydn and Wolfgang Amadeus Mozart. He is an authority on Mozart’s autograph manuscripts and an accomplished pianist. His scholarly work has appeared in such publications as ''The Cambridge Opera Journal'', ''Revue de Musicologie'', ''Mozart Jahrbuch'', ''Eigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Lorenz (musicologist)
Michael Lorenz (born 18 July 1958) is an Austrian musicologist, music teacher, musician, chess historian and photographer, noted as a Mozart scholar and for his archival work combining music history and genealogical research. Career Born in Vienna, Lorenz studied cello and oboe at the University of Music and Performing Arts Vienna where he obtained his diploma in 1990, and musicology at the University of Vienna with a PhD in 2001. From 2001 to 2005 he served as chair of the International Franz Schubert Institute. Lorenz has received grants from the Jubilee Foundation of Oesterreichische Nationalbank, the Austrian Science Fund and the '' Music & Letters'' Trust. After having worked with the Esterházy Foundation, he is currently doing research based on a grant from the Jubilee Foundation of city of Vienna. In 2014 and 2016 he was employed as lecturer at the Institute of Musicology at the University of Vienna. Lorenz has published widely on Mozart, Ludwig van Beethoven, Joseph Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Tyson
Alan Walker Tyson, (27 October 1926 – 10 November 2000) was a Glasgow-born British musicologist who specialized in studies of the music of Wolfgang Amadeus Mozart and Ludwig van Beethoven. He wrote the (deliberately concise) ''Thematic catalogue of the works of Muzio Clementi'' which appeared in 1967 at Hans Schneider of Tutzing/Germany, with no following editions up to date. Tyson was Senior Research Fellow at All Souls College, Oxford, and a Fellow of the British Academy. One of his most celebrated publications was ''Mozart: Studies of the Autograph Scores,'' whose chapters detailed the study of watermarks in Mozart's autographs as a method of dating the scores. This book also included several of Tyson's discoveries, such as the true ending to the '' Rondo in A for Piano and Orchestra,'' K. 386, which previously had only been known in a completion arranged for solo piano by Cipriani Potter and published in 1837. Tyson also established that the standard version of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Plath
Wolfgang Plath (27 December 1930 – 19 March 1995) was a German musicologist specialising in research on Wolfgang Amadeus Mozart. Life Born in Riga, Plath studied musicology under Walter Gerstenberg, first at the Free University of Berlin, then at University of Tübingen. His PhD thesis in 1958 dealt with the '' Klavierbüchlein für Wilhelm Friedemann Bach''. In 1959, he became the assistant of Ernst Fritz Schmid in Augsburg and the International Mozarteum Foundation appointed him, together with Wolfgang Rehm, editor of the '' Neue Mozart-Ausgabe''; Plath held this position until his death. |
Volkmar Braunbehrens
Volkmar von Braunbehrens (born 22 March 1941 in Freiburg im Breisgau) is a German musicologist, specialising in research about Wolfgang Amadeus Mozart. Braunbehrens studied history of literature, musicology, and art history in Munich, Heidelberg and Berlin; he received his PhD from the Free University of Berlin in 1974. He is Privatdozent (associate professor) since 1981. In 1976, he co-founded, and until 1981 co-edited, the journal ''Berliner Hefte – Zeitschrift für Kultur und Politik''; for many years, he was director of an art gallery in Berlin. Braunbehrens is a former board member of the Humanist Union. Humanistische Union He lives as a freelance author in Freiburg. His brother, , is a write ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_1927_©_Georg_Fayer_(1892–1950)_OeNB_10453403.jpg "Click for more on -> Hermann Abert")
