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(You're My) Soul And Inspiration
"(You're My) Soul and Inspiration" is a song by American pop duo the Righteous Brothers. It was the group's first hit after leaving their long-time producer Phil Spector. The song was written by Barry Mann and Cynthia Weil, who also wrote the group's first hit "You've Lost That Lovin' Feelin'" along with Phil Spector. It is the title track of their album. The single peaked at No. 1 on the US ''Billboard'' Hot 100, and reached No. 15 on the UK Singles Chart. ''Billboard'' ranked the record as the No. 3 single for 1966. Background The song was written by Barry Mann and Cynthia Weil, part of the legendary Brill Building pop machine in New York City. They first began writing it following the success of the Righteous Brothers' first single with Phil Spector, "You've Lost That Lovin' Feelin'", which they also wrote. However, the song was not completed, as they thought it sounded too much like "Lovin' Feelin", and Spector chose instead to record Carole King and Gerry Goffin's "Just ...
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The Righteous Brothers
The Righteous Brothers are an American musical duo originally formed by Bill Medley and Bobby Hatfield but now comprising Medley and Bucky Heard. Medley formed the group with Hatfield in 1963. They had first performed together in 1962 in the Los Angeles area as part of a five-member group called the Paramours, and adopted the name The Righteous Brothers when they became a duo. Their most active recording period was in the 1960s and '70s, and, after several years inactive as a duo, Hatfield and Medley reunited in 1981 and continued to perform until Hatfield's death in 2003. The music they performed is sometimes dubbed "blue-eyed soul". Hatfield and Medley had contrasting vocal ranges, which helped them create a distinctive sound as a duet, also both had a strong vocal talent individually that allowed them to perform as soloists. Medley sang the low parts with his bass-baritone voice, with Hatfield taking the higher-register vocals with his tenor. His voice reached the register o ...
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Carole King
Carole King Klein (born Carol Joan Klein; February 9, 1942) is an American singer, songwriter, and musician who has been active since 1958, initially as one of the staff songwriters at 1650 Broadway and later as a solo artist. Regarded as one of the most significant and influential musicians of all time, King is the most successful female songwriter of the latter half of the 20th century in the US, having written or co-written 118 pop hits on the ''Billboard'' Hot 100. King also wrote 61 hits that charted in the UK, making her the most successful female songwriter on the UK singles charts between 1962 and 2005. King's major success began in the 1960s when she and her first husband, Gerry Goffin, wrote more than two dozen chart hits, many of which have become standards, for numerous artists. She has continued writing for other artists since then. King's success as a performer in her own right did not come until the 1970s, when she sang her own songs, accompanying herself on the ...
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Rock And Roll Heaven
"Rock and Roll Heaven" is a song written by Alan O'Day and Johnny Stevenson, popularized by The Righteous Brothers. It is a paean to several deceased singers such as Jimi Hendrix, Janis Joplin, and Otis Redding, and has been rewritten a number of times to include other singers. The song was first recorded by the band Climax in 1973, but it failed to chart. It was then covered by The Righteous Brothers in 1974 and reached number three on the U.S. ''Billboard'' Hot 100. The Righteous Brothers version The Righteous Brothers recorded "Rock and Roll Heaven" a few weeks after they decided to reform the duo in 1974. They signed with Haven Records run by Dennis Lambert and Brian Potter and were given the song to record. Lambert and Potter rewrote a verse, updating the song to include Jim Croce and Bobby Darin who had died within three months of each other in late 1973. According to Bill Medley, they were dubious about the song because they didn't think the song had the "old Righteous ...
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Jimmy Bond (musician)
James Edward Bond Jr. (January 27, 1933 – April 26, 2012), known as Jimmy Bond, was an American double bass player, arranger and composer who performed and recorded with many leading jazz, blues, folk and rock musicians between the 1950s and 1980s. Biography Bond was born in Philadelphia, and learned the double bass and tuba as well as studying orchestration and composition. He attended the Juilliard School between 1950 and 1955. He played bass in clubs in Philadelphia, with musicians such as Charlie Parker, Thelonious Monk and Gene Ammons. After his formal studies ended, he performed regularly with Chet Baker, Ella Fitzgerald, and Sonny Rollins, and in 1958 began touring with George Shearing. John Voight, ''The New Grove Dictiona ...
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Michel Rubini
Michel Rubini (born December 3, 1942) is an American musician, conductor, arranger, producer, songwriter and composer. A professional classical pianist since early childhood, he was a prolific session musician of the 1960s and '70s, part of a group known as " The Wrecking Crew", and worked with such artists Ray Charles, Frank Zappa, Sonny and Cher and Barbra Streisand. He has also written several film scores, notably for Tony Scott's ''The Hunger'' (1983) and Michael Mann's ''Manhunter'' (1986), and the television series ''Capitol'' (1982-87) and ''The Hitchhiker'' (1984-87). As a musician ;As a session player and arranger Rubini was producer, conductor and arranger for Motown Records. He was one of the most sought-after Los Angeles session players during the 1960s and 1970s, performing on albums by Sonny & Cher (and the hit single " The Beat Goes On"), Loggins and Messina, Michael Parks, the Cats, the Righteous Brothers, and many others. Rubini arranged and conducted Son ...
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Don Randi
Don Randi (born February 25, 1937) is an American keyboard player, bandleader, and songwriter who was a member of the Wrecking Crew. Career Randi was born February 25, 1937 in New York City. He was raised in the Catskill Mountains and studied classical music. In 1954, he moved to Los Angeles and became a studio musician. During the next year, he began working at record distribution company where he was influenced by jazz musicians, particularly Horace Silver. He began his career as a pianist and keyboard player in 1956, gradually establishing a reputation as a leading session musician. In the early 1960s, he was musician and arranger for record producer Phil Spector's Wall of Sound. He played piano on " These Boots Are Made For Walkin'" by Nancy Sinatra and on her albums, as well as being a member of her touring band for decades. He performed on the Beach Boys' " Good Vibrations" and "God Only Knows". His piano can be heard on the Buffalo Springfield songs "Expecting to Fly" and ...
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The Wrecking Crew (music)
The Wrecking Crew was a loose collective of Los Angeles-based session musicians whose services were employed for a great number of studio recordings in the 1960s and 1970s, including hundreds of top 40 hits. The musicians were not publicly recognized in their era, but were viewed with reverence by industry insiders. They are now considered one of the most successful and prolific session recording units in music history. Most of the players associated with the Wrecking Crew had formal backgrounds in jazz or classical music. The group had no official name in its active years, and it remains a subject of contention whether or not they were referred to as "the Wrecking Crew" at the time. Drummer Hal Blaine popularized the name in his 1990 memoir, attributing it to older musicians who felt that the group's embrace of rock and roll was going to "wreck" the music industry. Some of Blaine's colleagues corroborated his account, while guitarist/bassist Carol Kaye contended that they ...
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Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'chorus' ...
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Reverb
Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100  ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. As time passes, the amplitude of ...
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Wall Of Sound
The Wall of Sound (also called the Spector Sound) is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as " the Wrecking Crew". The intention was to exploit the possibilities of studio recording to create an unusually dense orchestral aesthetic that came across well through radios and jukeboxes of the era. Spector explained in 1964: "I was looking for a sound, a sound so strong that if the material was not the greatest, the sound would carry the record. It was a case of augmenting, augmenting. It all fit together like a jigsaw." A popular misconception holds that the Wall of Sound was created simply through a maximum of noise and distortion, but the method was actually more nuanced. To attain the Wall of Sound, Spector's arrangements called for large ensembles (including some instruments not generally used for ensemb ...
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Jack Nitzsche
Bernard Alfred "Jack" Nitzsche ( '; April 22, 1937 – August 25, 2000) was an American musician, arranger, songwriter, composer, and record producer. He first came to prominence in the early 1960s as the right-hand-man of producer Phil Spector and went on to work with the Rolling Stones and Neil Young, among others. He also worked extensively in film scores, notably for films such as '' Performance'', '' The Exorcist'' and '' One Flew Over the Cuckoo's Nest''. In 1983, he won the Academy Award for Best Original Song for co-writing " Up Where We Belong" with Buffy Sainte-Marie. Life and career Born in Chicago, Illinois, United States, and raised on a farm in Newaygo, Michigan, Nitzsche, the son of German immigrants, moved to Los Angeles in 1955 with ambitions of becoming a jazz saxophonist. He was hired by Sonny Bono, who was at the time an A&R executive at Specialty Records, as a music copyist. While there, Nitzsche wrote a novelty hit titled "Bongo Bongo Bongo". Nitz ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvis ...
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