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Ancient Voices Of Children
''Ancient Voices of Children'' is a musical composition written in 1970 by the American composer George Crumb. The work was given the subtitle "A Cycle of Songs on Texts by Federico García Lorca." It is scored for soprano, boy soprano, oboe, mandolin, harp, amplified piano (and toy piano), and percussion (three players). It was commissioned by the Elizabeth Sprague Coolidge Foundation. The piece premiered at the Library of Congress in Washington, D.C., on October 31, 1970, as part of the Coolidge Foundation's 14th Festival of Chamber Music. The first performers were the Contemporary Chamber Ensemble, which featured Gilbert Kalish (piano), Jan DeGaetani (mezzo-soprano), and Michael Dash (boy soprano). The debut recording, produced by Nonesuch Records in 1971, features the same performers as the premiere performance. This release sold more than 70,000 units; and has become one of the best selling recordings in 20th century Classical Music. Form and compositional style ''Ancie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Cycle
A song cycle (german: Liederkreis or Liederzyklus) is a group, or cycle (music), cycle, of individually complete Art song, songs designed to be performed in a sequence as a unit.Susan Youens, ''Grove online'' The songs are either for solo voice or an ensemble, or rarely a combination of solo songs mingled with choral pieces. The number of songs in a song cycle may be as brief as two songs or as long as 30 or more songs. The term "song cycle" did not enter lexicography until 1865, in Arrey von Dommer's edition of ''Koch’s Musikalisches Lexikon'', but works definable in retrospect as song cycles existed long before then. One of the earliest examples may be the set of seven Cantiga de amigo, Cantigas de amigo by the 13th-century Galicians, Galician jongleur Martin Codax. Jeffrey Mark identified the group of dialect songs 'Hodge und Malkyn' from Thomas Ravenscroft's ''The Briefe Discourse'' (1614) as the first of a number of early 17th Century examples in England. A song cycle is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan DeGaetani
Jan (Janice) DeGaetani (July 10, 1933 – September 15, 1989) was an American mezzo-soprano known for her performances of contemporary classical vocal compositions. DeGaetani was born in Massillon, Ohio. Educated at The Juilliard School with Sergius Kagen, she was best known for her wide range, precise pitch, clear tone, and command of extended techniques that made her voice perfectly suited to the demanding style of modern and avant-garde vocal composition. Her recording of Schoenberg's song cycle ''Pierrot lunaire'' is one of the classic recordings of the piece. (Due to its use of atonality, wide range, and virtuoso techniques such as sprechstimme, all while requiring a lyrical sensibility, it is exceptionally difficult to sing.) Her collaboration with George Crumb was also a fruitful one; she premiered his song cycle ''Ancient Voices of Children'', and many of his other works were written for her. Uncommonly for a singer of her caliber (though her voice was not as powerful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By George Crumb
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1970 Compositions
Year 197 ( CXCVII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whispering
Whispering is an unvoiced mode of phonation in which the vocal cords are abducted so that they do not vibrate; air passes between the arytenoid cartilages to create audible turbulence during speech. Supralaryngeal articulation remains the same as in normal speech. In normal speech, the vocal cords alternate between states of voice and voicelessness. In whispering, only the voicing segments change, so that the vocal cords alternate between whisper and voicelessness (though the acoustic difference between the two states is minimal). Because of this, implementing speech recognition for whispered speech is more difficult, as the characteristic spectral range needed to detect syllables and words is not given through the total absence of tone. More advanced techniques such as neural networks may be used, however, as is done by Amazon Alexa. There is no symbol in the IPA for whispered phonation, since it is not used phonemically in any language. However, a sub-dot under pho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speech
Speech is a human vocal communication using language. Each language uses phonetic combinations of vowel and consonant sounds that form the sound of its words (that is, all English words sound different from all French words, even if they are the same word, e.g., "role" or "hotel"), and using those words in their semantic character as words in the lexicon of a language according to the syntactic constraints that govern lexical words' function in a sentence. In speaking, speakers perform many different intentional speech acts, e.g., informing, declaring, asking, persuading, directing, and can use enunciation, intonation, degrees of loudness, tempo, and other non-representational or paralinguistic aspects of vocalization to convey meaning. In their speech, speakers also unintentionally communicate many aspects of their social position such as sex, age, place of origin (through accent), physical states (alertness and sleepiness, vigor or weakness, health or illness), psychologic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Saw
A musical saw, also called a singing saw, is a hand saw used as a musical instrument. Capable of continuous glissando ( portamento), the sound creates an ethereal tone, very similar to the theremin. The musical saw is classified as a plaque friction idiophone with direct friction (132.22) under the Hornbostel-Sachs system of musical instrument classification, and as a metal sheet played by friction (151) under the revision of the Hornbostel-Sachs classification by the MIMO Consortium. Playing The saw is generally played seated with the handle squeezed between the legs, and the far end held with one hand. Some sawists play standing, either with the handle between the knees and the blade sticking out in front of them. The saw is usually played with the serrated edge, or "teeth", facing the body, though some players face them away. Some saw players file down the teeth, which makes no discernable difference to the sound. Manyespecially professionalsaw players use a handle, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reverberate
Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100 ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. As time passes, the amplitude of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonetic
Phonetics is a branch of linguistics that studies how humans produce and perceive sounds, or in the case of sign languages, the equivalent aspects of sign. Linguists who specialize in studying the physical properties of speech are phoneticians. The field of phonetics is traditionally divided into three sub-disciplines based on the research questions involved such as how humans plan and execute movements to produce speech ( articulatory phonetics), how various movements affect the properties of the resulting sound ( acoustic phonetics), or how humans convert sound waves to linguistic information ( auditory phonetics). Traditionally, the minimal linguistic unit of phonetics is the phone—a speech sound in a language which differs from the phonological unit of phoneme; the phoneme is an abstract categorization of phones. Phonetics deals with two aspects of human speech: production—the ways humans make sounds—and perception—the way speech is understood. The communicative mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocalise
A vocal warm-up is a series of exercises meant to prepare the voice for singing, acting, or other use. There is very little scientific data about the benefits of vocal warm-ups. Relatively few studies have researched the effects of thesexerciseson muscle function and even fewer have studied their effect on singing-specific outcomes. Description Vocal warm-ups are intended to accomplish five things: a physical whole-body warm-up, preparing the breath, preparing the articulators and resonators, moving from the spoken register to the singing register (or an extended spoken register for acting), and preparing for the material that is going to be rehearsed or performed. Physical whole-body warm-ups help prepare a singer or actor's body in many ways. Muscles all over the body are used when singing/acting. Stretching helps to activate and prepare the large muscle groups that take care of balance and posture, and the smaller muscle groups that are directly involved with breathing a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nonesuch Records
Nonesuch Records is an American record company and label owned by Warner Music Group, distributed by Warner Records (formerly called Warner Bros. Records), and based in New York City. Founded by Jac Holzman in 1964 as a budget classical label, Nonesuch has developed into a label that records critically acclaimed music from a wide range of genres. Robert Hurwitz was president of the company from 1984 to 2017. History Founding Nonesuch was founded in early 1964 by Jac Holzman to produce "fine records at the same price as a trade paperback", which would be half the price of a normal LP. To achieve this he initially licensed European recordings of classical music as it would be too expensive to record new material. Originally the label concentrated heavily on chamber and baroque music, often with (then) unique repertory, and typically sold at less-than-premium prices. Upon its formation, Nonesuch operated as a subsidiary label of Elektra Records, which Holzman had launched in 1950. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilbert Kalish
Gilbert Kalish (born July 2, 1935) is an American pianist. He was born in New York and studied with Leonard Shure, Julius Hereford and Isabelle Vengerova. He was a founding member of the Contemporary Chamber Ensemble, a pioneering new music group that flourished during the 1960s and '70s. He was a pianist of the Boston Symphony Chamber Players from 1969 to 1998. He is noted for his partnerships with other artists, particularly his thirty-year collaboration with mezzo-soprano Jan DeGaetani, but also including cellists Timothy Eddy and Joel Krosnick, and soprano Dawn Upshaw. Kalish is Leading Professor and Head of Performance Activities at the State University of New York at Stony Brook. From 1968 to 1997, he was a faculty member of the Tanglewood Music Center and served as the "Chairman of the Faculty" at Tanglewood from 1985–1997. He has also served on the faculties of the Banff Centre and the Steans Institute at Ravinia, and is renowned for his master class presentations. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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