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1984 (For The Love Of Big Brother)
''1984 (For the Love of Big Brother)'' is a soundtrack album by the British pop duo Eurythmics. Released on 12 November 1984 by Virgin Records, it was the duo's fourth album overall and contains music recorded by Eurythmics for the film ''Nineteen Eighty-Four'', based on George Orwell's dystopian novel of the same name. Virgin Films produced the film for release in its namesake year, and commissioned Eurythmics to compose a soundtrack. Background Recording Band members Annie Lennox and Dave Stewart worked purely as a duo for these recordings, with no contributions from other musicians. The music continued in the predominantly electronic style that Eurythmics had found great success with since 1983, but was far more experimental with several tracks being instrumentals and some (most notably the hit single " Sexcrime") employing the use of sampling. Stewart himself described some tracks as "Kraftwerk meets African tribal meets Booker T and the MGs." Unknown to the group, Mich ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eurythmics
Eurythmics were a British Pop music, pop duo consisting of Annie Lennox and Dave Stewart (musician and producer), Dave Stewart. They were both previously in The Tourists, a band which broke up in 1980. The duo released their first studio album, ''In the Garden (Eurythmics album), In the Garden'', in 1981 to little success, but went on to achieve global acclaim when their second album ''Sweet Dreams (Are Made of This) (album), Sweet Dreams (Are Made of This)'', was released in 1983. The Sweet Dreams (Are Made of This), title track became a worldwide hit, reaching #2 in the UK Singles Chart and #6 in Australia, before hitting #1 in Canada and the US Billboard Hot 100, ''Billboard'' Hot 100. The duo went on to release a string of hit singles and albums, including "Love Is a Stranger", "There Must Be an Angel (Playing with My Heart)" and "Here Comes the Rain Again", before they split up in 1990. Stewart became a sought-after record producer, while Lennox began a solo recording c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dystopia
A dystopia (from Ancient Greek δυσ- "bad, hard" and τόπος "place"; alternatively cacotopiaCacotopia (from κακός ''kakos'' "bad") was the term used by Jeremy Bentham in his 1818 Plan of Parliamentary Reform (Works, vol. 3, p. 493). or simply anti-utopia) is a speculated community or society that is undesirable or frightening. It is often treated as an Opposite (semantics), antonym of ''utopia'', a term that was coined by Sir Thomas More and figures as the title of his best known work, published in 1516, which created a blueprint for an ideal society with minimal crime, violence and poverty. The relationship between utopia and dystopia is in actuality not one simple opposition, as many utopian elements and components are found in dystopias as well, and '' vice versa''. Dystopias are often characterized by rampant fear or distress , tyrannical governments, environmental disaster, or other characteristics associated with a cataclysmic decline in society. Distinct t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Top 100 Albums
The European Top 100 Albums chart was the European adaptation of the ''Billboard'' 200 albums chart. It ran from March 1984 until December 2010. Also commonly referred to as Eurochart Top 100 Albums, the chart showcased the sales of an act in 19 European countries based on IFPI data. The European Top 100 combined album sales (both retail and digital) of new and older albums. The methodology was different from the US ''Billboard'' 200, where albums would only be allowed to chart if they weren't 18 months old. If an album older than 18 months had enough sales to enter the 200 chart after having already dropped out of the 100th position, it would chart on The ''U.S. Billboard'' Catalog Albums. Later ''Billboard'' reviewed the criteria and decided the older albums would also be allowed to chart in the 200, as it should show what's being sold. The chart update and issue dating followed the rules of the ''Billboard'' 200: sales tracking week began on Monday and ended on Sunday. A new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent (historian), David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram Records, Phonogram records and had developed the report initially as a hobby ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steven Stanley
Steven J. C. Stanley (born July 11, 1958), is a Jamaican audio engineer, record producer and keyboardist who has worked in the reggae, dub and rock music genres since 1975, most notably with Talking Heads, Tom Tom Club and Black Uhuru. Stanley began as an in-house apprentice sound engineer at Aquarius Recording Studio in Halfway Tree, Kingston, Jamaica, September 1975. An integral part of the Compass Point All Stars, he was considered a member of the 1980s new wave group Tom Tom Club, co-producing their debut studio album ''Tom Tom Club'' (1981). He is credited as co-writer of " Genius of Love", one of the most sampled songs in hip hop music, having been re-interpreted by Grandmaster Flash and the Furious Five in the 1982 song "It's Nasty (Genius of Love)", and sampled by Dr. Jeckyll & Mr. Hyde, the X-Ecutioners, and on Mariah Carey's No. 1 hit "Fantasy" (1995) which earned Stanley a 1997 ASCAP Pop Award as a songwriter. Stanley worked on the Grammy Award-winning studio a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Capella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for '' alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RCA Records
RCA Records is an American record label currently owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America. It is one of Sony Music's four flagship labels, alongside RCA's former long-time rival Columbia Records; also Arista Records, and Epic Records. The label has released multiple genres of music, including pop, classical, rock, hip hop, afrobeat, electronic, R&B, blues, jazz, and country. Its name is derived from the initials of its defunct parent company, the Radio Corporation of America (RCA). RCA Records was fully acquired by Bertelsmann in 1987, making it a part of Bertelsmann Music Group (BMG) and became a part of Sony BMG Music Entertainment after the 2004 merger of BMG and Sony; it was acquired by the latter in 2008, after the dissolution of Sony/BMG and the restructuring of Sony Music. RCA Records is the corporate successor of the Victor Talking Machine Company, founded in 1901, making it the second-oldest record label in America ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Room 101
The Ministry of Truth, the Ministry of Peace, the Ministry of Love, and the Ministry of Plenty are the four ministries of the government of Oceania in the 1949 dystopian novel ''Nineteen Eighty-Four'', by George Orwell. The use of contradictory names in this manner may have been inspired by the British and American governments; during the Second World War, the British Ministry of Food oversaw rationing (the name "Ministry of Food Control" was used in World War I) and the Ministry of Information restricted and controlled information, rather than supplying it; while, in the U.S., the War Department was abolished and replaced with the "National Military Establishment" in 1947 and then became the Department of Defense in 1949, right around the time that ''Nineteen Eighty-Four'' was published. Ministry of Truth The Ministry of Truth (Newspeak: Minitrue) is the ministry of propaganda. As with the other ministries in the novel, the name ''Ministry of Truth'' is a misnomer because ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newspeak
Newspeak is the fictional language of Oceania, a totalitarian superstate that is the setting of the 1949 dystopian novel ''Nineteen Eighty-Four'', by George Orwell. In the novel, the Party created Newspeak to meet the ideological requirements of Ingsoc (English Socialism) in Oceania. Newspeak is a controlled language of simplified grammar and restricted vocabulary designed to limit the individual's ability to think and articulate "subversive" concepts such as personal identity, self-expression, and free will. Such concepts are criminalized as thoughtcrime since they contradict the prevailing Ingsoc orthodoxy. In "The Principles of Newspeak", the appendix to the novel, Orwell explains that Newspeak follows most of the rules of English grammar, yet is a language characterised by a continually diminishing vocabulary; complete thoughts are reduced to simple terms of simplistic meaning. The political contractions of Newspeak—''Ingsoc'' (English Socialism), ''Minitrue'' (Ministr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Radford
Michael James Radford (born 24 February 1946) is an English film director and screenwriter. He began his career as a documentary director and television comedy writer before transitioning into features in the early 1980s. His best-known credits include the 1984 Nineteen Eighty-Four (1984 film), film adaptation of George Orwell's ''Nineteen Eighty-Four'' starring John Hurt and Richard Burton (in his final role), the William Shakespeare, Shakespeare adaptation ''The Merchant of Venice (2004 film), The Merchant of Venice'', the true crime drama ''White Mischief (film), White Mischief'', and the 1994 Italian-language comedy drama ''Il Postino: The Postman'', for which he won the BAFTA Awards for BAFTA Award for Best Direction, Best Direction and BAFTA Award for Best Film Not in the English Language, Best Film Not in the English Language, and earned Academy Awards, Academy Award nominations for Academy Award for Best Director, Best Director and Academy Award for Best Adapted Screenpla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Booker T And The MGs
Booker T. & the M.G.'s were an American instrumental R&B/funk band that was influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones (organ, piano), Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the Mar-Keys, the rotating slate of musicians that served as the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era. By the mid-1960s, bands on both sides of the Atlantic were trying to sound like Booker T. & the M.G.'s. In 1965, Steinberg was replaced by Donald "Duck" Dunn, who played with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and '' Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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