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Berber Music
Amazigh music refers to the musical traditions of the Imazighen, an ethnic group native to the Maghreb, as well, as parts of the Sahara, Nile Valley, West Africa. Berber music varies widely across North-West Africa and some of the best known varieties can be found in Shilha music from Morocco; Kabyle, Chawi and Gasba music from Algeria; and Tuareg from Burkina Faso, Niger and Mali. Ancient Amazigh music is stylistically diverse, with styles including pentatonic music, such instruments as the oboe and the bagpipes, and African rhythms along with singing. These ancient musical traditions have been kept alive by small bands of musicians traveling from village to village, entertaining at weddings and other social events with their songs, tales and poetry. Most Amazigh music is of the village- and urban-folk musical variety. Amazigh music and culture is influenced by the Berber people's long-standing struggle to achieve basic language rights and identity recognition in moder ...
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Imazighen
, image = File:Berber_flag.svg , caption = The Berber flag, Berber ethnic flag , population = 36 million , region1 = Morocco , pop1 = 14 million to 18 million , region2 = Algeria , pop2 = 9 million to ~13 million , region3 = Mauritania , pop3 = 2.9 million , region4 = Niger , pop4 = 2.6 million, Niger: 11% of 23.6 million , region5 = France , pop5 = 2 million , region6 = Mali , pop6 = 850,000 , region7 = Libya , pop7 = 600,000 , region8 = Belgium , pop8 = 500,000 (including descendants) , region9 = Netherlands , pop9 = 467,455 (including descendants) , region10 = Burkina Faso , pop10 = 406,271, Burkina Faso: 1.9% of 21.4 million , region11 = Egypt , pop11 = 23,000 or 1,826,580 , region12 = Tunisia , ...
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Bagpipes
Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia. The term ''bagpipe'' is equally correct in the singular or the plural, though pipers usually refer to the bagpipes as "the pipes", "a set of pipes" or "a stand of pipes". Construction A set of bagpipes minimally consists of an air supply, a bag, a chanter, and usually at least one drone. Many bagpipes have more than one drone (and, sometimes, more than one chanter) in various combinations, held in place in stocks—sockets that fasten the various pipes to the bag. Air supply The most common method of supplying air to the bag is through blowing into a blowpipe or blowstick. In some pipes the player must cover the tip of the blowpipe with thei ...
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Davul
The davul, dhol, tapan, atabal or tabl is a large double-headed drum that is played with mallets. It has many names depending on the country and region. These drums are commonly used in the music of the Middle East and the Balkans. These drums have both a deep bass sound and a thin treble sound due to their construction and playing style, where different heads and sticks are used to produce different sounds on the same drum. Names Some names of davuls include: *''dhol'' ( hy, դհոլ) *''dawola/davola'' ( syr, ܛܲܒܼܠܵܐ) *''dohol'' ( fa, دهل dohol) *''doli'' ( ka, დოლი doli) *''davul'' ( tr, davul, lit=drum) *''dahol'' ( ku, dahol, sdh, Dîweł) *''davil'' ( ta, davil) *''davula'' ( Sinhala: දවුල) *''tupan'' ( Goranian: tupan) *''daul'', ''tǎpan'', ''tupan'' ( bg, тъпан, тупан) *''goč'', ''tapan'', ''tupan'' ( sr, гоч, тапан, тупан) *''tapan, tupan'' ( mk, тапан, тупан) *''tobă/dobă'' ( ro , tobă) *''tabl'' ( ...
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Rebab
The ''rebab'' ( ar, ربابة, ''rabāba'', variously spelled ''rebap'', ''rubob'', ''rebeb'', ''rababa'', ''rabeba'', ''robab'', ''rubab'', ''rebob'', etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Southeast Asia, the Middle East, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments. Variants There are chiefly 3 main types: A long-necked bowed variety that often has a spike at the bottom to rest on the ground (see first image to the right); thus this is called a spike fiddle in certain areas. Some of the instruments developing from this have vestigial spikes. A short-necked double-chested or "boat-shaped" variant; here plucked versions like the '' Maghreb rebab'' and the ''kabuli rebab'' (sometimes referred to ...
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Sintir
The sintir ( ar, سنتير), also known as the guembri (), gimbri or hejhouj or Garaya in Hausa language, is a three stringed skin-covered bass plucked lute used by the Gnawa people. It is approximately the size of a guitar, with a body carved from a log and covered on the playing side with camel skin. The camel skin has the same acoustic function as the membrane on a banjo. The neck is a simple stick with one short and two long goat strings that produce a percussive sound similar to a pizzicato cello or double bass. The goat gut strings are plucked downward with the knuckle side of the index finger and the inside of the thumb. The hollowed canoe shaped wooden body resonates a percussive tone created by knuckles slapping the camel neck top of the body while the thumb and index finger are plucking the strings. The lowest string on the sintir is a drone note and the second string, the highest in pitch, is tuned an octave higher and is never fretted. The third string is tuned ...
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Natural Horn
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth century the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. It consists of a mouthpiece, long coiled tubing, and a large flared bell. This instrument was used extensively until the emergence of the valved horn in the early 19th century. Hand stopping technique The natural horn has several gaps in its harmonic range. To play chromatically, in addition to crooking the instrument into the right key, two additional techniques are required: ''bending'' and '' hand-stopping''. Bending a note is achieved by modifying the embouchure to raise or lower the pitch fractionally, and compensates for the slightly out-of-pitch "wolf tones" which all brass instruments have. Hand-stopping is a technique whereby the player can modify the pitch of a note by up t ...
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Nafir (trumpet)
''Nafir'' (Arabic نَفير, DMG ''an-nafīr''), also ''nfīr'', plural ''anfār'', Turkish ''nefir'', is a slender shrill-sounding straight natural trumpet with a cylindrical tube and a conical metal bell, producing one or two notes. It was used as a military signaling instrument and as a ceremonial instrument in countries shaped by Islamic culture in North Africa, the Middle East and South Asia. In Ottoman, Persian and Mugulin miniatures, the ''nafīr'' is depicted in battle scenes. Similar straight signal trumpets have been known since ancient Egyptian times and among the Assyrians and Etruscans. After the fall of the Roman Empire, the straight-tubed Roman tuba, continued to flourish in the Middle East among the Sassanids and their Arabic successors. The Saracens, whose long metal trumpets greatly impressed the Christian armies at the time of the Crusades, were ultimately responsible for reintroducing the instrument to Europe after a lapse of six hundred years. The straight ...
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Rhaita
The ''rhaita'' or ''ghaita'' ( ar, غيطة) is a double reed instrument from North Africa. It is nearly identical in construction to the Arabic '' mizmar'' and the Turkish '' zurna''. The distinctive name owes to a medieval Gothic-Iberian influence.Pierre Bec, Les instruments de musique d'origine arabe, sens et histoire de leurs désignations, Toulouse, Isatis, Conservatoire Occitan, 2005 In southern Iberia, various sorts of wind instruments, including the related shawm, are known as '' gaitas,'' but in northern Iberia ''gaita'' refers only to bagpipes. The rhaita was featured in ''The Lord of the Rings'' soundtracks by Howard Shore, specifically in the Mordor theme. American composer John Corigliano calls one of the movements of his 1975 Concerto for Oboe and Orchestra "Rhaita Dance", asking the oboist to imitate a rhaita by pushing the reed further into his or her mouth. In 1981 while composing the soundtrack to Altered States Corigliano again called for oboists to mimic the ...
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Zukra
The zukra (zokra, zoughara, ar, زكرة) is a Libyan bagpipe with a double-chanter terminating in two cow horns; it is similar in construction to the Tunisian ''mizwad''. The instrument is played as a bagpipe in the south and west of Libya, but played by mouth without a bag in the east. The instrument is played at feasts, weddings, and funerals. See also *Mizwad *Gaida *Rhaita *Mizmar (instrument) In Arabic music, a ''mizmār'' ( ar, ; plural مَزَامِير ''mazāmīr'') is any single or double reed wind instrument. In Egypt, the term ''mizmar'' usually refers to the conical shawm that is called '' zurna'' in Turkey and Armenia. ... References External links *Image of a zukra player in a band, in Bagpipes North African musical instruments Libyan musical instruments Arabic musical instruments Double-reed instruments {{Bagpipes-stub ...
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Bagpipe
Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia. The term ''bagpipe'' is equally correct in the singular or the plural, though pipers usually refer to the bagpipes as "the pipes", "a set of pipes" or "a stand of pipes". Construction A set of bagpipes minimally consists of an air supply, a bag, a chanter, and usually at least one drone. Many bagpipes have more than one drone (and, sometimes, more than one chanter) in various combinations, held in place in stocks—sockets that fasten the various pipes to the bag. Air supply The most common method of supplying air to the bag is through blowing into a blowpipe or blowstick. In some pipes the player must cover the tip of the blowpipe with thei ...
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Mizwad
The mizwad (mezoued, mizwid) (Tunisian Arabic : مِزْود; plural مَزاود mazāwid, literally "sack," “bag,” or “food pouch”) is a type of bagpipes played in Tunisia, . The instrument consists of a skin bag made from ewe's leather, with a joined double- chanter, terminating in two cow horns, similar to a hornpipe (instrument).This instrument is played with a single-reed. The ethnomusicologist Anthony Baines stated that the term "zukra" is also used for this instrument, however, bagpipe enthusiast, Oliver Seeler, states that this connection is incorrect. While the Zukra may be similar, it is not the same, It is instead a wind instrument in Libya, which is similar to the mizwadSeeler, Oliver.MEZOUED. Accessed 23 May 2012. though not the same. Mizwad is a popular type of traditional music in Tunisia which incorporates a type of Tunisian drum called the Darbouka as well as the Mizwad. This music was originally considered the music of the countryside and the work ...
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