Bhutanese Dragon ('druk')
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Bhutanese Dragon ('druk')
The Druk ( bo, འབྲུག, dz, ་) is the "Thunder Dragon" of Tibetan and Bhutanese mythology and a Bhutanese national symbol. A druk appears on the flag of Bhutan, holding jewels to represent wealth. In Dzongkha, Bhutan is called ''Druk Yul'' "Land of Druk", and Bhutanese leaders are called Druk Gyalpo, "Thunder Dragon Kings". During the Bhutanese mock election in 2007, all four mock parties were called the ''Druk olourParty''.Every party had a separate colour representing its values. The national anthem of Bhutan, Druk tsendhen, translates into English as "Kingdom of Druk". The druk (also known as a "duk" or "dug") was adopted as an emblem by the Drukpa Lineage, which originated in Tibet and spread to Bhutan. According to traditional accounts, when the sect's founder, Tsangpa Gyare, 1st Gyalwang Drukpa, began to build Ralung Monastery, there was a violent storm. Thunder, or the "Cloud-Voice," is seen as the roar of the dragon. Deciding that this was an omen, he na ...
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Flag Of Bhutan
The national flag of Bhutan ( dz, འབྲུག་ཡུལ་རྒྱལ་དར​) is one of the national symbols of Bhutan. The flag features a Chinese dragon ('' druk'' ylie 'brugin Dzongkha, the Bhutanese language) from Bhutanese mythology. This alludes to the Dzongkha name of Bhutan – ''Druk Yul'' (འབྲུག་ཡུལ་, 'brug yul, lit. "Dragon Country" or "Dragon Kingdom") – as well as the Drukpa Lineage of Tibetan Buddhism, which is the dominant religion of Bhutan. The basic design of the flag by Mayum Choying Wangmo Dorji dates to 1947. A version was displayed in 1949 at the signing of the Indo-Bhutan Treaty. A second version was introduced in 1956 for the visit of Druk Gyalpo Jigme Dorji Wangchuck to eastern Bhutan; it was based upon photos of its 1949 predecessor and featured a white Druk in place of the green original. The Bhutanese subsequently redesigned their flag to match the measurements of the flag of India, which they believed fluttered ...
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Tsangpa Gyare
The great ascetic Drogon Tsangpa Gyare (1161–1211) was the main disciple of Lingchen Repa Pema Dorje and the founder of the Drukpa Lineage of Tibetan Buddhism the main or central branch of which was, until the 17th Century, transmitted by his hereditary family lineage at Ralung in the Tsang region of Tibet. Later, following the birth of Gyalwang Je Kunga Paljor (1428–1476) considered to be the first of his re-incarnations, Tsangpa Gyare was held to be the first of a succession of Gyalwang Drukpa or Drukchen incarnations who, at the time of the fifth Gyalwang Drukpa Pagsam Wangpo (1593—1653), became established as the reincarnate leaders of the Drukpa lineage in Tibet. __TOC__ Predictions regarding Tsangpa Gyare Later hagiographies of Tsangpa Gyare record several verses which are said to foretell his coming. In a terma, discovered by Guru Chokyi Wangchuk (1212–1270), it is said Guru Padmasambhava foretold the coming of Tsangpa Gyare: :''At the conjoining of three ...
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Dragons
A dragon is a reptilian legendary creature that appears in the folklore of many cultures worldwide. Beliefs about dragons vary considerably through regions, but dragons in western cultures since the High Middle Ages have often been depicted as winged, horned, and capable of breathing fire. Dragons in eastern cultures are usually depicted as wingless, four-legged, serpentine creatures with above-average intelligence. Commonalities between dragons' traits are often a hybridization of feline, reptilian and avian features. Scholars believe huge extinct or migrating crocodiles bear the closest resemblance, especially when encountered in forested or swampy areas, and are most likely the template of modern Oriental dragon imagery. Etymology The word ''dragon'' entered the English language in the early 13th century from Old French ''dragon'', which in turn comes from la, draconem (nominative ) meaning "huge serpent, dragon", from Ancient Greek , (genitive , ) "serpent, giant ...
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Vietnamese Dragon
Vietnamese dragons ( vi, Wikt:rồng, Rồng; ; Sino-Vietnamese vocabulary, Sino-Vietnamese: ''Long''; ) are symbolic Legendary creature, creatures in Vietnamese folklore and Vietnamese mythology, mythology. According to an ancient origin myth, the Vietnamese people are descended from a dragon and a fairy. The dragon was symbolic of bringing rain, essential for agriculture. It represents the emperor, the prosperity and power of the nation. Similar to the Chinese dragon (which has also influenced and appeared in Japanese dragon, Japan and Korean dragon, Korea as fierce but benevolent serpentine dragons alike), the Vietnamese dragon is the symbol of yin and yang, yang, representing the universe, life, existence, and growth. The creation legend Lạc Long Quân, king of the dragonkind living near the Đông sea, married a fairy goddess, Âu Cơ who was the daughter of the birdkind emperor Đế Lai, descendant of Shennong, Thần Nông. Âu Cơ bore 100 eggs, which hatched into 100 ...
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Pakhangba
Pakhangba ( mni, , omp, ) is a primordial deity, often represented in the form of a dragon, in Meitei mythology and religion. He is depicted in the heraldry of Manipur kingdom, which originated in ''paphal'' ( mni, ), the mythical illustrations of the deity belonging to the traditional beliefs of Sanamahism in Manipur. Among the Meiteis, it is believed that the ancestor of one of the clans manifested himself as the Pakhangba. The identity of the deity is often fused with '' Nongda Lairen Pakhangba'', the first ruler of the Ningthouja dynasty. The title ''Pakhangba'' was also used by other kings in the history of Manipur. In heraldry A Pakhangba as a heraldic dragon was present in all the former royal flags and coats of arms of Manipur. The kingdom of Manipur had a set of two flags, a white one and a red one. All featured the Pakhangba dragon in the centre, although not as prominently in the latter flags. Description The Pakhangba is the supreme God. He is a man wh ...
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Korean Dragon
Korean dragons are legendary creatures in Korean mythology and folklore. The appearance of the dragon reflects its relation to its East Asian counterparts, including the Chinese dragons. Korean dragons Whereas most dragons in European mythology are linked to the elements of fire and destruction, dragons in Korean mythology are primarily benevolent beings related to water and agriculture, often considered bringers of rain and clouds. Hence, many Korean dragons are said to have resided in rivers, lakes, oceans, or even deep mountain ponds. The symbol of the dragon has been used extensively in Korean culture, both in Korean mythology and ancient Korean art. Ancient texts sometimes mention sentient ''speaking'' dragons, capable of understanding complex emotions such as devotion, kindness, and gratitude. One particular Korean legend speaks of the great King Munmu, who on his deathbed wished to become a " Dragon of the East Sea in order to protect Korea". The Korean dragon is in ...
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Japanese Dragon
Japanese dragons (, ''Nihon no ryū'') are diverse legendary creatures in Japanese mythology and folklore. Japanese dragon myths amalgamate native legends with imported stories about dragons from China, Korea and the Indian subcontinent. The style and appearance of the dragon was heavily influenced by the Chinese dragon, especially the three-clawed ''long'' (龍) dragons which were introduced in Japan from China in ancient times. Like these other East Asian dragons, most Japanese ones are water deities associated with rainfall and bodies of water, and are typically depicted as large, wingless, serpentine creatures with clawed feet. Indigenous Japanese dragons The c. 680 AD ''Kojiki'' and the c. 720 AD '' Nihongi'' mytho-histories have the first Japanese textual references to dragons. "In the oldest annals the dragons are mentioned in various ways," explains de Visser, "but mostly as water-gods, serpent- or dragon-shaped." The ''Kojiki'' and ''Nihongi'' mention severa ...
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Chinese Dragon
The Chinese dragon, also known as ''loong'', ''long'' or ''lung'', is a legendary creature in Chinese mythology, Chinese folklore, and Chinese culture at large. Chinese dragons have many animal-like forms such as turtles and fish, but are most commonly depicted as snake-like with four legs. Academicians have identified four reliable theories on the origin of the Chinese dragon: snakes, Chinese alligators, thunder and nature worship. They traditionally symbolize potent and auspicious powers, particularly control over water, rainfall, typhoons, and floods. The dragon is also a symbol of power, strength, and good luck for people who are worthy of it in East Asian culture. During the days of Imperial China, the Emperor of China usually used the dragon as a symbol of his imperial strength and power. In Chinese culture, excellent and outstanding people are compared to a dragon, while incapable people with no achievements are compared to other, disesteemed creatures, such as a worm. ...
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Bakunawa
The Bakunawa is a serpent-like dragon in Philippine mythology. It is believed to be the cause of eclipses, earthquakes, rains, and wind. The movements of the Bakunawa served as a geomantic calendar system for ancient Filipinos and were part of the shamanistic rituals of the ''babaylan''. It is usually depicted with a characteristic looped tail and a single horn on the nose. It was generally believed to be a sea serpent, but are also variously believed to inhabit either the sky or the underworld. Due to increasing trade contacts with South Asia and the Indianization of Southeast Asia, the Bakunawa later became syncretized with the Nāga, Rahu, and Ketu of Hindu-Buddhist mythology. Etymology Bakunawa is believed to be originally a compound word meaning "bent snake", from Proto-Western-Malayo-Polynesian ''*ba(ŋ)kuq'' ("bent", "curved") and ''*sawa'' ("large snake", "python"). Spelling variants include Vakonawa, Baconaua, or Bakonaua. Historical accounts "No. 42. When the moon ...
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Ralung Monastery
Ralung Monastery (), located in the Tsang region of western Tibet south of Karo Pass, is the traditional seat of the Drukpa Lineage of Tibetan Buddhism. It was founded in 1180 by Tsangpa Gyare, 1st Gyalwang Drukpa, a disciple of Lingje Répa () who founded the Drukpa Lineage.Dowman, Keith. 1988. ''The Power-places of Central Tibet: The Pilgrim's Guide'', pp. 268–269. Routledge & Kegan Paul, London and New York. . Location The monastery is located in present-day Gyantse County several kilometers south of the road connecting Nakartse and Lungmar, immediately north of the Gasa district of Bhutan. In previous times, trade could be conducted across the Yak La pass across the high Himalayas, extending the influence of Ralung to the south. The monastery is surrounded by the towering peaks and glacier fields of Gyetong Soksum (6,244m), Jangzang Lhamo (6,324m) and Nojin Gangzang (7,191m). From the beginning the location was recognized as especially auspicious: History ...
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Gyalwang Drukpa
The Gyalwang Drukpa () is the honorific title of the head of the Drukpa Lineage, one of the independent Sarma (new) schools of Vajrayana Buddhism. This lineage of reincarnated masters started from Tsangpa Gyare, the first Gyalwang Drukpa and founder of the school. The 12th Gyalwang Drukpa, Jigme Pema Wangchen, is the current lineage holder. He was born at Lake Rewalsar, India in 1963. Spiritual origin The Drukpa Lineage of Tibetan Buddhism traces its origin back to Vajradhara, the primordial Buddha. Its early founders include Tilopa, Naropa, Marpa Lotsawa, Milarepa, Gampopa, Rechung Dorje Drakpa, Phagmo Drupa Dorje Gyalpo and Lingchen Repa. Lingchen Repa was the guru of the first Gyalwang Drukpa, Tsangpa Gyare. Tsangpa Gyare was recognized as the Bodhisattva of Great Compassion Avalokiteśvara in human form, as well as an incarnation of the first Buddhist King of Tibet, Songtsän Gampo, of the great saint Naropa and of Milarepa's sun-like disciple Gampopa. The Drukpa Lineage ...
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