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Ace Of Hearts Records (Boston)
Ace of Hearts Records is a Boston-based independent label founded in 1978 by Rick Harte, who also produced all its releases. It recorded and released Boston area post-punk and garage rock bands in the early 1980s, including Mission of Burma, Birdsongs of the Mesozoic, Roger Miller, Neats, Lyres, The Real Kids, John Felice, Nervous Eaters, Del Fuegos, The Neighborhoods, Martin Paul, Wild Stares, Infliktors, Classic Ruins, Crab Daddy, Chaotic Past, Tomato Monkey, and Heat from a DeadStar. Overview Ace of Hearts released recordings by bands based in Boston. One of their releases, "Prettiest Girl" by the Neighborhoods, sold ten thousand copies. The record company had been established in 1978 by Rick Harte. Discography * Infliktors ''Where'd You Get That Cigarette'' 1979 (45) * Classic Ruins ''1+1<2'' 1980 (EP – 3 songs) * The Neighborhoods ''Prettiest Girl'' 1980 (45 Vinyl) * |
New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad music genre, genre of Punk Music, punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the music production, production techniques of dub music, dub and disco; and ideas from art and politics, including critical theory, modernist art, Film, cinema and modernist literature, literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire (band), Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire (band), Cabaret Voltaire, Magazine (band), Magazine, Pere Ubu, Joy Division, Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psychedelia, numerous garage bands incorporated exotic elements in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mission Of Burma
Mission of Burma was an American post-punk band from Boston, Massachusetts. The group formed in 1979 with Roger Miller on guitar, Clint Conley on bass, Peter Prescott on drums, and Martin Swope contributing audiotape manipulation and acting as the band’s sound engineer. In this initial lineup, Miller, Conley, and Prescott all shared singing and songwriting duties. In their early years the band's recordings were all released on the small Boston-based record label Ace of Hearts. Despite their initial success in the growing independent music circuit, Mission of Burma disbanded in 1983 due to Miller's development of tinnitus caused by the loud volume of the band's live performances. In its original lineup, the band released only two singles, an EP, and one LP, titled '' Vs.'' Mission of Burma reformed in 2002, with Bob Weston replacing Swope. The band released four more albums—'' ONoffON'', ''The Obliterati'', '' The Sound the Speed the Light'', and '' Unsound''—before sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birdsongs Of The Mesozoic
Birdsongs of the Mesozoic is an American musical group founded in Boston, Massachusetts, United States, in 1980.Strong, Martin C. (2003) ''The Great Indie Discography'', Canongate, , p. 226-7 The music of Birdsongs of the Mesozoic is almost entirely instrumental, and incorporates many different musical elements; critic Rick Anderson writes, "Very few bands have ever managed to straddle the worlds of modern classical music and rock as successfully as this one did." In his liner notes for their ''Beat of the Mesozoic'' EP, Boston rock critic Eric Van dubbed them "the world's hardest-rocking chamber music quartet." Another memorable description came from Jim Sullivan of the ''Boston Globe'': "classical-punk-jazz-car-wreck music." Band history Origins Birdsongs owes its origins to the 1978 breakup of the Boston post-punk band Moving Parts, which included Erik Lindgren (vocals, keyboards) and Roger Miller (vocals, guitar). Miller went on to form the seminal post-punk group Miss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Miller (rock Musician)
Roger Clark Miller (born February 24, 1952) is an American singer, songwriter and multi-instrumentalist best known for co-founding Mission of Burma and performing in Alloy Orchestra/The Anvil Orchestra. His main instruments are guitar and piano. ''Guitar Player'' magazine describes Miller's guitar playing as balancing rock energy with cerebral experimentation. He also plays cornet, bass guitar and percussion. Biography Early life Miller was born in Ann Arbor, Michigan, on February 24, 1952. His father was a professor of ichthyology, which prompted frequent travel to the Western United States during summers—in search of fish in isolated springs in the desert for comparison with the fossil record—in which he brought his son along. These expeditions informed his later artistic outlook, which incorporate themes of nature, harsh environments, the passage of time and self-reliance. Miller began piano lessons at the age of 6. In middle school, he studied the french horn in band cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Neats
The Neats were a Boston rock band that existed from the late 1970s to early 1990s. They first recorded for the independent Propeller label, which in 1981 released the song, "Six", a swirling, Vox-washed slab of garage rock reminiscent of Question Mark & the Mysterians. The following year, their well-received debut, 7-song EP, ''The Monkey's Head in the Corner of the Room'', was released on Boston's Ace of Hearts Records. It was voted one of the best EPs of 1982 in the Village Voice's annual Pazz & Jop poll. Three full-length albums followed. The band featured well-crafted songs and a psychedelic power pop sound in a similar vein as The Dream Syndicate and The Feelies. They occasionally played on the same bill as Mission of Burma; they once toured nationally with R.E.M. Members *Eric Martin – Guitar, Vocals, Harmonica, Vox Organ *Phil Caruso – Guitar, Vocals *Jerry Channell – Bass, Vocals *Jay Parham – Bass, Vocals (replaced Jerry Channell) *David Lee – Bass, guitar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyres (band)
Lyres are a Boston-area garage rock band led by Jeff Conolly, founded in 1979 following the breakup of DMZ. Their most popular songs included "Don't Give It Up Now," 'She Pays The Rent' and "Help You Ann". The original lineup of the band featured Conolly, Rick Coraccio (bass), Ricky Carmel (guitar), and Paul Murphy (drums). Former DMZ members Coraccio, Murphy, Peter Greenberg, and Mike Lewis all rejoined Connolly in Lyres at some point from 1979 to the early 2000s. The A-Bones drummer Miriam Linna, (a former drummer for The Cramps) and then A-Bones, Yo La Tengo and former Lyres bass player Mike Lewis filled-in with Lyres for a show in 1986. Stiv Bators of The Dead Boys and Lords of the New Church, and Wally Tax of The Outsiders also recorded with Lyres in the late 1980s. Lyres were less active in 1989, due to Conolly living in California for a brief period. After a renewed period of activity in the early 1990s, the band went through a dormant period until 1999. The band has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Real Kids
The Real Kids are an American rock band from Boston, Massachusetts, United States, led by guitarist, singer and songwriter John Felice. Career Felice (born 1955) grew up in Natick, Massachusetts, as a neighbor and friend of Jonathan Richman, a fellow fan of the Velvet Underground. At 15 he joined Richman in the first line-up of the Modern Lovers in the early 1970s. He performed with the band intermittently from then until 1973, but because of his school commitments, he was not involved in the 1972 sessions which produced the first ''Modern Lovers'' album, though Felice is featured on a few live Modern Lovers recordings, on lead guitar and backing vocals. Commenting on Richman, Felice has said, "Me and Jonathan, as close as we were, you know, I was like a punk, I was a wise-ass kid. I liked to do a lot of drugs, I liked to drink, and Jonathan was like this wide-eyed, no-drugs, ate nothing but health food..." Felice then decided to start his own band and formed the Real Kids (or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Felice
The Real Kids are an American rock band from Boston, Massachusetts, United States, led by guitarist, singer and songwriter John Felice. Career Felice (born 1955) grew up in Natick, Massachusetts, as a neighbor and friend of Jonathan Richman, a fellow fan of the Velvet Underground. At 15 he joined Richman in the first line-up of the Modern Lovers in the early 1970s. He performed with the band intermittently from then until 1973, but because of his school commitments, he was not involved in the 1972 sessions which produced the first '' Modern Lovers'' album, though Felice is featured on a few live Modern Lovers recordings, on lead guitar and backing vocals. Commenting on Richman, Felice has said, "Me and Jonathan, as close as we were, you know, I was like a punk, I was a wise-ass kid. I liked to do a lot of drugs, I liked to drink, and Jonathan was like this wide-eyed, no-drugs, ate nothing but health food..." Felice then decided to start his own band and formed the Real Kids (or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nervous Eaters
The Nervous Eaters, one of Boston's first punk/ new wave bands forming in 1973, debuted in early 1977 with Steve Cataldo on vocals and guitar, Robb Skeen on bass, and Jeff Wilkinson on drums. They had used the name some years earlier, but had not performed live under it. As the Rhythm Assholes, they had backed local rock legend Willie Alexander on his single "Kerouac" and in concert. After a name change, they made their debut at the hub of the city's alternative music scene, the Rathskeller—known as the Rat—in January 1977. Their first single, "Loretta", appeared that year on the club's Rat label.Strong (2003), p. 90. Early on, the band experienced problems holding on to a second guitarist, but Alan Hebditch, a childhood friend of Cataldo's, became a regular fixture in early 1978. Along with DMZ and the Real Kids, they were considered among the scene's "punkier" bands. Centered on Cataldo's "great rock & roll voice" and "jangly guitar", in the description of AllMusic's Joe Vigli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
