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Anandavardhana
Ānandavardhana (c. 820 – 890 CE) was a Kashmiri court poet and literary critic, honored with the title of Rajanak during King Avantivarman's reign. Anandavardhana authored the ''Dhvanyāloka'', or ''A Light on Suggestion'' ('' dhvani''), a work articulating the philosophy of "aesthetic suggestion" (''dhvani'', ''vyañjanā''). Ānandavardhana is credited with creating the ''dhvani'' theory. He wrote that ''dhvani'' (meaning sound, or resonance) is the "soul" or "essence" ('' ātman'') of poetry ('' kavya'')." "When the poet writes," said Ānandavardhana, "he creates a resonant field of emotions." To understand the poetry, the reader or hearer must be on the same "wavelength." The method requires sensitivity on the parts of the writer and the reader. The complete ''Dhvanyāloka'' together with Abhinavagupta's commentary on it has been translated into English by the Sanskritist Daniel H.H. Ingalls and his collaborators. Ānandavardhana is mentioned in Kalhana's Rajatarangini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Literature
Sanskrit literature is a broad term for all literature composed in Sanskrit. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit. Literature in the older language begins during the Vedic period with the composition of the Ṛg·veda between about 1500 and 1000 BCE, followed by other Vedic works right up to the time of the grammarian Pāṇini around 6th or 4th century BCE (after which Classical Sanskrit texts gradually became the norm). Vedic Sanskrit is the language of the extensive liturgical works of the Vedic religion, while Classical Sanskrit is the language of many of the prominent texts associated with the major Indian religions, especially Hinduism and the Hindu texts, but also Buddhism, and Jainism. Some Sanskrit Buddhist texts are also composed in a version of Sanskrit often called Buddhist Hybrid Sanskrit or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alankara Shastra
The ''Alankara Shastra'' is the traditional Indian science of aesthetics that deals with the principles and techniques of literary composition and ornamentation. It is an important aspect of Indian literary criticism and aims to enhance the beauty and expressiveness of literary works. It is based on the concept that literary works should be pleasing and enjoyable to the reader, and it provides guidelines for the use of literary devices such as metaphor, simile and imagery, as well as rules for the arrangement of words and phrases to create pleasing and harmonious compositions. It also covers the use of various poetic meters and structural rules for different types of literature, such as epic poetry, drama, and lyrical poetry. The Shastra is considered an important part of Indian literary tradition and is still studied and applied in contemporary Indian literature and poetry. The Sanskrit language and its corresponding literature have become an integral component of Indian religio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhinavagupta
Abhinavagupta (Devanāgarī अभिनवगुप्तः; c. 950 – 1016 CE) was a philosopher, mystic and aesthetician from Kashmir. He was also considered an influential musician, poet, dramatist, exegete, theologian, and logicianRe-accessing Abhinavagupta, Navjivan Rastogi, page 4 – a polymathic personality who exercised strong influences on Indian culture. Abhinavagupta was born in a Kānyakubja Brāhmin family of scholars and mystics whose ancestors immigrated from Kannauj on invitation by the great king of Kashmir, Lalitaditya Muktapida. He studied all the schools of philosophy and art of his time under the guidance of as many as fifteen (or more) teachers and gurus. In his long life he completed over 35 works, the largest and most famous of which is '' Tantrāloka'', an encyclopedic treatise on all the philosophical and practical aspects of Kaula and Trika (known today as Kashmir Shaivism). Another one of his very important contributions was in the field ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhvani
In Indian aesthetics, a rasa () literally means "juice, essence or taste".Monier Monier-Williams (1899)Rasa Sanskrit English Dictionary with Etymology, Motilal Banarsidass (Originally Published: Oxford) It is a concept in Indian arts denoting the aesthetic flavour of any visual, literary or musical work that evokes an indescribable feeling in the reader or audience.Rasa: Indian Aesthetic Theory Encyclopedia Britannica (2013) It refers to the emotional flavors/essence crafted into the work by the writer or a performer and relished by a 'sensitive spectator' or ''sahṛdaya,'' literally one who "has heart", and can connect to the work with emotion, without dryness. Rasas are created by one's bhava (one's state of mind). The ''rasa'' theory has a dedicated section (Chapter 6) in the |
Harvard Oriental Series
The ''Harvard Oriental Series'' is a book series founded in 1891 by Charles Rockwell Lanman and Henry Clarke Warren. Lanman served as its inaugural editor (1891–1934) for the first 37 volumes. Other editors of the series include Walter Eugene Clark (1934–1950, volumes 38–44), Daniel Henry Holmes Ingalls (1950–1983, volumes 45–48) and Gary Tubb (1983–1990, volume 49). Currently in its 93rd volume, the series is edited by Michael Witzel, the Wales Professor of Sanskrit in the Department of Sanskrit and Indian Studies at Harvard University, and distributed by the Harvard University Press. A subseries, ''Harvard Oriental Series Opera Minora'', "aims at the swift publication of important materials that cannot be included in the mainly text-oriented Harvard Oriental Series." Volumes of Main Series Volumes of ''Opera Minora'' subseries See also * Columbia University Indo-Iranian Series *Loeb Classical Library The Loeb Classical Library (LCL; named after James ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mīmāṃsā
''Mīmāṁsā'' (Sanskrit: मीमांसा; IAST: Mīmāṃsā) is a Sanskrit word that means "reflection" or "critical investigation" and thus refers to a tradition of contemplation which reflected on the meanings of certain Vedic texts. This tradition is also known as Pūrva-Mīmāṁsā because of its focus on the earlier (''pūrva'') Vedic texts dealing with ritual actions, and similarly as Karma-Mīmāṁsā due to its focus on ritual action (''karma'').Chris Bartley (2013), "Purva Mimamsa", in ''Encyclopaedia of Asian Philosophy'' (Editor: Oliver Leaman), Routledge, 978-0415862530, pages 443–445. It is one of six Vedic "affirming" ( āstika) schools of Hindu philosophy. This particular school is known for its philosophical theories on the nature of Dharma, based on hermeneutics of the Vedas, especially the Brāḥmanas and samhitas.Oliver Leaman (2006), Shruti, in ''Encyclopaedia of Asian Philosophy'', Routledge, , page 503. The Mīmāṃsā school was foundati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Renou
Louis Renou (; 26 October 1896 – 18 August 1966) was the pre-eminent French Indologist of the twentieth century. Education and career After passing the ''agrégation'' examination in 1920, Louis Renou taught for a year at the ''lycée'' in Rouen. He then took a sabbatical, read the works of Sanskrit scholars and attended the classes of Antoine Meillet. Henceforth he opted exclusively for the study of Sanskrit. He attended the lectures of Jules Bloch at the ''École des hautes études''. The work he did at this time gave rise to ''Les maîtres de la philologie védique'' (1928). His doctoral thesis, submitted in 1925, was ''La valeur du parfait dans les hymnes védiques''. After a short time at the ''Faculté de lettres'' in Lyon, he moved to ''L'École des hautes études'' and then to the Sorbonne where he succeeded Alfred A. Foucher. In 1946 he was elected to the Académie des Inscriptions. In the following years he undertook three journeys: India in 1948-1949, Yale Univers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franklin Edgerton
Franklin Edgerton (July 24, 1885 – December 7, 1963) was an American linguistic scholar. He was Salisbury Professor of Sanskrit and Comparative Philology at Yale University (1926) and visiting professor at Benares Hindu University (1953–4). Between 1913 and 1926, he was the Professor of Sanskrit at the University of Pennsylvania. He is well known for his exceptionally literal translation of the Bhagavad Gita which was published as volume 38-39 of the Harvard Oriental Series in 1944. He also edited the parallel edition of four recensions of the ''Simhāsana Dvātrṃśika'' ("32 Tales of the Throne", also known as ''Vikrama Charita'': "Adventures of Vikrama"), and a reconstruction of the (lost) original Sanskrit text of the ''Panchatantra''. Edgerton was elected to the American Academy of Arts and Sciences in 1920, the American Philosophical Society in 1935. Publications * Edgerton, Franklin (1924). ''Panchatantra reconstructed''. 2 Volumes. New Haven, CT: American Orien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sushil Kumar De
Sushil Kumar De (29 January 1890 – 31 January 1968) was a Bengali writer from the early decades of the 20th century. Trained as a lawyer, with degrees in English and Sanskrit poetics, he wrote extensively on Sanskrit literature, philosophy, poetics, and the history of Bengali literature, besides editing critical editions for a large number of Sanskrit and Bengali texts from manuscripts. He was a professor of English literature at Calcutta University, and of Sanskrit and Bengali at Dhaka University. While at the latter post, he accumulated a large collection of palmleaf manuscripts. Life and career Sushil De was born in Calcutta in 1890. His father Satish Chandra De was a state surgeon, posted at Cuttack, Orissa, where he did his schooling at the Ravenshaw Collegiate School. Subsequently, he did his Intermediate and B.A. from Presidency College and M.A. in English from Calcutta University, and became a Premchand-Roychand scholar. In 1912, he completed his law degree fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Critic
A critic is a person who communicates an assessment and an opinion of various forms of creative works such as Art criticism, art, Literary criticism, literature, Music journalism, music, Film criticism, cinema, Theater criticism, theater, Fashion journalism, fashion, architecture, and food. Critics may also take as their subject social policy, social or government policy. Critical judgments, whether derived from critical thinking or not, weigh up a range of factors, including an assessment of the extent to which the item under review achieves its purpose and its creator's intention and a knowledge of its context. They may also include a positive or negative personal response. Characteristics of a good critic are articulateness, preferably having the ability to use language with a high level of appeal and skill. Sympathy, sensitivity (physiology), sensitivity and insight are also important. Substantial_form, Form, Style_(sociolinguistics), style and Media_(communication), mediu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prithivi Nath Kaul Bamzai
Prithivi Nath Kaul Bamzai (1910–2007) was a Kashmiri scholar and historian who wrote several books on the history of Kashmir and Central Asia. Works P. N. K. Bamzai was born in 1910 into a Kashmiri Pandit family of scholarly traditions, and received his first lessons in historical research from his father, Anand Koul, who was a pioneer of research on the history and folklore of Kashmir. Bamzai graduated from the Punjab University with honours in English Literature. During his tenure as a student, he accumulated a series of accomplishments and awards, notable among which were the Lord Chelsford Gold Medal for all-round best graduate and the Suraj Narain Gold Medal for his research on the social and economic condition of Kashmir during his student life. Bamzai then joined the Kashmir State Information Department as Special Officer. During this period, he was requested by Kashmir's prime minister, Sheikh Abdullah, to research and write a comprehensive history of Kashmir. In 1954 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedanta
''Vedanta'' (; , ), also known as ''Uttara Mīmāṃsā'', is one of the six orthodox (Āstika and nāstika, ''āstika'') traditions of Hindu philosophy and textual exegesis. The word ''Vedanta'' means 'conclusion of the Vedas', and encompasses the ideas that emerged from, or aligned and reinterpreted, the speculations and enumerations contained in the Upanishads, focusing, with varying emphasis, on devotion, knowledge and liberation. Vedanta developed into many traditions, all of which give their specific interpretations of a common group of texts called the ''Prasthanatrayi, Prasthānatrayī'', translated as 'the three sources': the ''Upanishads'', the ''Brahma Sutras'', and the ''Bhagavad Gita''. All Vedanta traditions are exegetical in nature, but also contain extensive discussions on ontology, soteriology, and epistemology, even as there is much disagreement among the various traditions. Independently considered, they may seem completely disparate due to the pronounced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
