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8-bar Blues
In music, an eight-bar blues is a common blues chord progression. Music writers have described it as "the second most common blues form" being "common to folk, rock, and jazz forms of the blues". It is often notated in or time with eight bars to the verse. Overview Early examples of eight-bar blues standards include: *" Ain't Nobody's Business If I Do" (Sara Martin, 1922) *" Trouble in Mind" ( Chippie Hill, 1926) *" How Long Blues" (Leroy Carr, 1928) *" Nobody Knows You When You're Down and Out" (Bessie Smith, 1929) *" It Hurts Me Too" (Tampa Red, 1940) *"Key to the Highway" (Big Bill Broonzy, 1941)James, Steve (2001). ''Inside Blues Guitar'', p.18. . *" Worried Life Blues" ( Big Maceo, 1941) One variant using this progression is to couple one eight-bar blues melody with a different eight-bar blues bridge to create a blues variant of the standard 32-bar song: "I Want a Little Girl" (T-Bone Walker) and "Great Balls of Fire" (Jerry Lee Lewis)( Eight-bar blues progressions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eight Bar Boogie-woogie Blues In C
8 is a number, numeral, and glyph. 8 or eight may also refer to: Years * AD 8, the eighth year of the AD era * 8 BC, the eighth year before the AD era Art *The Eight (Ashcan School), a group of twentieth century painters associated with the Ashcan School *The Eight (painters), an avant-garde art movement of Hungarian painters Motor vehicles *Bentley Eight, Bentley's "entry-level" offering from 1984 until 1992 *Leyland Eight, a luxury car produced by Leyland Motors from 1920 to 1923 *Mercury Eight, a first Post War Mercury car design *Morris Eight, a small car inspired by the Ford Model Y *Standard Eight, a small car produced by Standard Motor Company 1938–59 *Wolseley Eight, a four-door, light saloon car produced by Wolseley Motors Limited from 1946 to 1948 *Straight eight, automobile engine *Eight cylinder, automobile engine Sports *Eight (rowing), rowing boat used in the sport of competitive rowing *Figure 8 (belay device), rock climbing equipment also known as an "eight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tampa Red
Hudson Whittaker (born Hudson Woodbridge; January 8, 1903March 19, 1981), known as Tampa Red, was a Chicago blues musician. His distinctive single-string slide guitar style, songwriting and bottleneck technique influenced other Chicago blues guitarists such as Big Bill Broonzy, Robert Nighthawk, Muddy Waters, Elmore James and Mose Allison.Barlow, William (1989). ''"Looking Up at Down": The Emergence of Blues Culture''. Temple University Press. pp. 304–305. . In a career spanning over 30 years, he also recorded pop, R&B and hokum songs. His best-known recordings include "Anna Lou Blues", "Black Angel Blues", "Crying Won't Help You", " It Hurts Me Too", and " Love Her with a Feeling". Biography Early life Tampa Red was born Hudson Woodbridge in Smithville, Georgia. The date of his birth is uncertain, with Tampa himself giving years varying from 1900 to 1908. The birth date given on his death certificate is January 8, 1904. His parents, John and Elizabeth Woodbridge, died w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heartbreak Hotel
"Heartbreak Hotel" is a song recorded by American singer Elvis Presley. It was released as a single on January 27, 1956, Presley's first on his new record label RCA Victor. It was written by Mae Boren Axton and Tommy Durden, with credit being given also to Presley. A newspaper article about the suicide of a lonely man who jumped from a hotel window inspired the song. Axton presented the song to Presley in November 1955 at a country music convention in Nashville. Presley agreed to record it, and did so on January 10, 1956, in a session with his band, The Blue Moon Boys, the guitarist Chet Atkins, and the pianist Floyd Cramer. "Heartbreak Hotel" comprises an eight-bar blues progression, with heavy reverberation throughout the track, to imitate the character of Presley's Sun recordings. The single topped the ''Billboard'' Top 100 for seven weeks, '' Cashbox''s Pop singles chart for six weeks, and the Country and Western chart for seventeen weeks as well as reaching No. 3 on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Numeral Analysis
In music theory, Roman numeral analysis is a type of musical analysis in which chords are represented by Roman numerals (I, II, III, IV, …). In some cases, Roman numerals denote scale degrees themselves. More commonly, however, they represent the chord whose root note is that scale degree. For instance, III denotes either the third scale degree or, more commonly, the chord built on it. Typically, uppercase Roman numerals (such as I, IV, V) are used to represent major chords, while lowercase Roman numerals (such as ii, iii, vi) are used to represent minor chords (see Major and Minor below for alternative notations). However, some music theorists use upper-case Roman numerals for all chords, regardless of chord quality. Roger Sessions (1951). ''Harmonic Practice''. New York: Harcourt, Brace. . p. 7. In Western classical music in the 2000s, some music students and theorists use Roman numeral analysis to analyze the harmony of a composition. In pop, rock, traditional music, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scale Degree
In music theory, the scale degree is the position of a particular note on a scale relative to the tonic, the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals and chords and whether an interval is major or minor. In the most general sense, the scale degree is the number given to each step of the scale, usually starting with 1 for tonic. Defining it like this implies that a tonic is specified. For instance, the 7-tone diatonic scale may become the major scale once the proper degree has been chosen as tonic (e.g. the C-major scale C–D–E–F–G–A–B, in which C is the tonic). If the scale has no tonic, the starting degree must be chosen arbitrarily. In set theory, for instance, the 12 degrees of the chromatic scale usually are numbered starting from C=0, the twelve pitch classes being numbered from 0 to 11. In a more specific sense, scale degrees are given names that indicate their par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Lee Lewis
Jerry Lee Lewis (September 29, 1935October 28, 2022) was an American singer, songwriter and pianist. Nicknamed "The Killer", he was described as " rock & roll's first great wild man". A pioneer of rock and roll and rockabilly music, Lewis made his first recordings in 1952 at Cosimo Matassa's J&M Studio in New Orleans, Louisiana, and early recordings in 1956 at Sun Records in Memphis, Tennessee. " Crazy Arms" sold 300,000 copies in the Southern United States, but it was his 1957 hit " Whole Lotta Shakin' Goin' On" that shot Lewis to worldwide fame. He followed this with the major hits "Great Balls of Fire", " Breathless", and " High School Confidential". His rock and roll career faltered in the wake of his marriage to Myra Gale Brown, his 13-year-old cousin once removed. His popularity quickly eroded following the scandal and with few exceptions such as a cover of Ray Charles's " What'd I Say", he did not have much chart success in the early 1960s. His live performances at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Balls Of Fire
"Great Balls of Fire" is a 1957 popular song recorded by American rock and roll musician Jerry Lee Lewis on Sun Records and featured in the 1957 movie ''Jamboree''. It was written by Otis Blackwell and Jack Hammer. The Jerry Lee Lewis 1957 recording was ranked as the 96th greatest song ever by '' Rolling Stone''. The song is in AABA form. The song sold one million copies in its first 10 days of release in the United States making it one of the best-selling singles in the United States at that time. Song information The song is best known for Jerry Lee Lewis's original recording, which was recorded in the Sun Studio in Memphis, Tennessee, on October 8, 1957, using three personnel: Lewis (piano/vocals), Sidney Stokes (bass), and a session drummer, Larry Linn, instead of the usual Sun backups Jimmy Van Eaton (drums) and Roland Janes (guitar). Lewis was quoted in the book ''JLL: His Own Story'' by Rick Bragg, (pg 133), as saying "I knew Sidney Stokes but I didn't know him tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
T-Bone Walker
Aaron Thibeaux "T-Bone" Walker (May 28, 1910 – March 16, 1975) was an American blues musician, composer, songwriter and bandleader, who was a pioneer and innovator of the jump blues, West Coast blues, and electric blues sounds. In 2018 ''Rolling Stone'' magazine ranked him number 67 on its list of "The 100 Greatest Guitarists of All Time". Biography 1910–1941: Early years Aaron Thibeaux Walker was born in Linden, Texas, of African-American and Cherokee descent. His parents, Movelia Jimerson and Rance Walker, were both musicians. His stepfather, Marco Washington (a member of the Dallas String Band), taught him to play the guitar, ukulele, banjo, violin, mandolin, and piano. Walker began his career as a teenager in Dallas in the 1920s. His mother and stepfather were musicians, and Blind Lemon Jefferson, a family friend, sometimes came over for dinner. Walker left school at the age of 10, and by 15 he was a professional performer on the blues circuit. Initially, he was Je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thirty-two-bar Form
The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century. As its alternative name ''AABA'' implies, this song form consists of four sections: an eight-bar A section; a second eight-bar A section (which may have slight changes from the first A section); an eight-bar B section, often with contrasting harmony or "feel"; and a final eight-bar A section. The core melody line is generally retained in each A section, although variations may be added, particularly for the last A section. Examples of 32-bar AABA form songs include " Over the Rainbow", " I Got Rhythm", "What'll I Do", " Make You Feel My Love", " The Man I Love", and " Blue Skies". Many show tunes that have become jazz standards are 32-bar song forms. Basic song form At its core, the basic AABA 32-bar song form consists of four sections, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release''." Etymology The term comes from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Maceo
Major Merriweather (March 31, 1905 – February 23, 1953), better known as Big Maceo Merriweather, was an American pianist and blues singer. He was mainly active in Chicago through the 1940s. Career Born in Newnan, Georgia, he was a self-taught pianist. In the 1920s, he moved to Detroit, Michigan, to begin his music career. He moved to Chicago in 1941, where he made the acquaintance of Tampa Red. Red introduced him to Lester Melrose of RCA Victor and its subsidiary label Bluebird Records, who signed Merriweather to a recording contract. His first record was " Worried Life Blues" (1941), which became a blues |
Worried Life Blues
"Worried Life Blues" is a blues standard and one of the most recorded blues songs of all time. Originally recorded by Big Maceo Merriweather in 1941, "Worried Life Blues" was an early blues hit and Maceo's most recognized song. An earlier song inspired it and several artists have had record chart successes with their interpretations of the song. Background "Worried Life Blues" is based on "Someday Baby Blues" recorded by Sleepy John Estes in 1935. Estes' song is performed as a vocal and guitar country blues, whereas Maceo's is a prototypical Chicago blues. To illustrate the lyrical differences of the originals, the first few verses are as follows: :"Worried Life Blues" Big Maceo (1941): :"Someday Baby Blues" Sleepy John Estes (1935): Over the years the differences have become blurred by various cover versions of the songs, which use elements from both songs, often combined with new lyrics and variations in the music. Composition and recording Big Maceo recorded "Worried Lif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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