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Afternoon Of A Faun (Robbins)
''Afternoon of a Faun'' is a ballet choreographed by Jerome Robbins to Claude Debussy's ''Prélude à l'après-midi d'un faune''. The ballet features two young dancers meeting at a rehearsal studio. Robbins was influenced by Stéphane Mallarmé's poem ''L'après-midi d'un faune (poem), L'après-midi d'un faune'', the inspiration for Debussy's score, as well as Vaslav Nijinsky's Afternoon of a Faun (Nijinsky), 1912 ballet to the same score, and his own observation of dancers. The ballet was made for the New York City Ballet, and premiered on May 14, 1953, at the New York City Center, City Center of Music and Drama, with the two roles of the ballet originated by Tanaquil Le Clercq and Francisco Moncion. ''Afternoon of a Faun'' has since been performed by various other ballet companies. Background and development Claude Debussy's ''Prélude à l'après-midi d'un faune'' was inspired by Stéphane Mallarmé's poem ''L'après-midi d'un faune (poem), L'après-midi d'un faune'', about a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valery Panov
Valery Matveevich Panov (russian: Валерий Матвеевич Панов; born 12 March 1938) is a Belarusian-Israeli dancer and choreographer. Born and raised in the Soviet Union, he trained in Leningrad and performed with the Kirov from 1964 to 1972. He and his second wife Galina, who was a ballerina at the Kirov, came to international attention in 1972 when they applied for exit visas to emigrate to Israel, which they were given in 1974. Panov worked with the Berlin Opera Ballet, as well as companies in other western European and North American countries, during the late 1970s and 1980s. He formed the Ashdod Art Centre in Israel, in 1993, and five years later founded the Panov Ballet Theatre, also in Ashdod. Early career Valery Panov was born in Vitebsk, Byelorussian Soviet Socialist Republic (present-day Vitebsk, Belarus) in 1938. He studied at the Vaganova School in Leningrad, which is the present-day Academy of Russian Ballet, St. Petersburg. Panov attended the Mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kasyan Goleizovsky
Kasyan Yaroslavich Goleizovsky (5 March 1892 – 4 May 1970) was a Russian choreographer and dancer. He was a pioneer in the Moscow avant-garde ballet scene in the 1920s. His innovative and acrobatic routines heavily influenced artists like George Balanchine. Biography His father was an opera soloist in Moscow, and his mother was a dancer. He studied first in Moscow and from 1902 in St. Petersburg. In 1906, he entered the Maryinsky Theater school and studied with Michel Fokine. He graduated from the Imperial Ballet Academy in 1909. Following a short stint with the Marykinsky troupe, he joined Moscow's Bolshoi Theater School, remaining there until 1918. While with the Bolshoi, he studied ballet production with Alexander Gorsky. Unhappy with the conservatism of Moscow's ballet scene, he soon sought alternative venues for his creative ideas. Working in Moscow's cabarets and with impresarios such as Vsevolod Meyerhold, he created dark and sultry scenarios highly sexual in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kay Mazzo
Kay Mazzo (born January 17, 1946) is an American former ballet dancer and educator. In 1961, she joined Jerome Robbins' company, Ballets USA. The following year, she joined the New York City Ballet, and was promoted to principal dancer in 1969. She created roles for George Balanchine and Robbins, before retiring from performing in 1981. She then joined the permanent faculty of the School of American Ballet in 1983, named co-chairman of faculty in 1997 and chair of faculty in 2018. She stepped down from the position in June 2022, but continues to teach. Early life Mazzo was born on January 17, 1946, in Chicago, Illinois. She started taking dance lessons at age six, and entered the School of American Ballet in New York in 1959, when she was thirteen. Mazzo graduated from the Rhodes Preparatory School. Career She joined Jerome Robbins' touring company, Ballets USA, in 1961. She was a New York City Ballet apprentice at the time, but after learning that George Balanchine decided not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United States Department Of State
The United States Department of State (DOS), or State Department, is an United States federal executive departments, executive department of the Federal government of the United States, U.S. federal government responsible for the country's foreign policy of the United States, foreign policy and foreign relations of the United States, relations. Equivalent to the ministry of foreign affairs of other nations, its primary duties are advising the President of the United States, U.S. president on international relations, administering List of diplomatic missions of the United States, diplomatic missions, negotiating international treaties and agreements, and representing the United States at the United Nations Security Council, United Nations conference. Established in 1789 as the first administrative arm of the Executive branch of the U.S. Government, U.S. executive branch, the State Department is considered among the most powerful and prestigious executive agencies. It is headed b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amanda Vaill
Amanda Vaill is an American writer and editor, noted for her non-fiction. She lives in New York City. A graduate of Harvard University, she worked in publishing before becoming a writer full-time in 1992. In the 1970s Vaill was an editor at Viking Press alongside Jacqueline Kennedy Onassis. In 1995 Vaill published ''Everybody Was So Young'', a biography of Gerald and Sara Murphy, prominent 1920s socialites of the French Riviera. It was nominated for the 1995 National Book Critics Circle Award in biography. She also contributed to the catalogue for ''Making It New: The Art and Style of Sara and Gerald Murphy'', an exhibition mounted by the Williams College Museum of Art, and also shown at the Yale Art Gallery and the Dallas Museum of Art. Her next book was ''Somewhere'', a biography of choreographer Jerome Robbins. Vaill was awarded a Guggenheim Fellowship in 2000 for her work on Robbins. Vaill wrote ''Something to Dance About'' a 2009 PBS documentary about Robbins life and work. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Cadmus
Paul Cadmus (December 17, 1904 – December 12, 1999) was an American artist widely known for his egg tempera paintings of gritty social interactions in urban settings. He also produced many highly finished drawings of single nude male figures. His paintings combine elements of eroticism and social critique in a style often called magic realism. Early life and education Cadmus was born on December 17, 1904, in a tenement on 103rd Street near Amsterdam Avenue, on the Upper West Side of Manhattan, the son of artists, Maria Latasa, of Basque and Cuban ancestry, and Egbert Cadmus (1868–1939), of Dutch ancestry. His father, who studied with Robert Henri, worked as a commercial artist, and his mother illustrated children's books. His sister, Fidelma Cadmus, married Lincoln Kirstein, a philanthropist, arts patron, and co-founder of the New York City Ballet, in 1941. At age 15, Cadmus left school to attend the National Academy of Design for 6 years. In 1925, at age 20, Cadmus beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pas De Deux
In ballet, a pas de deux (French, literally "step of two") is a dance duet in which two dancers, typically a male and a female, perform ballet steps together. The pas de deux is characteristic of classical ballet and can be found in many well-known ballets, including '' Sleeping Beauty'', ''Swan Lake'', and ''Giselle''. It is most often performed by a male and a female (a ''danseur'' and a ''ballerina'') though there are exceptions, such as in the film '' White Nights'', in which a pas de deux is performed by Mikhail Baryshnikov and Gregory Hines. Grand pas de deux A grand pas de deux is a structured pas de deux that typically has five parts, consisting of an ''entrée'' (introduction), an ''adagio'', two variations (a solo for each dancer), and a ''coda'' (conclusion). It is effectively a suite of dances that share a common theme, often symbolic of a love story or the partnership inherent in love, with the dancers portraying expressions of affectionate feelings and thoughts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deborah Jowitt
Deborah Jowitt is an American dance critic, author, and choreographer. Her career in dance began as a performer and choreographer. Jowitt has received several awards for her work, including a ''Bessie'' (New York Dance and Performance Award) for her work in dance criticism. Beginning in 1967, she wrote a weekly dance column for the Village Voice, providing frequent reviews of dance performances in New York City. From some time in the 1970s until 1994, the Voice had a page and a half for dance coverage: Jowitt contributed 1600 words or a full page of this, week after week, plus occasional features. Collections of her reviews from the Voice and numerous other publications have appeared as books - Dance Beat: Views and Reviews, New York: Marcel Dekker, 1977 and The Dance in Mind: Profiles and Reviews, 1976–1983, Boston: David R. Godine, 1985. In 2007 her column in the Village Voice was increased in length to 3/4 page, having been earlier reduced to a half-page; in 2008, however, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buzz Miller
Vernal "Buzz" Miller (December 23, 1923 – February 23, 1999) was an American dancer who was equally at home on Broadway and in contemporary ballet and modern dance. Early life and Training Vernal Miller, known from boyhood as Buzz, was born in Snowflake, Arizona, a small town in Navajo County founded by members of the Church of Jesus Christ of Latter-day Saints. Raised in a family with three brothers and two sisters, he was educated in local schools. After graduation from high school, he joined the U.S. Army and spent two years as a front lines messenger on active duty in World War II. He was honorably discharged from military service after being injured in combat. In 1947, when he was 23 years old, he began his dance studies with Mia Slavenska, a glamorous Croatian ballerina, in Hollywood, California. After only nine months of study, he got his first professional dancing job. Professional career Once he began training, Miller soon showed an unusual talent for jazz dance an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swan Lake
''Swan Lake'' ( rus, Лебеди́ное о́зеро, r=Lebedínoye ózero, p=lʲɪbʲɪˈdʲinəjə ˈozʲɪrə, link=no ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time. The scenario, initially in two acts, was fashioned from Russian and German folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Ballet
Because ballet became formalized in France, a significant part of ballet terminology is in the French language. A À la seconde () (Literally "to second") If a step is done "à la seconde," it is done to the side. 'Second position'. It can also be a balance extending one foot off the ground in ‘Second Position’. À la quatrième () One of the directions of body, facing the audience (''en face''), arms in second position, with one leg extended either to fourth position in front (''quatrième devant'') or fourth position behind (''quatrième derrière''). À terre () Touching the floor; on the floor. Adagio Italian, or French ''adage'', meaning 'slowly, at ease.' # Slow movements performed with fluidity and grace. # One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements. # The section of a '' grand pas'' (e.g., '' grand pas de deux''), often referred to as ''grand adage'', that features dance part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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