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Bill Pemberton
William McLane, better known as Bill Pemberton (March 5, 1918 in New York City – December 13, 1984 in New York City) was an American jazz double-bassist. Pemberton played violin as a child before switching to bass. He was in Frankie Newton's orchestra from 1941 to 1945 and then worked with Herman "Ivory" Chittison, Mercer Ellington, Eddie Barefield, and Billy Kyle later in the 1940s. In the 1950s he worked with Art Tatum and Rex Stewart, and from 1966 to 1969 was Earl Hines's bassist, including for international tours and at the 1967 Newport Jazz Festival and Monterey Jazz Festival. He also worked with Buck Clayton in 1967. In 1969 he joined the JPJ quartet alongside Budd Johnson, Oliver Jackson, and Dill Jones, and remained with the group until 1975; concomitantly he played with Ruby Braff, Max Kaminsky, and Vic Dickenson. He rejoined Hines in 1977, playing in Europe with him and Benny Carter. Late in his career he played with Panama Francis, Bill Coleman, and Doc Cheatham. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City
New York, often called New York City (NYC), is the most populous city in the United States, located at the southern tip of New York State on one of the world's largest natural harbors. The city comprises five boroughs, each coextensive with a respective county. The city is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the United States by both population and urban area. New York is a global center of finance and commerce, culture, technology, entertainment and media, academics, and scientific output, the arts and fashion, and, as home to the headquarters of the United Nations, international diplomacy. With an estimated population in 2024 of 8,478,072 distributed over , the city is the most densely populated major city in the United States. New York City has more than double the population of Los Angeles, the nation's second-most populous city. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dill Jones
Dillwyn Owen Paton "Dill" Jones (19 August 1923 – 22 June 1984), was a Welsh jazz stride pianist. Biography Dill Jones was born in Newcastle Emlyn, Carmarthenshire, Wales, on 19 August 1923. He was brought up in Talgarth and Llandovery, with extended family holidays in New Quay on the Cardiganshire coast where his father, Islwyn Jones, had been born and brought up. Music was in the family: his mother, Lavinia (née Bevan), was a pianist and his aunt, Isawel Jones, played the organ in Tabernacle chapel in New Quay. She gave Jones piano lessons during his holidays in New Quay. It was as a 10-year-old that Jones was turned onto jazz by hearing records by Fats Waller and Bix Beiderbecke on the radio. Jones' sister, Barbara Cassini, also a talented pianist, counts the sea as a lasting influence on his music: "So many of his forebears were seafarers, Cape Horners...the holidays in New Quay, when we were in the water all the time or sailing across it, and later, of course, the navy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Musicians From New York City
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Male Double-bassists
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label that was previously known as Def American * American University, in Washington, D.C. Sports teams S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Kernfeld
Barry Dean Kernfeld (born August 11, 1950) is an American musicologist and jazz saxophonist who has researched and published extensively about the history of jazz and the biographies of its musicians. Education In 1968, Kernfeld enrolled at University of California, Berkeley; then, from April 1970 to September 1972, he focused on being a professional saxophonist. In October 1972, Kernfeld enrolled at the University of California, Davis, where, in 1975, he earned a Bachelor of Arts in musicology. From 1975 to 1981, he studied at Cornell University where he focused on jazz. Cornell awarded him a master's degree in 1978 and a Doctor of Philosophy degree 1981. Career Kernfeld was the editor of the first and second editions of ''The New Grove Dictionary of Jazz,'' the largest jazz dictionary ever published. The first edition was published in 1988. ''Volume 1'' had 670 pages and ''Volume 2'' had 690. John S. Wilson"Books of The Times; Updating the Minutiae of a Truly American Sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henderson Homecoming
''Henderson Homecoming'' is a live album performed by cornetist Rex Stewart with the Fletcher Henderson Alumni that was recorded at the Great South Bay Jazz Festival in 1958 and released on the United Artists label.Edwards, D., Eyries, P. & Callahan, MBoth Sides Now: United Artists UAL-40000/UAL 4000 mono/UAS 5000 stereo Series Retrieved December 27, 2018 Reception Scott Yanow of AllMusic states: "This live concert from 1958 by what was billed as 'the Fletcher Henderson Alumni' and led by cornetist Rex Stewart should have been an artistic success, particularly since a similar group the previous year had recorded a classic studio album. Unfortunately, much of the music is extremely ragged, sloppily played, and under-rehearsed. There are some fine players on this concert (none of whom are identified on the LP), but relatively few ever played with Henderson. In addition, the repertoire (which only includes two Henderson songs) is particularly odd, with an irrelevant three-song balla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doc Cheatham
Adolphus Anthony Cheatham, better known as Doc Cheatham (June 13, 1905 – June 2, 1997), was an American jazz trumpeter, singer, and bandleader. He is also the grandfather of musician Theo Croker. Early life Doc Cheatham was born in Nashville, Tennessee, United States, of African, Cherokee and Choctaw heritage. He noted there was no jazz music there in his youth; like many in the United States he was introduced to the style by early recordings and touring groups at the end of the 1910s. Cheatham started playing music when he was 15, first on the cornet and soon after the trumpet, taking trumpet lessons from Fisk University professor N. C. Davis. He also played saxophone and drums. abandoned his family's plans for him to be a pharmacist (although retaining the medically inspired nickname "Doc") to play music, performing in Nashville's African American Vaudeville theater. Cheatham later toured in band accompanying blues singers on the Theater Owners Booking Association circu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Coleman (trumpeter)
William Johnson Coleman (August 4, 1904 in Paris, Kentucky, United States – August 24, 1981 in Toulouse, France) was an American jazz trumpeter. Early life In 1909, Coleman's family moved from Kentucky to Cincinnati. His first musical explorations were on clarinet and C melody saxophone, but he eventually settled on trumpet. As a young man he worked as a messenger for the Western Union telegraph company. He studied with Cincinnati trumpeter Theodore Carpenter, and played in an amateur band led by trombonist J.C. Higginbotham. Career Coleman began professional work in Cincinnati with bands led by Clarence Paige and Wesley Helvey (both bands his teacher Carpenter worked in) then with Lloyd and Cecil Scott. In December 1927, he traveled with the Scott brothers to New York City, and continued to work with them until the late summer of 1929, when he joined the orchestra of pianist Luis Russell. His first recording session was with Russell on September 6, 1929, and he soloed on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panama Francis
David Albert "Panama" Francis (December 21, 1918 – November 13, 2001) was an American swing jazz drummer who played on numerous hit recordings in the 1950s. Early life Francis was born in Miami, Florida, on December 21, 1918. His father was Haitian, and "his mother came from an English property-owning background in the Bahamas". His father collected records. The young David was enthusiastic about music and playing the drums even before attending school. He initially played in marching bands and local drum and bugle corps. Career Francis first played professionally in the 1930s. He was part of George Kelly's band from 1934 to 1938, and was then with the Florida Collegians in 1938. After moving to New York that year, he worked with Tab Smith, Billy Hicks, and Roy Eldridge before the 1940s. Francis acquired his nickname from Eldridge "at a moment when ranciswas wearing a panama hat and Eldridge could not remember his new drummer's name". Francis joined Lucky Millinder' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Carter
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and 1990s, he was nominated for eight Grammy Awards, which included receiving a Grammy Lifetime Achievement Award, Lifetime Achievement Award. Career Carter was born in New York City in 1907. He was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark (musician), June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
