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Veii
Veii (also Veius; it, Veio) was an important ancient Etruscan city situated on the southern limits of Etruria and north-northwest of Rome, Italy. It now lies in Isola Farnese, in the comune of Rome. Many other sites associated with and in the city-state of Veii are in Formello, immediately to the north. Formello is named after the drainage channels that were first created by the Veians. Veii was the richest city of the Etruscan League. It was alternately at war and in alliance with the Roman Kingdom and later Republic for over 300 years. It eventually fell in the Battle of Veii to Roman general Camillus's army in 396 BC. Veii continued to be occupied after its capture by the Romans. The site is now a protected area, part of the Parco di Veio established by the regional authority of Lazio in 1997. Site City of Veii The city of Veii lies mainly on a tuff plateau in area. The Valchetta flows a few miles eastward to join the Tiber River on the south side of Lab ...
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Battle Of Veii
The Battle of Veii, also known as the Siege of Veii, was a battle involving ancient Rome, approximately dated at 396 BC. The main source about it is Livy's ''Ab Urbe Condita''. The Battle of Veii was the final battle between the Romans, who were led by Marcus Furius Camillus, who had been elected dictator, and the Etruscan city of Veii. Veii had resisted the Romans in a long and inconclusive war with victories and defeats on both sides. The Romans besieged Veii and dug a tunnel beneath the city. Camillus attacked the city on all sides so as to distract the Veientines. The Romans then emerged from the tunnel and their forces quickly overwhelmed Veii. The Siege The Romans were led by Marcus Furius Camillus, elected ''dictator'' (in the Roman Republic, this was an emergency general rather than a tyrant) after Rome had suffered defeats. Their opponent, the Etruscan city of Veii, was a large city about 16 km (10 miles) from Rome. When Camillus took over command, Veii was u ...
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Portonaccio (Veio)
The sanctuary of Minerva at Portonaccio is an archaeological site on the western side of the plateau on which the ancient Etruscan city of Veii, north of Rome, Italy, was located. The site takes its name from the locality within the village of Isola Farnese, part of Municipio XX, city of Rome. It is important for the elaborate polychrome terracotta decoration that was found here with a quantity and quality unparalleled in Etruria, much of which can be seen in the National Etruscan Museum, in the Villa Giulia, Rome. The site The sanctuary complex was built in the 7th century BC in a cutting on the side of the hill over which the city wall of Veii towered. One of the richest sources of Etruscan artifacts (pottery and other objects inscribed in Etruscan and terra cotta statuary and other decorative elements), it contained two main structures, one a sanctuary dedicated to the goddess Menerva (Etruscan spelling) and the other a temple that had statues of Turms, Hercle, Apollo (th ...
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Marcus Furius Camillus
Marcus Furius Camillus (; c. 446 – 365 BC) was a Roman soldier and statesman of the patrician class. According to Livy and Plutarch, Camillus triumphed four times, was five times dictator, and was honoured with the title of ''Second Founder of Rome''. Early life Camillus belonged to the lineage of the Furii Camilli, whose origin had been in the Latin city of Tusculum. Although this city had been a bitter enemy of the Romans in the 490s BC, after both the Volsci and Aequi later began to wage war against Rome, Tusculum joined Rome, unlike most Latin cities. Soon, the Furii integrated into Roman society, accumulating a long series of magistrate offices. Thus the Furii had become an important Roman family by the 450s.Plutarch, ''Lives'': Wikisource Life of Camillus. The father of Camillus was Lucius Furius Medullinus, a patrician tribune of consular powers. Camillus had more than three brothers: the eldest one was Lucius junior, who was both consul and tribune of consular ...
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Juno (mythology)
Juno ( ; Latin ) was an ancient Roman goddess, the protector and special counsellor of the state. She was equated to Hera, queen of the gods in Greek mythology. A daughter of Saturn, she was the sister and wife of Jupiter and the mother of Mars, Vulcan, Bellona and Juventas. Like Hera, her sacred animal was the peacock.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Her Etruscan counterpart was Uni, and she was said to also watch over the women of Rome. As the patron goddess of Rome and the Roman Empire, Juno was called ("Queen") and was a member of the Capitoline Triad (''Juno Capitolina''), centered on the Capitoline Hill in Rome, and also including Jupiter, and Minerva, goddess of wisdom. Juno's own warlike aspect among the Romans is apparent in her attire. She was often shown armed and wearing a goatskin cloak. The traditional depiction of this warlike aspect was assimilated from the Greek goddess Athena, who bore a goatskin, ...
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Roman Republic
The Roman Republic ( la, Res publica Romana ) was a form of government of Rome and the era of the classical Roman civilization when it was run through public representation of the Roman people. Beginning with the overthrow of the Roman Kingdom (traditionally dated to 509 BC) and ending in 27 BC with the establishment of the Roman Empire, Rome's control rapidly expanded during this period—from the city's immediate surroundings to hegemony over the entire Mediterranean world. Roman society under the Republic was primarily a cultural mix of Latin and Etruscan societies, as well as of Sabine, Oscan, and Greek cultural elements, which is especially visible in the Roman Pantheon. Its political organization developed, at around the same time as direct democracy in Ancient Greece, with collective and annual magistracies, overseen by a senate. The top magistrates were the two consuls, who had an extensive range of executive, legislative, judicial, military, and religious po ...
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Apollo Of Veii
The Apollo of Veii is a life-size painted terracotta Etruscan statue of Apollo (''Aplu''), designed to be placed at the highest part of a temple. The statue was discovered in the Portonaccio sanctuary of ancient Veii, Latium, in what is now central Italy, and dates from c. 510 - 500 BC. It was created in the so-called "international" Ionic or late-archaic Etruscan style. It was discovered in 1916, and is now on display in the National Etruscan Museum in Rome. Creator The statue was probably made by Vulca, an Etruscan artist who was also responsible for the Temple of Jupiter Optimus Maximus, according to Pliny. He is the only Etruscan artist known by name. Mythological depiction This terracotta statue was part of a scene of Apollo and Heracles contending over the Ceryneian Hind, placed 12 metres above the ground on beams on the acroterion of the Portonaccio Sanctuary of Minerva. The statue is dressed in a tunic and short cloak, advancing towards the left with the right arm o ...
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Formello
Formello is a town and ''comune'' in the Metropolitan City of Rome. It is located southwest of the Monti Sabatini, within the Regional Park of Veii. The communal territory is mostly composed by tuff, and is intensively cultivated. History The area has been settled since prehistoric times. As an Italian comune, it includes some of the archaeological sites associated with the powerful former Etruscan city of Veii, which rivaled Rome for a time, north of the village of Isola Farnese, south of Formello. Settlement in the region declined after Veii's destruction in 396 BC. In this area, about 780 AD, with peaceful conditions reestablished, Pope Adrian I assembled a great estate of which this territory formed part, his '' Domusculta Capracorum'', in contrast with the power of the Abbey of Farfa, but it was destroyed by Saracen attacks in the ninth century. The domus' territories included a ''fundus Formellum'', where a settlement developed that was first mentioned in 1027. In the 11th ...
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Roman Kingdom
The Roman Kingdom (also referred to as the Roman monarchy, or the regal period of ancient Rome) was the earliest period of Roman history when the city and its territory were ruled by kings. According to oral accounts, the Roman Kingdom began with the city's founding 753 BC, with settlements around the Palatine Hill along the river Tiber in central Italy, and ended with the overthrow of the kings and the establishment of the Republic 509 BC. Little is certain about the kingdom's history as no records and few inscriptions from the time of the kings survive. The accounts of this period written during the Republic and the Empire are thought largely to be based on oral tradition. Origin The site of the founding of the Roman Kingdom (and eventual Republic and Empire) had a ford where one could cross the river Tiber in central Italy. The Palatine Hill and hills surrounding it provided easily defensible positions in the wide fertile plain surrounding them. Each of these features c ...
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Latium
Latium ( , ; ) is the region of central western Italy in which the city of Rome was founded and grew to be the capital city of the Roman Empire. Definition Latium was originally a small triangle of fertile, volcanic soil ( Old Latium) on which resided the tribe of the Latins or Latians. It was located on the left bank (east and south) of the River Tiber, extending northward to the River Anio (a left-bank tributary of the Tiber) and southeastward to the Pomptina Palus ( Pontine Marshes, now the Pontine Fields) as far south as the Circeian promontory. The right bank of the Tiber was occupied by the Etruscan city of Veii, and the other borders were occupied by Italic tribes. Subsequently, Rome defeated Veii and then its Italic neighbours, expanding its dominions over Southern Etruria and to the south, in a partly marshy and partly mountainous region. The latter saw the creation of numerous Roman and Latin colonies: small Roman colonies were created along the coast, while ...
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Grotta Campana
The Grotta Campana or Tomba Campana is an Etruscan tomb in Veii, which was rediscovered in 1843 by Giampietro Campana. For a while it was considered to contain the oldest known Etruscan frescoes. It is named after the owner of the land where and when the tomb was discovered. Because of a lack of inscriptions, it is unknown who was buried in this tomb. The tomb has not been dated with any precision. Description A 6 feet wide passage is hewn in the rocks in the side of the Poggio Michele hill, with a sculpted stone lion on each side of the entrance, and two similar ones at the actual entrance of the tomb. On the side facing the entrance are a four paintings, placed one above another on each side of the door to the inner chamber. One is a three feet wide painting of a strange, multi-coloured horse with some humans and other animals. Beneath is a painting of other animals and legendary creature A legendary creature (also mythical or mythological creature) is a type of fictional e ...
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Etruscan Civilization
The Etruscan civilization () was developed by a people of Etruria in ancient Italy with a common language and culture who formed a federation of city-states. After conquering adjacent lands, its territory covered, at its greatest extent, roughly what is now Tuscany, western Umbria, and northern Lazio, as well as what are now the Po Valley, Emilia-Romagna, south-eastern Lombardy, southern Veneto, and western Campania. The earliest evidence of a culture that is identifiably Etruscan dates from about 900BC. This is the period of the Iron Age Villanovan culture, considered to be the earliest phase of Etruscan civilization, which itself developed from the previous late Bronze Age Proto-Villanovan culture in the same region. Etruscan civilization endured until it was assimilated into Roman society. Assimilation began in the late 4thcenturyBC as a result of the Roman–Etruscan Wars; it accelerated with the grant of Roman citizenship in 90 BC, and became complete in 27 BC, w ...
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in app ...
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