|
BACH Motif
In music, the BACH motif is the motif, a succession of notes important or characteristic to a piece, ''B flat, A, C, B natural''. In German musical nomenclature, in which the note ''B natural'' is named ''H'' and the ''B flat'' named ''B'', it forms Johann Sebastian Bach's family name. One of the most frequently occurring examples of a musical cryptogram, the motif has been used by countless composers, especially after the Bach Revival in the first half of the 19th century. Origin Johann Gottfried Walther's ''Musicalisches Lexikon'' (1732) contains the only biographical sketch of Johann Sebastian Bach published during the composer's lifetime. There the motif is mentioned thus:This reference work thus indicates Bach as the inventor of the motif. Usage in compositions In a comprehensive study published in the catalogue for the 1985 exhibition "300 Jahre Johann Sebastian Bach" ("300 years of Johann Sebastian Bach") in Stuttgart, Germany, Ulrich Prinz lists 409 works ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Gerechte Kömmt Um (motet)
''Der Gerechte kömmt um'' (' The righteous perishes'), 1149, is a motet for SSATB singers and instrumental ensemble, which, for its music, is based on the five-part a cappella motet ''Tristis est anima mea'' attributed to Johann Kuhnau, and has the Luther Bible translation of Isaiah 57:1–2 as text. The arrangement of the Latin motet, that is, transposing it to E minor, adjusting its music to the new text, and expanding it with an instrumental score for two traversos, two oboes, strings and basso continuo, is attributed to Johann Sebastian Bach. The setting is found in a manuscript copy, likely written down in the 1750s, of '' Wer ist der, so von Edom kömmt'', a Passion oratorio which is a pasticcio based on compositions by, among others, Carl Heinrich Graun, Georg Philipp Telemann and Bach. Likely ''Der Gerechte kömmt um'' existed as a stand-alone motet, for example for performance on Good Friday or at a funeral, before being adopted in the pasticcio. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Christian Bach
Johann Christian Bach (September 5, 1735 – January 1, 1782) was a German composer of the Classical era, the eighteenth child of Johann Sebastian Bach, and the youngest of his eleven sons. After living in Italy for several years, Bach moved to London in 1762, where he became known as "the London Bach". He is also sometimes known as "the English Bach", and during his time spent living in the British capital, he came to be known as John Bach. He is noted for playing a role in influencing the concerto styles of Haydn and Mozart. He contributed significantly to the development of the new sonata principle. Life Johann Christian Bach was born to Johann Sebastian and Anna Magdalena Bach in Leipzig, Germany. His distinguished father was already 50 at the time of his birth—an age gap exemplified by the sharp differences in the musical styles of father and son. Even so, father Bach instructed Johann Christian in music until his death in 1750. After his father's death, he worked ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetrachord
In music theory, a tetrachord ( el, τετράχορδoν; lat, tetrachordum) is a series of four notes separated by three intervals. In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency proportion (approx. 498 cents)—but in modern use it means any four-note segment of a scale or tone row, not necessarily related to a particular tuning system. History The name comes from ''tetra'' (from Greek—"four of something") and ''chord'' (from Greek ''chordon''—"string" or "note"). In ancient Greek music theory, ''tetrachord'' signified a segment of the greater and lesser perfect systems bounded by ''immovable'' notes ( ); the notes between these were ''movable'' ( ). It literally means ''four strings'', originally in reference to harp-like instruments such as the lyre or the kithara, with the implicit understanding that the four strings produced adjacent (i.e., conjunct) notes. Modern music theory uses the octave as the ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Ives, 3-Page Sonata, 1st Mvt
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its depre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Changing Tone
In music, changing tones (also called double neighboring tones and neighbor group) consists of two consecutive non-chord tones. The first moves in one direction by a step from a chord tone, then skips by a third in the opposite direction to another non-chord tone, and then finally resolves back to the original chord tone. Changing tones appear to resemble two consecutive neighbor tones; an upper neighbor and a lower neighbor with the chord tone missing from the middle. The changing tone functions as a way to decorate Decoration may refer to: * Decorative arts * A house painter and decorator's craft * An act or object intended to increase the beauty of a person, room, etc. * An award that is a token of recognition to the recipient intended for wearing Other ..., or embellish, a chord tone and are also used to provide rhythmic interest between common tones. In rare instances, changing tones can be heard as musical cryptograms, such as the cruciform melody. Nonchord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheranism
Lutheranism is one of the largest branches of Protestantism, identifying primarily with the theology of Martin Luther, the 16th-century German monk and reformer whose efforts to reform the theology and practice of the Catholic Church launched the Protestant Reformation. The reaction of the government and church authorities to the international spread of his writings, beginning with the ''Ninety-five Theses'', divided Western Christianity. During the Reformation, Lutheranism became the state religion of numerous states of northern Europe, especially in northern Germany, Scandinavia and the then-Livonian Order. Lutheran clergy became civil servants and the Lutheran churches became part of the state. The split between the Lutherans and the Roman Catholics was made public and clear with the 1521 Edict of Worms: the edicts of the Diet condemned Luther and officially banned citizens of the Holy Roman Empire from defending or propagating his ideas, subjecting advocates of Lutheranism to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Heinrich Eggebrecht
Hans Heinrich Eggebrecht (5 January 1919 – 30 August 1999) was a German musicologist and professor of historical musicology at the Albert-Ludwigs-Universität in Freiburg. Life Eggebrecht was born in Dresden. His father was a Protestant minister and since 1929 superintendent in Prussian Schleusingen and early on sympathized with political right-wing movements. In 1933 he joined the German Christians. At the beginning of his studies in 1937/38 at the in Hirschberg Eggebrecht was a member of the National Socialist German Students' League (NSDStB) and was temporarily active as a music consultant for Hitler Youth. With the beginning of the war he interrupted his music studies. After the military basic training he was transferred in February 1940 to the Feldgendarmerie. According to Claudia Zenck, who evaluated the estate in the Freiburg University Archive, he was only fit for service to a limited extent, also used every opportunity to make music during his training and afterw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canonic Variations On "Vom Himmel Hoch Da Komm' Ich Her"
The Canonic Variations on "Vom Himmel hoch da komm' ich her" ("From Heaven above to Earth I come"), BWV 769, are a set of five variations in canon for organ with two manuals and pedals by Johann Sebastian Bach on the Christmas hymn by Martin Luther of the same name. The variations were prepared as a showpiece for Bach's entry as fourteenth member of Mizler's Music Society in Leipzig in 1747. The original printed edition of 1747, in which only one line of the canon was marked in the first three variations, was published by Balthasar Schmid in Nuremberg. Another version BWV 769a appears in the later autograph manuscript P 271, which also contains the six trio sonatas for organ BWV 525–530 and the Great Eighteen Chorale Preludes BWV 651–668. In this later version Bach modified the order of the variations, moving the fifth variation into a central position, and wrote out all the parts in full, with some minor revisions to the score. Movements The title page of the printe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augmentation Canon
In music, a prolation canon (also called a mensuration canon or proportional canon) is a type of canon, a musical composition wherein the main melody is accompanied by one or more imitations of that melody in other voices. Not only do the voices sing or play the same melody, they do so at different speeds (or ''prolations'', a mensuration term that dates to the medieval and Renaissance eras). Accompanying voices may enter either simultaneously or successively. If voices extend the rhythmic values of the leader (for example, by doubling all note values), a procedure known as augmentation, the resulting canon can be called an augmentation canon or canon by augmentation (''canon per augmentationem'') or sloth canon (recalling the slow movement of the sloth). Conversely, if they reduce the note values in diminution, it can be called a diminution canon or canon by diminution (''canon per diminutionem''). Examples Prolation canons are among the most difficult canons to write, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> Der Gerechte Kömmt Um (motet)")
.jpg "Click for more on -> Lutheranism")
