|
Auto-destructive Art
Auto-Destructive Art (ADA) is a form of art coined by Gustav Metzger, an artist born in Bavaria who moved to Britain in 1939. Taking place after World War II, Metzger wanted to showcase the destruction created from the war through his artwork. This movement took place in England and was launched by Metzger in 1959. This term was invented in the early 1960s and put into circulation by his article "Machine, Auto-Creative and Auto-Destructive Art" in the summer 1962 issue of the journal ''Ark''. History This movement sparked after World War I. Before World War I, artists approached art very traditionally, with paint and paper. As seen in Impressionism and Expressionism, artwork before war was inspired by everyday life. After World War I, artists began to introduce new styles of art that used different medias and techniques. Cubism and Dadaism were at the heart of these new techniques. Auto-Destructive Art follows these newer techniques by taking everyday objects and causing damage. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Metzger
Gustav Metzger (10 April 1926, Nuremberg – 1 March 2017, London) was a German artist and political activist who developed the concept of Auto-Destructive Art and the Art Strike. Together with John Sharkey, he initiated the Destruction in Art Symposium in 1966. Metzger was recognised for his protests in the political and artistic realms. Early life and education Metzger was born to Polish Jewish parents in Nuremberg, Germany, in 1926 and came to Britain in 1939 as a refugee under the auspices of the Refugee Children Movement. He lost his Polish citizenship and was stateless since the late 1940s. He received a grant from the UK Jewish community to study at the Royal Academy of Fine Arts in Antwerp between 1948 and 1949. It is with an experience of twentieth century society's destructive capabilities that led Metzger to a concentrated 'formulation of what destruction is and what it might be in relation to art.'Pioneers in Art and Science: Metzger (film), Ken McMullen (f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Destruction In Art Symposium
The Destruction in Art Symposium (a.k.a. DIAS) was a gathering of a diverse group of international artists, poets, and scientists to London from 9–12 September, 1966. Included in this number were representatives of Fluxus and other counter-cultural artistic undergrounds who were there to speak out on the theme of destruction in art. The Honorary Committee, led by Gustav Metzger, attracted the attention of both the international media and international art community to the symposium.Destruction in Art Symposium Art & The 60s: This was Tomorrow, Tate Britain, retrieved 2006-08-30. The symposium was mainly held at the |
Man Ray
Man Ray (born Emmanuel Radnitzky; August 27, 1890 – November 18, 1976) was an American visual artist who spent most of his career in Paris. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. He produced major works in a variety of media but considered himself a painter above all. He was best known for his pioneering photography, and was a renowned fashion and portrait photographer. He is also noted for his work with photograms, which he called "rayographs" in reference to himself. Biography Background and early life During his career, Man Ray allowed few details of his early life or family background to be known to the public. He even refused to acknowledge that he ever had a name other than Man Ray. Baldwin, Neil. ''Man Ray: American Artist''; Da Capo Press; (1988, 2000) Man Ray's birth name was Emmanuel Radnitzky. He was born in South Philadelphia, Pennsylvania, on August 27, 1890. He was the eldest c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Object To Be Destroyed
Object may refer to: General meanings * Object (philosophy), a thing, being, or concept ** Object (abstract), an object which does not exist at any particular time or place ** Physical object, an identifiable collection of matter * Goal, an aim, target, or objective * Object (grammar), a sentence element, such as a direct object or an indirect object Science, technology, and mathematics Computing * 3D model, a representation of a physical object * Object (computer science), a language mechanism for binding data with methods that operate on that data ** Object-orientation, in which concepts are represented as objects *** Object-oriented programming (OOP), in which an object is an instance of a class or array ** Object (IBM i), the fundamental unit of data storage in the IBM i operating system * Object (image processing), a portion of an image interpreted as a unit * Object file, the output of a compiler or other translator program (also known as "object code") * Object, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danger Music
Danger music is an experimental form of avant-garde 20th and 21st century music and performance art. It is based on the concept that some pieces of music can or will harm either the listener or the performer, understanding that the piece in question may or may not be performed. Kyle Gann describes in his book ''Music Downtown: Writings from the Village Voice'' how Takehisa Kosugi's composition ''Music for a Revolution'' directs the performer to " oop out one of your eyes 5 years from now and do the same with the other eye 5 years later". Works such as this are also sometimes referred to as anti-music because they seem to rebel against the concept of music itself. Danger music is often closely associated with the Fluxus school of composition, especially the work of Dick Higgins who composed a series of works entitled ''Danger Music''. In performance As with many forms of concept music and performance art, the lines between "music", "art", "theater", and "social protest" are not al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anti-anti-art
Stuckism () is an international art movement founded in 1999 by Billy Childish and Charles Thomson to promote figurative painting as opposed to conceptual art."Glossary: Stuckism" ''''. Retrieved 16 September 2009. By May 2017 the initial group of 13 British artists had expanded to 236 groups in 52 countries."Stuckism International" stuckism.com. Retrieved 22 May 2017. Childish and Thomson have issued several manifestos. The first one was ''The Stuckists'', consisting of 20 points starting with "Stuckism is a quest for [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anti-art
Anti-art is a loosely used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general. Somewhat paradoxically, anti-art tends to conduct this questioning and rejection from the vantage point of art. The term is associated with the Dada movement and is generally accepted as attributable to Marcel Duchamp pre-World War I around 1914, when he began to use found objects as art. It was used to describe revolutionary forms of art. The term was used later by the Conceptual artists of the 1960s to describe the work of those who claimed to have retired altogether from the practice of art, from the production of works which could be sold. An expression of anti-art may or may not take traditional form or meet the criteria for being defined as a work of art according to conventional standards.Paul N. Humble. "Anti-Art and the Concept of Art". In: "A companion to art theory". Editors: Paul Smith and Carolyn Wilde, Wiley-Blackwell, 2002 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hirshhorn Museum And Sculpture Garden
The Hirshhorn Museum and Sculpture Garden is an art museum beside the National Mall, in Washington, D.C., the United States. The museum was initially endowed during the 1960s with the permanent art collection of Joseph H. Hirshhorn. It was designed by architect Gordon Bunshaft and is part of the Smithsonian Institution. It was conceived as the United States' museum of Contemporary art, contemporary and modern art and currently focuses its collection-building and exhibition-planning mainly on the post–World War II period, with particular emphasis on art made during the last 50 years. The Hirshhorn is situated halfway between the Washington Monument and the United States Capitol, US Capitol, anchoring the southernmost end of the so-called L'Enfant axis (perpendicular to the Mall's green carpet). The National Archives/National Gallery of Art Sculpture Garden across the Mall, and the National Portrait Gallery/Smithsonian American Art building several blocks to the north, also mark ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keith Moon
Keith John Moon (23 August 19467 September 1978) was an English drummer for the rock band the Who. He was noted for his unique style of playing and his eccentric, often self-destructive behaviour and addiction to drugs and alcohol. Moon grew up in Alperton, a suburb of Wembley, in Middlesex, and took up the drums during the early 1960s. After playing with a local band, the Beachcombers, he joined the Who in 1964 before they recorded their first single. Moon was recognised for his drumming style, which emphasised tom-toms, cymbal crashes, and drum fills. Throughout Moon's tenure with the Who, his drum kit steadily grew in size, and (along with Ginger Baker) he has been credited as one of the earliest rock drummers to regularly employ double bass drums in his setup. Moon occasionally collaborated with other musicians and later appeared in films, but considered playing in the Who his primary occupation, and remained a member of the band until his death. In addition to his ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrument Destruction
The destruction of musical instruments is an act performed by a few pop, rock and other musicians during live performances, particularly at the end of the gig. Early years In 1956, on the '' Lawrence Welk Show'', a zoot-suited performer billed as "Rockin' Rocky Rockwell" did a mocking rendition of Elvis Presley's hit song " Hound Dog." At the conclusion of the song he smashed an acoustic guitar over his knee. US country musician Ira Louvin was famous for smashing mandolins that he deemed out-of-tune. Jerry Lee Lewis may be the first rock artist to have destroyed his equipment on stage, with several, possibly erroneous, stories of him destroying and burning pianos in the 1950s. Several contemporary musicians, including Annea Lockwood, Yōsuke Yamashita, and Diego Stocco, have incorporated piano burning in their compositions. Jazz musician Charles Mingus, known for his fiery temper, reportedly smashed his $20,000 bass onstage in response to audience hecklers at New York's Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Who
The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall Stack, large PA systems, the use of the synthesizer, Entwistle and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, power pop and mod bands, and their songs are still regularly played. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Townshend
Peter Dennis Blandford Townshend (; born 19 May 1945) is an English musician. He is co-founder, leader, guitarist, second lead vocalist and principal songwriter of the Who, one of the most influential rock bands of the 1960s and 1970s. Townshend has written more than 100 songs for 12 of the Who's studio albums. These include concept albums, the rock operas ''Tommy'' (1969) and ''Quadrophenia'' (1973), plus popular rock radio staples such as ''Who's Next'' (1971); as well as dozens more that appeared as non-album singles, bonus tracks on reissues, and tracks on rarities compilation albums such as ''Odds & Sods'' (1974). He has also written more than 100 songs that have appeared on his solo albums, as well as radio jingles and television theme songs. While known primarily as a guitarist, Townshend also plays keyboards, banjo, accordion, harmonica, ukulele, mandolin, violin, synthesiser, bass guitar, and drums; he is self-taught on all of these instruments and plays on h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_panoramio.jpg "Click for more on -> Anti-art")
