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Abe No Nakamaro
, whose Chinese name was Chao Heng (, pronounced ''Chōkō'' in Japanese), was a Japanese scholar and '' waka'' poet of the Nara period. He served on a Japanese envoy to Tang China and later became the Tang '' duhu'' (protectorate governor) of Annan (modern Vietnam). Nussbaum, Louis-Frédéric. (2005)"Abe no Nakamaro, "'Japan Encyclopedia'', p. 3. Early life He was a descendant of , the son of Emperor Kōgen and first son of . As a young man he was admired for having outstanding academic skills. Career In 717–718, he was part of the Japanese mission to Tang China (''Kentōshi'') along with Kibi no Makibi and Genbō. They returned to Japan; he did not. In China, he passed the civil-service examination. Around 725, he took an administrative position and was promoted in Luoyang in 728 and 731. Around 733 he received , who would command the Japanese diplomatic mission. In 734, he tried to return to Japan but the ship to take him back sank not long into the journey, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyakuninisshu 007
is a classical Japanese anthology of one hundred Japanese ''waka'' by one hundred poets. ''Hyakunin isshu'' can be translated to "one hundred people, one poem ach; it can also refer to the card game of ''uta-garuta'', which uses a deck composed of cards based on the ''Hyakunin Isshu''. The most famous and standard version was compiled by Fujiwara no Teika (1162–1241) while he lived in the Ogura district of Kyoto. It is therefore also known as . Compilation One of Teika's diaries, the ''Meigetsuki'' (明月記), says that his son Tameie asked him to arrange one hundred poems for Tameie's father-in-law, Utsunomiya Yoritsuna, who was furnishing a residence near Mount Ogura; hence the full name of ''Ogura Hyakunin Isshu''. In order to decorate screens of the residence, Fujiwara no Teika produced the calligraphy poem sheets. Hishikawa Moronobu (1618–1694) provided woodblock portraits for each of the poets included in the anthology. Katsukawa Shunshō (1726–1793) design ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chang'an
Chang'an (; ) is the traditional name of Xi'an. The site had been settled since Neolithic times, during which the Yangshao culture was established in Banpo, in the city's suburbs. Furthermore, in the northern vicinity of modern Xi'an, Qin Shi Huang of the Qin dynasty, China's first emperor, held his imperial court, and constructed his massive mausoleum guarded by the Terracotta Army. From its capital at Xianyang, the Qin dynasty ruled a larger area than either of the preceding dynasties. The imperial city of Chang'an during the Han dynasty was located northwest of today's Xi'an. During the Tang dynasty, the area that came to be known as Chang'an included the area inside the Ming Xi'an fortification, plus some small areas to its east and west, and a substantial part of its southern suburbs. Thus, Tang Chang'an was eight times the size of the Ming Xi'an, which was reconstructed upon the site of the former imperial quarters of the Sui and Tang city. During its heyday, Chang' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Missions To Imperial China
The Japanese missions to Imperial China were diplomatic embassies which were intermittently sent to the Chinese imperial court. Any distinction amongst diplomatic envoys sent from the Japanese court or from any of the Japanese shogunates was lost or rendered moot when the ambassador was received in the Chinese capital. Extant records document missions to China between the years of 607 and 839 (a mission planned for 894 was cancelled). The composition of these imperial missions included members of the aristocratic '' kuge'' and Buddhist monks. These missions led to the importation of Chinese culture, including advances in the sciences and technology. These diplomatic encounters produced the beginnings of a range of schools of Buddhism in Japan, including Zen. From the Sinocentric perspective of the Chinese court in Chang'an, the several embassies sent from Kyoto were construed as tributaries of Imperial China; but it is not clear that the Japanese shared this view. China se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term translates as "picture of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment of kabuki theatre, geisha, and courtesans of the pleasure districts; the term ("floating world") came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the ''chōnin'' class, who had become wealthy enough to afford to decorate their homes with them. The earliest ukiyo-e works eme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hokusai
, known simply as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. He is best known for the woodblock print series '' Thirty-Six Views of Mount Fuji'', which includes the iconic print ''The Great Wave off Kanagawa''. Hokusai was instrumental in developing ''ukiyo-e'' from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. Hokusai created the monumental ''Thirty-Six Views of Mount Fuji'' as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, ''The Great Wave off Kanagawa'' and '' Fine Wind, Clear Morning'', that secured his fame both in Japan and overseas. Hokusai was best known for his woodblock ukiyo-e prints, but he worked in a variety of mediums including painting and book illustration. Starting as a young child, he continued working and improving his style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kokin Wakashū
The , commonly abbreviated as , is an early anthology of the '' waka'' form of Japanese poetry, dating from the Heian period. An imperial anthology, it was conceived by Emperor Uda () and published by order of his son Emperor Daigo () in about 905. Its finished form dates to 920, though according to several historical accounts the last poem was added to the collection in 914. The compilers of the anthology were four court poets, led by Ki no Tsurayuki and also including Ki no Tomonori (who died before its completion), Ōshikōchi no Mitsune, and Mibu no Tadamine. Significance The ''Kokinshū'' is the first of the , the 21 collections of Japanese poetry compiled at Imperial request. It was the most influential realization of the ideas of poetry at the time, dictating the form and format of Japanese poetry until the late nineteenth century; it was the first anthology to divide itself into seasonal and love poems. The primacy of poems about the seasons pioneered by the ''Ko ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyakunin Isshu
is a classical Japanese anthology of one hundred Japanese ''waka'' by one hundred poets. ''Hyakunin isshu'' can be translated to "one hundred people, one poem ach; it can also refer to the card game of ''uta-garuta'', which uses a deck composed of cards based on the ''Hyakunin Isshu''. The most famous and standard version was compiled by Fujiwara no Teika (1162–1241) while he lived in the Ogura district of Kyoto. It is therefore also known as . Compilation One of Teika's diaries, the ''Meigetsuki'' (明月記), says that his son Tameie asked him to arrange one hundred poems for Tameie's father-in-law, Utsunomiya Yoritsuna, who was furnishing a residence near Mount Ogura; hence the full name of ''Ogura Hyakunin Isshu''. In order to decorate screens of the residence, Fujiwara no Teika produced the calligraphy poem sheets. Hishikawa Moronobu (1618–1694) provided woodblock portraits for each of the poets included in the anthology. Katsukawa Shunshō (1726–1793) design ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nara, Nara
is the capital city of Nara Prefecture, Japan. As of 2022, Nara has an estimated population of 367,353 according to World Population Review, making it the largest city in Nara Prefecture and sixth-largest in the Kansai region of Honshu. Nara is a core city located in the northern part of Nara Prefecture bordering the Kyoto Prefecture. Nara was the capital of Japan during the Nara period from 710 to 794 as the seat of the Emperor before the capital was moved to Kyoto. Nara is home to eight temples, shrines, and ruins, specifically Tōdai-ji, Saidai-ji, Kōfuku-ji, Kasuga Shrine, Gangō-ji, Yakushi-ji, Tōshōdai-ji, and the Heijō Palace, together with Kasugayama Primeval Forest, collectively form the Historic Monuments of Ancient Nara, a UNESCO World Heritage Site. Etymology By the Heian period, a variety of different characters had been used to represent the name Nara: , , , , , , , , , , , , , , , and . A number of theories for the origin of the name "Nara" have b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chu Guangxi
Chu Guangxi (, 706/707–760) was a Tang Dynasty poet. Biography Chu Guangxi was born in around 706 or 707, and was originally from Yan Province (modern-day Shandong Province). In the last year of the Tianbao era he was appointed investigating censor (). He was implicated in the An Lushan Rebellion and exiled to Lingnan. He died in around 760. Poetry His surviving poems, such as "Mutong Ci" ( ''mù tóng cí'') and "Diaoyu Wan" ( ''diào yú wān''), are simple, elegant and pastoral. Notes References Works cited * * External links *Books of the ''Quan Tangshi'' that include collected poems of Chu Guangxi at the Chinese Text Project The Chinese Text Project (CTP; ) is a digital library project that assembles collections of early Chinese texts. The name of the project in Chinese literally means "The Chinese Philosophical Book Digitization Project", showing its focus on books ...: Book 136Book 137Book 138Book 139 Tang dynasty poets 8th-century Chines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wang Wei (Tang Dynasty)
Wang Wei (; 699–759) was a Chinese poet, musician, painter, and politician of the middle Tang dynasty. He is regarded as one of the most famous men of arts and letters of his era. Many of his poems survive and 29 of them are included in the 18th-century anthology ''Three Hundred Tang Poems''. Wang Wei is especially known as a poet and painter of nature. Some 400 poems survive. These were first collected and originally edited into a corpus by his next-youngest brother, Wang Jin, by imperial command. Of his paintings, no authenticated specimens survive, although there is evidence of his work through influences on later paintings and descriptive accounts of his paintings. His musical talents were regarded very highly, although nothing survives of his music except reports. He furthermore had a successful career as a court official. Eventually, he became a devout Zen Buddhist and a vegetarian. Wang Wei spent ten years studying with Chán master Daoguang. Names His family name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Bai
Li Bai (, 701–762), also pronounced as Li Bo, courtesy name Taibai (), was a Chinese poet, acclaimed from his own time to the present as a brilliant and romantic figure who took traditional poetic forms to new heights. He and his friend Du Fu (712–770) were two of the most prominent figures in the flourishing of Chinese poetry in the Tang dynasty, which is often called the " Golden Age of Chinese Poetry". The expression "Three Wonders" denotes Li Bai's poetry, Pei Min's swordplay, and Zhang Xu's calligraphy. Around 1000 poems attributed to Li are extant. His poems have been collected into the most important Tang dynasty poetry, ''Heyaue yingling ji'', compiled in 753 by Yin Fan. Thirty-four of Li Bai’s poems are included in the anthology ''Three Hundred Tang Poems'', which was first published in the 18th century. Around the same time, translations of his poems began to appear in Europe. The poems were models for celebrating the pleasures of friendship, the depth of natu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
