Đàn Tứ
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Đàn Tứ
The ''đàn tứ'' (chữ Hán: 彈四) (''tứ'' meaning "four" in Sino-Vietnamese, referring to the instrument's number of strings), also called ''đàn đoản'' (''đoản'' meaning "short," referring to the instrument's neck) or ''đàn tứ tròn'' (''tròn'' meaning "round"), is a traditional Vietnamese stringed musical instrument, this is short-necked, round-bodied lute derived from the Chinese ''yueqin'', with four strings in double courses. It is little used today. A different instrument with the same name, which is similar to the Chinese ''zhongruan'' but with a rectangular or slightly trapezoidal soundbox, is used in Vietnam's tradition of ''nhạc dân tộc cải biên''. In around the 1960s, musicians in Vietnam's conservatories improved the ''đàn tứs ability to play Western-style music by creating a rectangular body with longer strings and fretting designed for the Western diatonic scale In music theory a diatonic scale is a heptatonic scale, heptatonic ( ...
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Yueqin
The ''yueqin'' (; ; ; or ), also called a moon lute or moon guitar, is a traditional Chinese musical instruments, traditional Chinese string instrument. It is a lute with a round, hollow soundboard, a short fretted neck, and usually four strings. It is an important instrument in the Peking opera orchestra, often taking the role of main melodic instrument in lieu of the bowed string section. The instrument was invented in China in the 3rd to 5th centuries AD, during the Jin Dynasty (265–420), Jin dynasty. The Ruan (instrument), ruan, another Chinese instrument, is the ancestor of the yueqin. The name ''yueqin'' once applied to all instruments with a moon-shaped soundboard, including the Ruan (instrument), ruan; however, "yueqin" now applies to a separate category from the Ruan (instrument), ruan family. Etymology The word ''yueqin'' is made of two characters, ''yuè'' (月 "moon") and ''qín'' (琴 "stringed instrument, zither"). Its name in Korean (''wolgeum''), Japane ...
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Chữ Hán
( , ) are the Chinese characters that were used to write Literary Chinese in Vietnam, Literary Chinese (; ) and Sino-Vietnamese vocabulary in Vietnamese language, Vietnamese. They were officially used in Vietnam after the Red River Delta region was incorporated into the Han dynasty and continued to be used until the early 20th century. Terminology The main Vietnamese term used for Chinese characters is (). It is made of meaning 'character' and 'Han (referring to the Han dynasty)'. Other synonyms of includes ( , literally 'Confucianism, Confucian characters') and ( ) which was borrowed directly from Chinese. was first mentioned in Phạm Đình Hổ's essay ( ), where it initially described a calligraphic style of writing Chinese characters. Over time, however, the term evolved and broadened in scope, eventually coming to refer to the Chinese script in general. This meaning came from the viewpoint that the script belonged to followers of Confucianism. This is further s ...
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Vietnamese Culture
The culture of Vietnam (, vi-hantu, 文化越南) are the customs and traditions of the Vietnamese people, Kinh people and the other Vietnamese ethnic groups, ethnic groups of Vietnam. Vietnam is part of Southeast Asia and the Sinosphere due to the influence of Chinese culture on Vietnamese culture. Ancient Vietnamese cultural artifacts, such as Dong Son drums were found spread throughout Southeast Asia and South China, suggesting a spread of ancient Viet (Baiyue, Yue) culture all the way south to Indonesia. Vietnamese culture was heavily influenced by Chinese culture due to the "Vietnam under Chinese rule, 1000 years of Northern Rule" (111 BCE – 939 CE). From this period until the 19th century, Classical Chinese (''Literary Chinese in Vietnam, Hán văn'') was the language used for formal writing. Between the 15th and 19th centuries, popular literature and folk songs were written in the Vietnamese language using a Vietnamese script (''chữ Nôm'') derived from Chinese char ...
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String Instrument
In musical instrument classification, string instruments, or chordophones, are musical instruments that produce sound from vibrating strings when a performer strums, plucks, strikes or sounds the strings in varying manners. Musicians play some string instruments, like Guitar, guitars, by plucking the String (music), strings with their fingers or a plectrum, plectrum (pick), and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow (music), bow, like Violin, violins. In some keyboard (music), keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classic ...
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Yueqin
The ''yueqin'' (; ; ; or ), also called a moon lute or moon guitar, is a traditional Chinese musical instruments, traditional Chinese string instrument. It is a lute with a round, hollow soundboard, a short fretted neck, and usually four strings. It is an important instrument in the Peking opera orchestra, often taking the role of main melodic instrument in lieu of the bowed string section. The instrument was invented in China in the 3rd to 5th centuries AD, during the Jin Dynasty (265–420), Jin dynasty. The Ruan (instrument), ruan, another Chinese instrument, is the ancestor of the yueqin. The name ''yueqin'' once applied to all instruments with a moon-shaped soundboard, including the Ruan (instrument), ruan; however, "yueqin" now applies to a separate category from the Ruan (instrument), ruan family. Etymology The word ''yueqin'' is made of two characters, ''yuè'' (月 "moon") and ''qín'' (琴 "stringed instrument, zither"). Its name in Korean (''wolgeum''), Japane ...
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Course (music)
In organology, a course is either one string or two or more adjacent strings that are closely spaced relative to the other strings, and typically played as a single string. The strings in each multiple-string course are typically tuned in unison or an octave. Normally, the term ''course'' is used to refer to a single string only on an instrument that also has multi-string courses. For example, a nine-string baroque guitar has five courses: most are two-string courses but sometimes the lowest or the highest consists of a single string. An instrument with at least one multiple-string course is referred to as ''coursed'', while one whose strings are all played individually is ''uncoursed''. Rationale and types Multiple string courses were probably originally employed to increase the volume of instruments, in eras in which electrical amplification did not exist, and stringed instruments might be expected to accompany louder instruments (such as woodwinds or brass). Eventu ...
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Zhongruan
The ''zhongruan'' () is a Chinese plucked string instrument. The ''zhongruan'' has a straight neck with 24 frets on the fingerboard and 4 strings. It is usually played with a plectrum (guitar pick). It can also be played with fingers (index finger and thumb with acrylic nails), which is similar to the way of playing the ''pipa'' (琵琶). The ''zhongruan'' is a tenor-ranged instrument in the family of '' ruan'' (阮). In ancient China, the ''ruan'' was called ''Qin pipa'' (Qin ynastypipa, 秦琵琶) or ''Ruan xian'' (阮咸). Now the ''ruan'' has expanded to different sizes and the ''zhongruan'' is the "medium" one. Use The default tuning of ''zhongruan'' is It can also be tuned as or or other variants, according to requirements in music scores. Since the ''zhongruan'' has a rounded, calm and rich tone, it is usually played as a lead instrument in small ensembles and used to accompany other instruments in Chinese orchestra. It can also be played solo. Construction A good ...
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Nhạc Dân Tộc Cải Biên
''Nhạc dân tộc cải biên'' is a modern form of Vietnamese folk music which arose in the 1950s after the founding of the Hanoi Conservatory of Music in 1956. This development involved writing traditional music using Western musical notation, while Western elements of harmony In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harm ... and instrumentation were added.Arana, Miranda (1999). ''Neotraditional Music in Vietnam''. Kent, Ohio, United States: Nhạc Việt/The Journal of Vietnamese Music. The genre is sometimes criticized by purists for its watered-down approach to traditional sounds. Etymology In Vietnamese, '' nhạc'' means "music," '' dân tộc'' means "nationality," and '' cải biên'' means "renovated." References Music of Vietnam {{Vietnam-stub ...
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Diatonic Scale
In music theory a diatonic scale is a heptatonic scale, heptatonic (seven-note) scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps. In other words, the half steps are maximally separated from each other. The seven pitch (music), pitches of any diatonic scale can also be obtained by using a Interval cycle, chain of six perfect fifths. For instance, the seven natural (music), natural pitch classes that form the C-major scale can be obtained from a stack of perfect fifths starting from F: :F–C–G–D–A–E–B. Any sequence of seven successive natural notes, such as C–D–E–F–G–A–B, and any Transposition (music), transposition thereof, is a diatonic scale. Modern musical keyboards are designed so that the white-key notes form a diatonic scale, though transpositions of this diatonic scale require one or more black keys. A diaton ...
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Lute Family Instruments
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" commonly refers to an instrument from the family of European lutes which were themselves influenced by Indian short-necked lutes in Gandhara which became the predecessor of the Islamic, the Sino-Japanese and the European lute families. The term also refers generally to any necked string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed ...
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