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Alan Douglas (record Producer)
Alan Douglas Rubenstein Richard Williamsbr>"Alan Douglas obituary" ''The Guardian'', 18 June 2014 (July 20, 1931 – June 7, 2014) was an American record producer from Boston, who worked with Jimi Hendrix, Miles Davis, John McLaughlin, Lenny Bruce and the Last Poets. He ran his own record label, Douglas Records. Early life Douglas was born Alan Douglas Rubenstein in Chelsea, Massachusetts, the son of Rose (Silbert) and William Rubenstein, a junk seller and later mattress manufacturer. His parents were Russian Jewish immigrants. His brother was actor Jerry Douglas. Jazz record producer In 1962, Douglas took charge of United Artists Records' jazz division. One of his first projects was Art Blakey and the Jazz Messengers' ''Three Blind Mice'' albums, recorded live at the Renaissance Club in Hollywood. He also coaxed trumpeter Kenny Dorham into the studio for ''Matador'', a soul-jazz classic shared with Jackie McLean and Bobby Timmons. Douglas's qualities as a producer were alread ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Williams (journalist)
Richard Williams (born 1947 in Sheffield) is a British music and sports journalist. As a writer, then deputy editor, of the weekly music newspaper ''Melody Maker'', he became an influential commentator on the rise of new forms of rock music at the end of the 1960s. Williams and ''MM'', as it was known, helped promote and contextualise the progressive in pop music. In particular, Williams wrote several key articles around 1970 that increased UK attention to the (then disintegrating) Velvet Underground. ''Melody Maker'' still covered jazz and Williams wrote about the more progressive developments in this field also. The magazine's serious approach to rock music and culture, under the editorship of Ray Coleman, secured ''MM'' a huge circulation by the close of the 1960s and the start of the 1970s. It left ''New Musical Express'', a more pop-orientated weekly, in its wake as ''MM'' caught the mood of rock followers at a time when the music had transcended its Top 40 roots to becom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Timmons
Robert Henry Timmons (December 19, 1935 – March 1, 1974) was an American jazz pianist and composer. He was a sideman in Art Blakey's Jazz Messengers for two periods (July 1958 to September 1959; February 1960 to June 1961), between which he was part of Cannonball Adderley's band. Several of Timmons' compositions written when part of these bands – including " Moanin'", " Dat Dere", and "This Here" – enjoyed commercial success and brought him more attention. In the early and mid-1960s he led a series of piano trios that toured and recorded extensively. Timmons was strongly associated with the soul jazz style that he helped initiate. This link to apparently simple writing and playing, coupled with drug and alcohol addiction, led to a decline in his career. Timmons died, aged 38, from cirrhosis. Several critics have commented that his contribution to jazz remains undervalued. Early life Timmons was born in Philadelphia, Pennsylvania, the son of a minister.Kernfeld, Barr"Timmo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Undercurrent (Bill Evans And Jim Hall Album)
''Undercurrent'' is a 1962 album by jazz pianist Bill Evans and jazz guitarist Jim Hall. The two men collaborated again in 1966 on the album ''Intermodulation''. Cover and releases The front cover image for ''Undercurrent'' is Toni Frissell's photograph "Weeki Wachee Spring, Florida". The album was originally released on United Artists, then reissued by Solid State in 1968. Later, the album was reissued on the Blue Note label; both Blue Note and United Artists Records have been part of the same catalog for many decades. The original LP and the first CD reissue featured a cropped, blue-tinted version, overlaid with the title and the Blue Note logo in white; but for the most recent (24-bit remastered) CD reissue, the image has been restored to its original black-and-white coloration and size, without lettering. Reception In his November 26, 1962 review for '' DownBeat'' magazine jazz critic Pete Welding states: "This collaboration between Evans and Hall has resulted in some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Hall (musician)
James Stanley Hall (December 4, 1930 – December 10, 2013) was an American jazz guitarist, composer and arranger. Biography Early life and education Born in Buffalo, New York, Hall moved with his family to Cleveland, Ohio, during his childhood. Hall's mother played the piano, his grandfather violin, and his uncle guitar.Hall, Devra "Sketches from PROS Folios: Jim Hall". Copyright 1988-2004. He began playing the guitar at the age of 10, when his mother gave him an instrument as a Christmas present. At 13 he heard Charlie Christian play on a Benny Goodman record, which he calls his "spiritual awakening". As a teenager in Cleveland, he performed professionally, and also took up the double bass. Hall's major influences since childhood were tenor saxophonists Coleman Hawkins, Lester Young, Paul Gonsalves, and Lucky Thompson. While he copied out solos by Charlie Christian, and later Barney Kessel, it was horn players from whom he took the lead. In 1955, Hall attended the Cleveland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, in New York City, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell (composer), George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded ''Kind of Blue'', the best-selling jazz album ever. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Betty Carter
Betty Carter (born Lillie Mae Jones; May 16, 1929 – September 26, 1998) was an American jazz singer known for her improvisational technique, scatting and other complex musical abilities that demonstrated her vocal talent and imaginative interpretation of lyrics and melodies. Vocalist Carmen McRae once remarked: "There's really only one jazz singer—only one: Betty Carter." Early life Carter was born in Flint, Michigan, and grew up in Detroit, where her father, James Jones, was the musical director of a Detroit church and her mother, Bessie, was a housewife. As a child, Carter was raised to be extremely independent and to not expect nurturing from her family. Even 30 years after leaving home, Carter was still very aware of and affected by the home life she was raised in, and was quoted saying: I have been far removed from my immediate family. There's been no real contact or phone calls home every week to find out how everybody is…As far as family is concerned, it's been a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Mann
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flute player and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was " Hi-Jack", which was a ''Billboard'' No. 1 dance hit for three weeks in 1975. Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was '' Memphis Underground'' or '' Push Push'', because the "rhythm section locked all in one perception." Early life, family and education Herbie Mann was born in Brooklyn, New York, New York, to Jewish parents Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), of Romanian descent who was born in Bukovina, Austria- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Pleasure
King Pleasure (born Clarence Beeks; March 24, 1922 – March 21, 1982) was an American jazz vocalist and an early master of vocalese, where a singer sings words to a well-known instrumental solo. Biography Born as Clarence Beeks in Oakdale, Tennessee, United States, he moved to New York City in the mid-1940s working as a bartender and became a fan of bebop music. King Pleasure first gained attention by singing the Eddie Jefferson vocalese classic "Moody's Mood For Love", based on a 1949 James Moody saxophone solo to "I'm In The Mood For Love". Pleasure's 1952 recording, his first after signing a contract with the Prestige label, is considered a jazz classic; the female vocalist featured is Blossom Dearie. He and Betty Carter also recorded a famous vocalese version of "Red Top", a jazz classic penned by Kansas Citian Ben Kynard and recorded by Gene Ammons and others. Other notable recordings include a presciently elegiac version of " Parker's Mood", the year before Charlie Park ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makanda Ken McIntyre
Makanda Ken McIntyre (born Kenneth Arthur McIntyre; also known as Ken McIntyre) (September 7, 1931 – June 13, 2001) was an American jazz musician, composer and educator. In addition to his primary instrument, the alto saxophone, he played flute, bass clarinet, oboe, bassoon, double bass, drums, and piano. Biography McIntyre was born in Boston, Massachusetts, United States. His father played mandolin. McIntyre started his musical life on the bugle when he was eight years old, followed by piano. In his teens he discovered the music of Charlie Parker and began playing saxophone at nineteen, then clarinet and flute two years later. In 1953 he served in the Army and played saxophone and piano in Japan. After serving two years in the U.S. Army, he attended the Boston Conservatory where he studied with Gigi Gryce, Charlie Mariano, and Andy McGhee. In 1958 he received a degree in flute and composition with a master's degree the next year in composition. He also received a doctorate ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oliver Nelson
Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. His 1961 Impulse! album ''The Blues and the Abstract Truth'' (1961) is regarded as one of the most significant recordings of its era. The centerpiece of the album is the definitive version of Nelson's composition, " Stolen Moments". Other important recordings from the early 1960s are ''More Blues and the Abstract Truth'' and '' Sound Pieces'', both also on Impulse!. Biography Early life and career Oliver Nelson was born into a musical family in St. Louis, Missouri, United States. His brother was a saxophonist who played with Cootie Williams in the 1940s, and his sister sang and played piano. Nelson began learning to play the piano when he was six and started on the saxophone at eleven. Beginning in 1947 he played in "territory" bands in and around Saint Louis before joining the Louis Jordan band where he stayed from 1950 to 1951, playing alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Wein
George Wein (October 3, 1925 – September 13, 2021) was an American jazz promoter, pianist, and producer."George Wein: Dinosaur Walks the Earth" AllAboutJazz.com interview, June 2000, Retrieved on April 1, 2007. He was the founder of the , which is held every summer in . He also co-founded the with |
Money Jungle
''Money Jungle'' is a studio album by pianist Duke Ellington with double bassist Charles Mingus and drummer Max Roach. It was recorded on September 17, 1962, and released in February 1963 by United Artists Jazz."Album Reviews" (February 9, 1963) ''Billboard'', p. 28. All but one of the compositions were written by Ellington, with four of the seven on the original LP being recorded for the first time on this album. Later releases on CD added eight tracks from the same recording session. The album was reviewed positively at the time of its release and subsequent reviews have remained highly favorable. Negative comments have concentrated on differences in playing style among the three musicians, brought about by the generational gap between Ellington and the others, and an argument that led to Mingus leaving the studio mid-session. Hundreds of musicians have been influenced by the recording, in particular by the freedom of individual expression within a small-group setting. Backg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
