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Beatrice Di Tenda
''Beatrice di Tenda'' is a tragic opera in two acts by Vincenzo Bellini, from a libretto by Felice Romani, after the play of the same name by . Initially, a play by Alexandre Dumas was chosen as the subject for the opera, but Bellini had reservations about its suitability. After he and Giuditta Pasta (for whom the opera was to be written) had together seen the ballet based on the very different play, Tedaldi-Fores' ''Beatrice Tenda'', in Milan in October 1832, she became enthusiastic about the subject and the composer set about persuading Romani that this was a good idea. Romani, who had his own concerns, the principal one being the close parallels with the story told in Donizetti's ''Anna Bolena'', an opera which had established that composer's success in 1830. Against his better judgment, he finally agreed, although he failed to provide verses for many months. Although unsuccessful at its premiere in Venice in 1833, Bellini felt that he had counteracted the horror of its story ...
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Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'." A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian ''bel canto'' era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much adm ...
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Vittorio Gui
Vittorio Gui (14 September 188516 October 1975) was an Italian conductor, composer, musicologist and critic. Gui was born in Rome in 1885. He graduated in humanities at the University of Rome and also studied composition at the Accademia Nazionale di Santa Cecilia; his principal composition teachers were the noted composers Giacomo Setaccioli and Stanislao Falchi. His style was "impressionistic with characteristic Italian traits".''The New Grove Dictionary of Music and Musicians'' Gui's opera ''David'' premiered in Rome in 1907; later that year, he made his professional conducting debut at the Teatro Adriano in Rome, leading Ponchielli's '' La Gioconda'' as a substitute. This led to invitations to conduct in Naples and Turin (he met Claude Debussy in Turin in 1911). In 1923, Arturo Toscanini invited him to conduct ''Salome'' by Richard Strauss as the season opener at La Scala in Milan. He conducted the Teatro Regio in Turin from 1925 to 1927; in his last year in Turin, he premi ...
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Joan Sutherland
Dame Joan Alston Sutherland, (7 November 1926 – 10 October 2010) was an Australian dramatic coloratura soprano known for her contribution to the renaissance of the bel canto repertoire from the late 1950s through to the 1980s. She possessed a voice combining agility, accurate intonation, pinpoint staccatos,"Icons of Opera – Dame Joan Sutherland"
''Opera Britannia'' (6 July 2009). Retrieved 27 September 2010.
a trill and a strong upper register, although music critics complained about her poor diction. Sutherland was the first Australian to win a , for ...
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American Opera Society
The American Opera Society (AOS) was a New York City-based musical organization that presented concert and semi-staged performances of operas between 1951 and 1970. The company was highly influential in sparking and perpetuating the post World War II bel canto revival, particularly through a number of highly lauded productions of rarely heard works by Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini. The AOS also presented many operas to the American public for the first time, including the United States premieres of Benjamin Britten's ''Billy Budd'', Giuseppe Verdi's ''Giovanna d'Arco'', George Frideric Handel's ''Hercules'' and Hector Berlioz's ''Les troyens'' to name just a few. History The American Opera Society was founded in 1950 by two young musicians at the Juilliard School: Allen Sven Oxenburg and Arnold Gamson. Oxenburg served as the AOS's Artistic Director throughout the company's entire history. Gamson served as the AOS's Music Director and principal conducto ...
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Leyla Gencer
Ayşe Leyla Gencer (, née Çeyrekgil; 10 October 192810 May 2008) was a Turkish operatic soprano. Gencer was a notable ''bel canto'' soprano who spent most of her career in Italy, from the early 1950s through the mid-1980s, and had a repertoire encompassing more than seventy roles. She made very few commercial recordings; however, numerous bootleg recordings of her performances exist. She was particularly associated with the heroines of Donizetti. Early life Leyla Gencer was born in Polonezköy (near Istanbul) to a Turkish father and a Polish mother. Her father, Hasanzade İbrahim Bey (who took the surname ''Çeyrekgil'' under the Surname Law of 1934), was a wealthy businessman, whose family was from the city of Safranbolu. Her mother, Lexanda Angela Minakovska, was from a Roman Catholic family of the Lithuanian aristocracy (she later converted to Islam and chose the name ''Atiye'' after her husband's death.) Gencer's father died when she was very young. She grew up in t ...
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Teatro Massimo Bellini
The Teatro Massimo Bellini is an opera house located on Piazza Vincenzo Bellini in Catania, Sicily, southern Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical .... Named after the local-born composer Vincenzo Bellini, it was inaugurated on 31 May 1890 with a performance of the composer's masterwork, '' Norma''. It seats 1,200. History The creation of what was to finally become the Teatro Massimo Bellini took almost two hundred years, beginning with discussions following the disastrous 1693 earthquake which completely destroyed Catania. The construction of a public theatre was discussed, and a foundation stone was finally laid in 1812. Architect Salvatore Zahra Buda began to prepare a plan for a theatre in the Piazza Nuovaluce, in front of the Santa Maria di Nuovaluce mo ...
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Giuseppina Strepponi
Clelia Maria Josepha (Giuseppina) Strepponi ( Lodi, 8 September 1815 – Villanova sull'Arda, 14 November 1897) was a nineteenth-century Italian operatic soprano of great renown and the second wife of composer Giuseppe Verdi. She is often credited with having contributed to Verdi's first successes, starring in a number of his early operas, including the role of Abigaille in the world premiere of ''Nabucco'' in 1842. A highly gifted singer, Strepponi excelled in the bel canto repertoire and spent much of her career portraying roles in operas by Vincenzo Bellini, Gaetano Donizetti, and Gioachino Rossini, often sharing the stage with tenor Napoleone Moriani and baritone Giorgio Ronconi. Donizetti wrote the title role of his opera ''Adelia'' specifically for Strepponi. She was described as possessing a "limpid, penetrating, smooth voice, seemly action, a lovely figure; and to Nature's liberal endowments she adds an excellent technique"; her "deep inner feeling" was also ...
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Caroline Unger
Caroline Unger (sometimes Ungher; 28 October 1803 – 23 March 1877), alternatively known as Karoline, Carolina, and Carlotta,Sadie 1998, p. 867 was an Austro-Hungarian contralto, Biography Born in Vienna (according to erroneous sources, in Stuhlweißenburg, today Székesfehérvár) she studied in Italy; among her teachers were Aloysia Weber Lange and Domenico Ronconi. Her stage debut, in her native city, came in 1821, when she performed in Mozart's '' Così fan tutte'', a performance for which Franz Schubert had briefly served as her répétiteur. Three years later she sang in the first performances of Ludwig van Beethoven's Ninth Symphony and Missa solemnis. She performed a great deal in Italy, principally in Naples after 1825 when she became engaged to the impresario of the Teatro di San Carlo, Domenico Barbaia. Among the roles written for her were those of Isoletta in Vincenzo Bellini's ''La straniera'' (1829, Milan), Gaetano Donizetti's ''Parisina'' (1833, Florence), ...
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Teatro Di San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history"
on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013
The opera season runs from late November to July, with the ballet season taking place from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatres that wer ...
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Marietta Alboni
Maria Anna Marzia (called Marietta) Alboni (6 March 1826 – 23 June 1894) was a renowned Italian contralto opera singer. She is considered "one of the greatest contraltos in operatic history". Biography Alboni was born at Città di Castello, in Umbria. She became a pupil of of Cesena, Emilia–Romagna, and later of the composer Gioachino Rossini, when he was 'perpetual honorary adviser' in (and then the principal of) the Liceo Musicale, now Conservatorio Giovanni Battista Martini, in Bologna. Rossini tested the humble thirteen-year-old girl himself, had her admitted to the school with special treatment, and even procured her an early engagement to tour his ''Stabat Mater'' around Northern Italy, so that she could pay for her studies. After she achieved her diploma and made a modest debut in Bologna, in 1842, as "Climene" in Pacini's '' Saffo'', she obtained a triennial engagement thanks to Rossini's influence on the impresario Bartolomeo Merelli, Intendant at both Milan's T ...
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Teatro La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. His ...
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