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Architecture Of The Song Dynasty
The architecture of the Song dynasty (960–1279) was noted for its towering Buddhist pagodas, enormous stone and wooden bridges, lavish tombs, and extravagant palaces. Although literary works on architecture existed beforehand, architectural writing blossomed during the Song dynasty, maturing into a more professional form that described dimensions and working materials in a concise, organized manner. In addition to the examples still standing, depictions in Song artwork, architectural drawings, and illustrations in published books all aid modern historians in understanding the architecture of the period. The professions of architect, master craftsman, carpenter, and structural engineer did not have the high status of the Confucian scholar-officials during the dynastic era. Architectural knowledge had been passed down orally for thousands of years, usually from craftsman fathers to their sons. There were also government agencies and schools for construction, building, and engine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liuhe Pagoda
Liuhe Pagoda (), literally Six Harmonies Pagoda, is a multi-story Chinese pagoda in southern Hangzhou, Zhejiang province, China. It is located at the foot of Yuelun Hill, facing the Qiantang River. It was originally constructed in 970 by the Wuyue Kingdom, destroyed in 1121, and reconstructed fully by 1165, during the Southern Song dynasty (1127–1279). History and background The pagoda was originally constructed by the ruler of the Wuyue Kingdom, whose capital was Hangzhou. The name ''Liuhe'' comes from the six Buddhist ordinances and it is said that the reason for building the pagoda was to calm the tidal bore of the Qiantang River and as a navigational aid. However, the pagoda was completely destroyed during warfare in the year 1121. After the current pagoda was constructed of wood and brick during the Southern Song dynasty, additional exterior eaves were added during the Ming (1368–1644) and Qing Dynasties (1644–1911). The pagoda is octagonal in shape and some in height ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bianjing
Kaifeng () is a prefecture-level city in east-central Henan province, China. It is one of the Eight Ancient Capitals of China, having been the capital eight times in history, and is best known for having been the Chinese capital during the Northern Song dynasty. As of 31 December 2018, around 4,465,000 people lived in Kaifeng's Prefecture, of whom 1,652,000 lived in the built-up (or metro) area made of Xiangfu, Longting, Shunhe Hui, Gulou and Yuwantai Districts. Located along the Yellow River's southern bank, it borders the provincial capital of Zhengzhou to the west, Xinxiang to the northwest, Shangqiu to the east, Zhoukou to the southeast, Xuchang to the southwest, and Heze of Shandong to the northeast. Kaifeng is also a major city in the world by scientific research outputs as tracked by the Nature Index. The city is home to a campus of Henan University, one of the national key universities in the Double First Class University Plan. Names The postal romanization for the ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balustrade
A baluster is an upright support, often a vertical moulded shaft, square, or lathe-turned form found in stairways, parapets, and other architectural features. In furniture construction it is known as a spindle. Common materials used in its construction are wood, stone, and less frequently metal and ceramic. A group of balusters supporting a handrail, coping, or ornamental detail are known as a balustrade. The term baluster shaft is used to describe forms such as a candlestick, upright furniture support, and the stem of a brass chandelier. The term banister (also bannister) refers to a baluster or to the system of balusters and handrail of a stairway. It may be used to include its supporting structures, such as a supporting newel post. Etymology According to the ''Oxford English Dictionary'', "baluster" is derived through the french: balustre, from it, balaustro, from ''balaustra'', "pomegranate flower" rom a resemblance to the swelling form of the half-open flower (''ill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nelumbo Nucifera
''Nelumbo nucifera'', also known as sacred lotus, Laxmi lotus, Indian lotus, or simply lotus, is one of two extant species of aquatic plant in the family Nelumbonaceae. It is sometimes colloquially called a water lily, though this more often refers to members of the family Nymphaeaceae. Lotus plants are adapted to grow in the flood plains of slow-moving rivers and delta areas. Stands of lotus drop hundreds of thousands of seeds every year to the bottom of the pond. While some sprout immediately, and most are eaten by wildlife, the remaining seeds can remain dormant for an extensive period of time as the pond silts in and dries out. During flood conditions, sediments containing these seeds are broken open, and the dormant seeds rehydrate and begin a new lotus colony. Under favorable circumstances, the seeds of this aquatic perennial may remain viable for many years, with the oldest recorded lotus germination being from seeds 1,300 years old recovered from a dry lakebed i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cun (unit)
A ''cun'' (), often glossed as the ''Chinese inch'', is a traditional Chinese unit of length. Its traditional measure is the width of a person's thumb at the knuckle, whereas the width of the two forefingers denotes 1.5 cun and the width of four fingers (except the thumb) side-by-side is 3 cuns. It continues to be used to chart acupuncture points on the human body, and, in various uses for traditional Chinese medicine. The cun was part of a larger decimal system. A cun was made up of 10 fen, which depending on the period approximated lengths or widths of millet grains, and represented one-tenth of a chi ("Chinese foot"). In time the lengths were standardized, although to different values in different jurisdictions. (See chi (unit) for details.) In Hong Kong, using the traditional standard, it measures ~3.715 cm (~1.463 in) and is written "tsun". In the twentieth century in the Republic of China, the lengths were standardized to fit with the metric system, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Units Of Measurement
Chinese units of measurement, known in Chinese as the ''shìzhì'' ("market system"), are the traditional units of measurement of the Han Chinese. Although Chinese numerals have been decimal (base-10) since the Shang, several Chinese measures use hexadecimal (base-16). Local applications have varied, but the Chinese dynasties usually proclaimed standard measurements and recorded their predecessor's systems in their histories. In the present day, the People's Republic of China maintains some customary units based upon the market units but standardized to round values in the metric system, for example the common ''jin'' or catty of exactly 500 g. The Chinese name for most metric units is based on that of the closest traditional unit; when confusion might arise, the word "market" (, ''shì'') is used to specify the traditional unit and "common" or "public" (, ''gōng'') is used for the metric value. Taiwan, like Korea, saw its traditional units standardized to Japanese values a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chi (unit)
The chi (Tongyong Pinyin chih) is a traditional Chinese unit of length. Although it is often translated as the "", its length was originally derived from the distance measured by a human hand, from the tip of the thumb to the tip of the forefinger, and is similar to the ancient span. It first appeared during China's Shang dynasty approximately 3,000 years ago and has since been adopted by other East Asian cultures such as Japan (''shaku''), Korea (''ja/cheok''), and Vietnam (''thước''). Its present value is standardized at around , although the exact standards vary among the mainland of the People's Republic of China, its special administrative region of Hong Kong, and Taiwan. In its ancient and modern forms, the chi is divided into 10 smaller units known as cun (the "Chinese inch"). 10 chi are equal to 1 zhàng. Modern values In the People's Republic of China, ''chi'' has been defined since 1984 as exactly 1/3 of a metre, i.e., . However, in the Hong Kong SAR the co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rammed Earth
Rammed earth is a technique for constructing foundations, floors, and walls using compacted natural raw materials such as earth, chalk, lime, or gravel. It is an ancient method that has been revived recently as a sustainable building method. Under its French name of pisé it is also a material for sculptures, usually small and made in molds. It has been especially used in Central Asia and Tibetan art, and sometimes in China. Edifices formed of rammed earth are on every continent except Antarctica, in a range of environments including temperate, wet, semiarid desert, montane, and tropical regions. The availability of suitable soil and a building design appropriate for local climatic conditions are the factors that favour its use. The French term "pisé de terre" or "terre pisé" was sometimes used in English for architectural uses, especially in the 19th century. The process Making rammed earth involves compacting a damp mixture of subsoil that has suitable proportions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yingzao Fashi
The ''Yingzao Fashi'' () is a technical treatise on architecture and craftsmanship written by the Chinese author Li Jie (李誡; 1065–1110), the Directorate of Buildings and Construction during the mid Song Dynasty of China. He revised many older treatises on architecture from 1097 to 1100. By 1100, he had completed his own architectural work, which he presented to Emperor Zhezong of Song. The emperor's successor, Emperor Huizong of Song, had the book published in 1103 to provide architectural standards for builders, architects, literate craftsmen, and the engineering agencies of the central government. Li Jie was then made the Director of Palace Buildings. Thereafter, Li helped oversee the construction of administrative offices, palace apartments, gates and gate-towers, the ancestral temple of the Song Dynasty, along with numerous Buddhist temples. In 1145, a second edition of Li's book was published by Wang Huan. Between 1222-1233, a third printing was published. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dougong
''Dougong'' () is a structural element of interlocking wooden brackets, one of the most important in traditional Chinese architecture. The use of dougong first appeared in buildings of the late centuries BC and evolved into a structural network that joined pillars and columns to the frame of the roof. ''Dougong'' was widely used by the ancient Chinese during the Spring and Autumn period (770–476 BC) and developed into a complex set of interlocking parts by its peak in the Tang and Song periods. The pieces are fitted together by joinery alone without glue or fasteners, requiring precise carpentry. After the Song Dynasty, brackets and bracket sets used in palatial structures and important religious buildings became more ornamental than structural, no longer fitting the description of traditional ''dougong''. Function Dougong is part of the network of wooden supports essential to the timber frame structure of traditional Chinese building. Because the walls in these st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Along The River During The Qingming Festival
''Along the River During the Qingming Festival'' (''Qingming Shanghe Tu'') is a handscroll painting by the Song dynasty painter Zhang Zeduan (1085–1145) and copied many times in the following centuries. It captures the daily life of people and the landscape of the capital, Bianjing (present-day Kaifeng) during the Northern Song. The theme is often said to celebrate the festive spirit and worldly commotion at the Qingming Festival, rather than the holiday's ceremonial aspects, such as tomb sweeping and prayers. Read right to left, as a viewer unrolled it, successive scenes reveal the lifestyle of all levels of the society from rich to poor as well as economic activities in rural areas and the city, and offer glimpses of period clothing and architecture. The painting is considered to be the most renowned work among all Chinese paintings, and it has been called "China's ''Mona Lisa''." As an artistic creation, the painting has been revered and artists of subsequent dynasties m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhang Zeduan
Zhang Zeduan (; 1085–1145), courtesy name Zhengdao (), was a Chinese painter of the Song dynasty. He lived during the transitional period from the Northern Song to the Southern Song, and was instrumental in the early history of the Chinese landscape art style known as shan shui. He is known for painting ''Along the River During the Qingming Festival''. See also *Chinese art *Chinese painting *Shan shui *Lin Tinggui *Zhou Jichang *Culture of the Song Dynasty Notes References *Needham, Joseph (1971). ''Science and Civilisation in China ''Science and Civilisation in China'' (1954–present) is an ongoing series of books about the history of science and technology in China published by Cambridge University Press. It was initiated and edited by British historian Joseph Needham ( ...'': Volume 4, Physics and Physical Technology, Part 3, Civil Engineering and Nautics. Cambridge: Cambridge University Press. External links Zhang Zeduan and his Painting Galleryat China Online ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
