1917 In Film
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1917 In Film
1917 in film was a particularly fruitful year for the art form, and is often cited as one of the years in the decade which contributed to the medium the most, along with 1913. Secondarily the year saw a limited global embrace of narrative film-making and featured innovative techniques such as continuity cutting. Primarily, the year is an American landmark, as 1917 is the first year where the narrative and visual style is typified as "Classical Hollywood". __TOC__ Events *January – ''Panthea'' is released, the first film from the company that Joseph Schenck formed with his wife, Norma Talmadge, after leaving Loew's Consolidated Enterprises. *February – Buster Keaton first meets Roscoe "Fatty" Arbuckle in New York and is hired as a co-star and gag man. *April 9 – Supreme Court of the United States rule in Motion Picture Patents Co. v. Universal Film Manufacturing Co. which ends the Motion Picture Patents Company appeal and results in the end of the company. *April 23 â ...
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1913 In Film
1913 was a particularly fruitful year for film as an art form, and is often cited one of the years in the decade which contributed to the medium the most, along with 1917. The year was one where filmmakers of several countries made great artistic advancements, producing notable pioneering masterpieces such as ''The Student of Prague'' (Stellan Rye), ''Suspense'' (Phillips Smalley and Lois Weber), ''Atlantis'' (August Blom), ''Raja Harischandra'' (D. G. Phalke), ''Juve contre Fantomas'' (Louis Feuillade), ''Quo Vadis?'' (Enrico Guazzoni), ''Ingeborg Holm'' (Victor Sjöström), ''The Mothering Heart'' (D. W. Griffith), ''Ma l’amor mio non muore!'' (Mario Caserini), ''L’enfant de Paris'' (Léonce Perret) and ''Twilight of a Woman's Soul'' (Yevgenii Bauer). Events * January 1 – The British Board of Film Censors is established. * April 21 – The first full-length Indian (and Marathi) feature film ''Raja Harishchandra'' (silent) has its première (public release May 3). * May â ...
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