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Audio Bus
In audio engineering, a bus (alternate spelling buss, plural busses) is a signal path that can be used to combine (sum) individual audio signal paths together. It is typically used to group several individual audio tracks which can be then manipulated, as a group, like another track. This can be achieved by routing the signal physically by way of switches or cable patches on a mixing console, or by manipulating software features on a digital audio workstation (DAW). By using buses, an engineer may apply audio signal processing to entire groups of tracks. For example, lead vocals and backup vocals may be mixed and routed through a single compressor, creating a result unique from that reached by compressing each track individually, while reducing the overall amount of hardware or digital memory required for processing. A technique known as stem mixing and mastering relies on the use of busses to mix tracks down to stems for processing before mixing down to the stereo bus (also calle ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound *Audio signal, an electrical representation of sound * Audio frequency, a frequency in the audio spectrum *Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing * Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment * AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 * Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD *"Audios", a song by Black Eyed Peas from ''Elevation'' Computing * HTML audio, identified by the tag See ...
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Audio Signal
An audio signal is a representation of sound, typically using either a changing level of electrical voltage for analog signals or a series of binary numbers for Digital signal (signal processing), digital signals. Audio signals have frequencies in the audio frequency range of roughly 20 to 20,000 Hz, which corresponds to the lower and upper Human hearing range, limits of human hearing. Audio signals may be Synthesizer, synthesized directly, or may originate at a transducer such as a microphone, Pickup (music technology), musical instrument pickup, phonograph cartridge, or tape head. Loudspeakers or headphones convert an electrical audio signal back into sound. Digital audio systems represent audio signals in a variety of digital formats.Hodgson, Jay (2010). ''Understanding Records'', p.1. . An audio channel or audio track is an audio signal communications channel in a data storage device, storage device or mixing console. It is used in operations such as multi-track recordi ...
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Mixing Console
A mixing console or mixing desk is an electronic device for Audio mixing (recorded music), mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or Digital signal (signal processing), digital signals. The modified signals are summation, summed to produce the combined output signals, which can then be broadcast, amplified through a sound reinforcement system or recorded. Mixing consoles are used for applications including recording studios, public address systems, sound reinforcement systems, nightclubs, broadcasting, and post-production. A typical, simple application combines signals from microphones on stage into an amplifier that drives one set of loudspeakers for the audience. A DJ mixer may have only two channels, for mixing two record players. A coffeehouse's small stage might only have a six-c ...
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Digital Audio Workstation
A digital audio workstation (DAW ) is an electronic device or application software used for Sound recording and reproduction, recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrated stand-alone unit, all the way to a highly complex configuration of numerous components controlled by a central computer. Regardless of configuration, modern DAWs have a central interface that allows the user to alter and mix multiple recordings and tracks into a final produced piece. DAWs are used for producing and recording music, songs, speech, Radio broadcasting, radio, television, soundtracks, podcasts, sound effects and nearly every other kind of complex recorded audio. History Early attempts at digital audio workstations in the 1970s and 1980s faced limitations such as the high price of storage, and the vastly slower processing and disk speeds of the time. In 1978, Soundstream, who had made one ...
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Audio Signal Processing
Audio signal processing is a subfield of signal processing that is concerned with the electronic manipulation of audio signals. Audio signals are electronic representations of sound waves—longitudinal waves which travel through air, consisting of compressions and rarefactions. The energy contained in audio signals or sound power level is typically measured in decibels. As audio signals may be represented in either Digital signal (signal processing), digital or analog signal, analog format, processing may occur in either domain. Analog processors operate directly on the electrical signal, while digital processors operate mathematically on its digital representation. History The motivation for audio signal processing began at the beginning of the 20th century with inventions like the telephone, phonograph, and radio that allowed for the transmission and storage of audio signals. Audio processing was necessary for early radio broadcasting, as there were many problems with stud ...
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Stem Mixing And Mastering
Stem-mixing is a method of mixing audio material based on creating groups of audio tracks called stems and processing them separately prior to combining them into a final master mix. Stems are also sometimes referred to as submixes, subgroups, or buses. The distinction between a stem and a separation is rather unclear. Some consider stem manipulation to be the same as separation mastering, although others consider stems to be sub-mixes to be used along with separation mastering. It depends on how many separate channels of input are available for mixing and/or at which stage they are on the way towards reducing them to a final stereo mix. The technique originated in the 1960s, with the introduction of mixing boards equipped with the capability to assign individual inputs to sub-group faders and to work with each sub-group (stem mix) independently from the others. The approach is widely used in recording studios to control, process and manipulate entire groups of instrumen ...
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Bus (computing)
In computer architecture, a bus (historically also called a data highway or databus) is a communication system that transfers Data (computing), data between components inside a computer or between computers. It encompasses both Computer hardware, hardware (e.g., wires, optical fiber) and software, including communication protocols. At its core, a bus is a shared physical pathway, typically composed of wires, traces on a circuit board, or busbars, that allows multiple devices to communicate. To prevent conflicts and ensure orderly data exchange, buses rely on a communication protocol to manage which device can transmit data at a given time. Buses are categorized based on their role, such as system buses (also known as internal buses, internal data buses, or memory buses) connecting the Central processing unit, CPU and Computer memory, memory. Expansion buses, also called peripheral buses, extend the system to connect additional devices, including peripherals. Examples of widely ...
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Live Sound Mixing
Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones (for drum kit, lead vocals and acoustic instruments like piano or saxophone and pickups for instruments such as electric bass) and pre-recorded material, such as songs on CD or a digital audio player. Individual sources are typically equalised to adjust the bass and treble response and routed to effect processors to ultimately be amplified and reproduced via a loudspeaker system. The live sound engineer listens and balances the various audio sources in a way that best suits the needs of the event. Equipment Audio equipment is usually connected together in a sequence known as the signal chain. In live sound situations, this consists of input transducers like microphones, pickups, and DI boxes. These devices are connected, often via multicore cable, ...
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